"Head Over Heels" by Minneapolis Musical Theatre at LUSH

Rare musicals. Well done. Minneapolis Musical Theatre lives by these words, and we benefit from it. They're only doing two shows this season, but both are regional premieres that you're unlikely to see anywhere else. They'll be doing the musical adaptation of Jane Eyre next spring, but first up is the 2018 Broadway musical Head over Heels. I didn't see it on Broadway, but after seeing MMT's production it feels like the kind of thing that is better suited to smaller stages. In particular, it seems perfectly suited to the stage at LUSH Lounge & Theater, where it feels more like a raucous concert than a civilized night at the theater. And that's a good thing in this case. I'm not sure why anyone would think to set a 16th Century work of literature to the music of the 1980s all-female rock band The Go-Go's, but there have been worse ideas in this history of music-theater. The show is pure joy and silliness and fun, with a sweet ending that imagines a world beyond gender conventions, where everyone is free to be who they are and love who they love. And what's not to love about that? Only six performances remain on specific dates and times through October 10, click here to see the schedule and purchase tickets.

"Grumpy Old Men: The Musical" by Minneapolis Musical Theatre at the Conn Theater

If Grumpy Old Men had to be turned into a musical (and I would argue it didn't), it definitely needs to be performed in Minnesota (where the 1993 film was set and filmed), and no company is a better choice to do it than Minneapolis Musical Theatre, whose motto is "rare musicals, well done." They specialize in this campy spoofy fun genre of musical, and always make the most out of the material. That's definitely the case here. The show is fun with lots of Minnesota references and doesn't take itself too seriously. But for a musical that premiered in 2018, it's disappointingly sexist in the way women are treated and talked about, with (relatively) young, smart, beautiful women dating and even marrying literal grumpy old men decades older than them. But MMT has assembled a winning cast that makes the most of it, with clever staging and choreography, for what is overall a fun time at the theater. Grumpy Old Men: The Musical continues at the Conn Theater in South Minneapolis through April 19 only.

"Legacy of Light" at Theatre in the Round

A historical fiction rom com featuring female scientists? Sign me up! Playwright Karen Zacarías' Legacy of Light, now on stage at Theatre in the Round, is just my kind of play. It has a little of everything - comedy, romance, history, philosophy, poetry, science, fantasy, love, grief. The true story of 18th Century French mathematician and physicist Émilie du Châtelet is told alongside of the story of a fictional modern female scientist, the two stories speaking to each other in expected ways. A smart and funny play about smart, funny, strong women, their ambitions and accomplishments, as well as the obstacles they face because of their sex, is just what we need right now. See this lovely production at Theatre in the Round weekends through March 16.

"Wit" by Hypnic Jerk Theatre at Theatre in the Round

I first saw the Pulitzer Prize winning play Wit six years ago, when I called it "simply devastating," "also funny, and smart, and philosophical, and enlightening," and "brilliantly written." Hypnic Jerk Theatre, a newish #TCTheater company in their first post-pan show, is currently presenting a new production at Theatre in the Round, and it's excellent. Joy Donley gives a strong, funny, and heart-breaking performance in "one of the juiciest roles in theater - a smart, educated, independent, confident woman who experiences life in a whole new way while approaching death from cancer." But this isn't a one-woman show, and the ensemble gives great support. The staging and design in the in-the-round space are effective in telling the story of this woman's journey, in a thoroughly compelling and moving 100 minutes of theater. This is another short run show with only six performances, so act quickly to see this fine execution of a new classic (click here for info and tickets).

"Striking 12" by Minneapolis Musical Theatre at Gremlin Theatre

If you're already sick of Christmas music, endless holiday parties, cheesy Hallmark movies, and other so-called festive signs of the season, then Minneapolis Musical Theatre's Striking 12 is the holiday show* for you. The main holiday here is New Year's Eve, by which time our protagonist is sick of the holidays and ready to retreat to his NYC apartment alone. Taking inspiration from Hans Christian Andersen's story "The Little Match Girl," this original musical is funny, clever, and surprisingly poignant, but in a not treacly way. Which makes it perfect for this scrappy company whose tag line is "rare musicals, well done," and who perfectly performs this show in a way that feels both irreverent and earnest at the same time. Striking 12 is truly unique in the #TCTheater holiday space this year, an unexpected take on the holiday season that acknowledges the pressures and disappointments that go along with it, but in the end is a sweet story about finding connection. Striking 12 continues for two more weekends only at Gremlin Theatre in St. Paul (conveniently located next door to Lake Monster Brewing and their daily food trucks).

"Doubt: A Parable" at Theatre in the Round

To open their historic 71st season, Theatre in the Round is presenting the 2005 Tony-winning best play Doubt: A Parable. In roughly 90 minutes, the intense and tautly written play explores ideas of faith, doubt, gender, race, class, sexual abuse, and the hierarchy of the Catholic Church that allowed such abuses to continue. Presented in a series of mostly two-person scenes, expertly written and well performed by this cast, the play is not so much about whether the accused is innocent or guilty, but about how we as humans deal with the doubt and uncertainty that exists in many areas of life. Doubt is truly a parable that can be applied to so many situations (especially today with so many sources of "truth" flying at us), with no clear answers, leaving the audience feeling a bit unsettled. 

"Marjorie Prime" at Theatre in the Round

Now playing at the oldest theater in Minneapolis: the 2015 Pulitzer Prize finalist Marjorie Prime. This is the third show in Theatre in the Round's abbreviated five-show 70th season, which is an eclectic mix of traditional works and more interesting pieces like this. In just 80 minutes, the trippy and futuristic Marjorie Prime explores issues of aging, dementia, grief, depression, suicide, artificial intelligence, and complicated family dynamics. It's a fascinating and layered look at a multitude of relevant topics, well done by this cast and creative team. Continuing weekends through March 6 (click here for details).

"Pop Goes the Noggin" by SOS Theater at Gremlin Theatre

New #TCTheater company SOS Theater debuted a year and half ago with the dark comedy / family dramedy Roller Derby Queen. I really enjoyed that play, calling it "smart, funny, and well-written, with quirky but real characters," and was looking forward to their second outing. Pop Goes the Noggin is another new play written by Michele Lepsche, a dark comedy featuring quirky characters. Unfortunately it's an example of the proverbial sophomore slump as the great ideas don't quite come together, perhaps because due to an unexpected illness the playwright was unable to finish the play, which was completed by director Kari Steinbach and cast member Greta Grosch (one of the writers of the Church Basement Ladies series). But the play has an interesting premise, and a cast of unique and endearing characters (some more defined than others). There's definitely potential there, and it would be interesting to see it again after a round of revisions.

"The Government Inspector" at Theatre in the Round

Jeffrey Hatcher's adaptation of the brilliantly ridiculous Russian satirical comedy The Government Inspector premiered at the Guthrie in 2008, featuring his usual dry wit and clever humor, and starring a bunch of beloved Guthrie actors and one Broadway star. I don't remember too much about it, other than the hilarity, and that yes, Hunter Foster (aka Seymour) did sing. While perhaps some of the jokes don't land as well in 2019, the idea of a narcissistic, greedy, corrupt politician finally getting what's coming to him is particularly appealing at this moment in time. Theatre in the Round's production, which closes this weekend, brings all the absurdity to life in a very entertaining way, with almost constant laughter from the nearly sold-out crowd.

"Bull" by Hypnic Jerk Theatre at Element Boxing Gym

"Site-specific theater in a boxing ring, now that’s cool! Brand new #tctheater company Hypnic Jerk debuts with BULL. Note: the play is not about boxing it’s about office politics.
#itsametaphor"
-Cherry and Spoon Instagram

And a great metaphor it is. Director and Hypnic Jerk Theatre founder Kari Steinbach notes in the program that playwright Mike Bartlett was inspired to write Bull after watching a bullfight, but a boxing match works well too. They're staging the show in two locations on two weekends only, the first in Element Boxing Gym in St. Paul, the second at A Mill Artist Lofts in Minneapolis. I like the idea of a traveling show, making it more accessible to different communities (and people who are loathe to cross the river), but I'm glad I saw it in the first location, because it was really cool to watch a play in an actual boxing ring in an actual gym, something I've not done before. Just two more performances remain this Memorial Day Weekend, before the show moves across the river next weekend. Check it out for a short, intense, engaging, well directed and acted performance.