"Conscience" at Theatre in the Round

On a day when some 200,000 people gathered at our State Capitol to stand up for democracy, joined by millions more around the country, I saw a play about Senator Margaret Chase Smith, one of the few Republicans who stood up to Senator Joseph McCarthy in the 1950s. Conscience, written in 2020 by Tony-winning playwright Joe DiPietro (for book and lyrics of the musical Memphis), resonates deeply with today's world. It tells of a time when one personality has overtaken the Republican party, whipping up support amongst voters by preaching fear of outsiders, fellow politicians afraid to cross him because of the power he seemingly wields. Until one woman stands up on the Senate floor (the only woman on the Senate floor) to condemn his actions. It was a rough road, but eventually, this personality faded into disgrace and history as quickly as he rose. Yesterday's marches are incredibly inspiring, as is this story, providing hope that our collective conscience will win out against forces attempting to erode our democracy. And it's a beautifully told story, succinct and to the point in under two hours, with a fantastic four-person cast bringing these historical figures and their heroic (or not so heroic) actions to life. Conscience, a last-minute season replacement in Theatre in the Round's 74th season, runs through April 19 and couldn't have come at a better time.

Minnesota Fringe Festival 2025: "Breach"

Day: 6

Show: 19

Title: Breach

Category: Comedy / Drama / Original Music / Physical Theater / Puppetry

By: Third Space Theater

Written by: Mariabella Sorini and Alex Church

Location: Theatre in the Round

Summary: On board a fishing vessel searching for crabs in the Bering Sea, a storm, family drama, and possibly mutiny wreak havoc.

Highlights: This is a thoroughly gripping story told in an hour that flies by and also somehow feels like an epic journey. It's well written with natural sounding dialogue, creating interesting and complex characters and setting up mysteries that pay off later in the show. Siblings Lennox (Stephanie Kahle) and Monroe (Em Adam Rosenberg) inherited the ship from their father, the former named Captain even though the latter is better at it. They and the rest of the crew (Isabel Estelle, Hannah Leatherbarrow, Mary Lofreddo, and Mariabella Sorini, great performances by all) perform the functions of their job (including gutting fish represented by water bottles), talk and joke, and have a wild night of drinking during a lightning storm. But things keep going wrong, and the tension builds in a wonderfully suspenseful way. Director Alex Church makes great use of the in-the-round space, with the cast climbing up and down the stairs, using various parts of the space as different parts of the ship. The lighting is spectacular, from bring lightning flashes to total darkness lit by flashlights. It's an immersive, visceral experience that makes you feel like you're on this doomed ship, and that's not a comfortable feeling. Simple but effective props and costumes, the occasional singing of sea shanties, beautiful movement to represent the waves and water, and one amazing crab puppet complete the experience.

Read all of my Fringe mini-reviews here.