"Romeo & Juliet" by Collide Theatrical at Luminary Arts Center

My second Romeo and Juliet of Valentine's Day Weekend (and my 17th lifetime), was a steampunk dance version. And there's no one I would trust to do a steampunk dance version of this classic tragic love story other than Collide Theatrical. They first interpreted R&J in 2014, with two actors reciting some of the dialogue interspersed with dance scenes, which didn't always work. At the time I wrote, "I would love to see them go all the way with the concept and tell the story strictly through dance with little to no dialogue." And that's what they've done here, to great effect. (They also did a version of this show in February 2020 but I missed it, I guess I was too busy in those blissful pre-pan days.) After a bit of an introduction, we're off on the dance train, with the main plot points clearly told through movement and dance (it probably helps that the story is so familiar). Collide's Romeo & Juliet plays for one more weekend at the gorgeous Luminary Arts Center. And if you're on the fence about whether or not to see this oft told story again, here are ten reasons you should.

"Bonnie and Clyde" by Collide Theatrical Dance Company at Luminary Arts Center

Collide Theatrical Dance Company begins their 11th season with a new original jazz dance musical about the notorious 1930s outlaw couple Bonnie and Clyde. Collide uses dance to tell a narrative story in a theatrical way, which gives me an excuse to watch dance (which I usually don't have time to do). As always, the dancing in this show is fantastic (it's a great week for '30s-themed dance shows, see also Some Like It Hot). And while this version of the story might be a little too sympathetic towards these criminals and killers (I don't think their guns went off "accidentally" over a dozen times), it has some interesting things to say about celebrity culture and our glamorization of violence. But mostly, it's just really great dancing. Bonnie and Clyde plays Thursdays through Sundays (plus one Wednesday matinee) until November 3 at the Luminary Arts Center.

"C.L.U.E" by Collide Theatrical Dance Company at the Southern Theater

For their 30th production, Collide Theatrical Dance Company is remounting/revising their 2015 original dance musical C.L.U., now with one letter added to be C.L.U.E. It's a parody of the classic board game (which I spent many hours playing as a kid) and the movie based on it (coincidentally, a new non-musical stage version will be at the Orpheum next week). While the mystery part may be a little thin, the dancing and performances are incredible, and the show is overall a whole lot of fun. Collide lives at the intersection of theater and dance, and as a primarily theater reviewer, it's fun to have an excuse to see some dance, especially when it tells a story in a theatrical way. Embrace the mystery and enjoy the dancing of C.L.U.E. at the Southern Theater (the best venue for dance) now through March 10.

"The Great Gatsby" by Collide Theatrical Dance Company at Luminary Arts Center

To begin their 10th anniversary season, Collide Theatrical Dance Company is not simply remounting their 2018 jazz dance musical adaptation of The Great Gatsby, they're bringing us a new updated version of this familiar story. The narrative structure is different from the previous version, and it's a little longer (about two hours including intermission). But what's the same is the incredible dancing, accompanied by a live band and singers performing well-chosen pop songs. As the name implies, Collide brings us a collision of dance, music, and theater, and conveys story, character, and emotion simply through movement. It's a beautiful thing to witness. You can see it at the gorgeous Luminary Arts Center (formerly the Lab Theater) in Minneapolis' North Loop neighborhood for the next two weekends only.

"SKOL!" by Collide Theatrical Dance Company at the Southern Theater

For their latest original jazz dance musical, Collide Theatrical Dance Company took inspiration from a recent scholarly finding that a 1878 archeological find that was believed to be the body of a Viking warrior is in fact female remains. There is other evidence to support the existence of female Viking warriors, which you can read about here and I'm sure other scholarly sources. Or you can go see SKOL!, which is less historically accurate than it is an imaging of a strong female leader in the Viking culture and its reflections in today's world. For the first time since the pandemic, Collide is returning to live music accompanying the dancing (their last few shows have used recorded music), and for the first time in their history, they're using original music written for this story instead of covers of pop songs. It's an ambitious task, and after 10 years of creating original dance pieces, they're up for it. If you're someone who things dancing warriors is silly, this might not be the show for you. But if you see dance/music/theater as a way to express heightened emotions, the kind that are very much presence in war, love, and family drama, head to the Southern Theater in the next two weeks to see this fun collision of dance, music, and theater to tell a story of female power.

"Class of '85" by Collide Theatrical Dance Company at Gremlin Theatre

For two weekends only, Collide Theatrical Dance Company is remounting their super fun original jazz dance musical Class of '85, which premiered in 2014 (just their fourth production). They've made some updates to the music, characters, and story, and moved from the spacious Southern to the more intimate Gremlin. As with all of their work, it's creatively choreographed to well-chosen music, impeccably performed by this troupe of dancers. Class of '85 is not only a fun '80s homage with all of the fashion and music we love, but it also has a poignant (but not heavy-handed) message about looking beyond the labels we put on each other to see the human with real feelings and experiences behind it. Only three performances remain this weekend, in addition to a virtual option - click here for more info and tickets.

"Mary Shelley's Frankenstein" by Collide Theatrical Dance Company at the Southern Theater

For eight years, Collide Theatrical Dance Company has been creating new dance musicals, either with original stories or based on classic works. Even the pandemic didn't stop them - they presented an outdoor dance cabaret last fall when all of us were starved for live entertainment; produced a Valentine's Day video dance piece; and returned to the outdoor stage this spring for a dance musical based on Alice in Wonderland. Now they're back inside the best dance venue in town, the Southern Theater, for the premiere of their dance musical based not just on the well known 19th Century novel Frankenstein, but also on the life of its lesser known author, Mary Shelley. Over 75 minutes of continuous dance, the seven-person ensemble tells these remarkable interconnected stories with great emotion and vitality.

2021 Summer Outdoor #TCTheater and More!

photo taken by me in the BWCA (no filter, it's just that gorgeous)

Updated July 17

I've long believed that one of the best things about a Minnesota summer (besides lakes, like the one at left in the BWCA) is the opportunity for watching outdoor performances. Every summer there are many great options, from music to plays and more. But this year, when outdoors feels like the safest place to be, and we're starved for live in-person entertainment after a year (and counting) of theater closures due to the pandemic, outdoor performances are absolutely necessary to get us through to that joyous day when we can return to the theater indoors. Below is a list of outdoor shows in #TCTheater (and beyond) planned for this spring/summer/fall. I'll continue to update this list as I hear of more, and please let me know via email (cherryandspoon@gmail.com), the comment section below, or social media if there are any I've missed.

"Wonderland" by Collide Theatrical Dance Company outside the James J. Hill House

Oh happy day - outdoor theater has returned! Kicking off a great year of outdoor performances*, Collide Theatrical Dance Company (who also did an outdoor show last year) is presenting their take on Alice in Wonderland outdoors at the James J. Hill House and Mill City Museum. Over the last eight years, Collide has created original jazz dance musicals set to a soundtrack of well-chosen pop music, and WonderLand continues that tradition. Even better, this one is performed at a gorgeous outdoor location, behind the James J. Hill House on Summit Avenue in St. Paul overlooking the Mississippi River valley (and later this month, the Mill City Museum). It's a wonderful step back into the reopening of our vital preforming arts community. Click here for more info and to purchase tickets for an outdoor performance or to watch the show virtually.

Valentine's Day Cabarets Streaming from Yellow Tree Theatre, Collide Theatrical Dance Company, and Duluth Playhouse

While it may be true that "Valentine's Day is a sham created by card companies to reinforce and exploit gender stereotypes*," there's plenty to love this Valentine's Day weekend in the world of streaming #TCTheater. And with sub-zero temps here in Minnesota, what better is there to do than cuddle up under a pile of blankets with your loved ones, pets, or friends, with a hot cuppa something in your hands, and watch some shows? First of all, if you haven't caught one of Bucket Brigade's LIVE performances of their original musical 'Til Death, streamed from Art House North direct to your house, you can still do so tonight or tomorrow (click here for more on that). Or choose one of these on-demand options (click on show title for more info and to purchase tickets).

"The Cafe" by Collide Theatrical Dance Company Outdoors at Gremlin Theatre

Since 2013, Collide Theatrical Dance Company has been creating original dance musicals that really blur the line between dance, theater, and music (their name refers to a collision of art forms). Most of their shows tell a story strictly through dance and music (typically pop songs performed live), with little or no dialogue. In February they remounted their adaptation of Romeo and Juliet, which I didn't see because I had seen the original in 2014 and I was so busy with #TCTheater that I couldn't fit it in (can you even imagine?!). But in the last 6+ months my life has become the complete opposite of that, so my schedule was happily free and clear to see their new production, being performed outdoors for a limited time only. In fact only one performance remains, tonight, and can be viewed in person or virtually. I saw it in person last night and was smiling under my mask for 60 minutes! Click here for all of the details of how you can take in this delightful dance show.

"The Picture of Dorian Gray" by Collide Theatrical Dance Company at Park Square Theatre

Now in their 6th season, Collide Theatrical Dance Company is an expert at telling stories through dance. In their newest original jazz dance musical, playwright and frequent collaborator Michael Hanna has re-imagined Oscar Wilde's The Picture of Dorian Gray in the modern NYC fashion world with all female characters. I'll let Regina Peluso, Collide's Artistic Director and choreographer of this show, take it from here. "This classic story, as told through a female lens, illustrates many central themes for women today including the fight against aging in our culture and in the beauty industry, social media's narcissistic influence, the depravity behind perfection, and the debate between beauty and morality." That's more words than are uttered in the entire 100-minute (including intermission) show, but all of that and more is conveyed through the expressive choreography, beautifully danced and emoted by the company, the appropriately chosen pop songs, and the sparkling look of the show. It's a fabulous and well constructed piece of dance-music-theater.

"The Great Gatsby" by Collide Theatrical Dance Company at the Ritz Theater

In the past five seasons, Collide Theatrical Dance Company has brought us original stories from various historical eras, as well as adaptations of classics like Romeo and Juliet. Their new show is an adaptation of the most well-known novel by Minnesota's own F. Scott Fitzgerald, The Great Gatsby. What makes Collide unique is that they tell their stories entirely through movement and music, with few or no words. Their "original Broadway-style jazz dance musicals" are a collision of music, dance, and theater. In other words, an excuse for this busy theater blogger to watch pretty people dance prettily, while telling a theatrical story. Combining perfectly chosen pop songs performed by a live band and singers with thrilling dances performed by the talented company of dancers, they're able to convey all of the emotion of the story (with plot summary printed in the program if you care about the plot). The Great Gatsby is a great example of this as they tell the story of these beautifully tragic and tragically beautiful people.

"Dance 'Til You Drop" at History Theatre, a Co-Production with COLLIDE Theatrical Dance Company

What do you get when you combine COLLIDE Theatrical Dance Company, known for creating original dance musicals, with the History Theatre, dedicated to creating new work based on or inspired by true events in Minnesota history? You get Dance 'Til You Drop, a dance musical about a Minnesota dance team who competed and set a record in a dance marathon in the 1930s. Let's call it an original historical dance musical! Like all COLLIDE productions, it features exquisite storytelling through dance, and like all History Theatre shows, it's an informative and compelling look at history and how it relates to today. It's fun, inspirational, nostalgic, and over in a quick two hours that will leave you wanting more.

"La Petit Moulin" by COLLIDE Theatrical Dance Company at the Ritz Theater

In my biannual excuse to watch dance (which I love, but just don't have time for with all the theater I see), I attended opening night of COLLIDE Theatrical Dance Company's latest "original jazz dance musical" La Petit Moulin last weekend. COLLIDE's shows are always great fun - gorgeous dancing, incredible live music, short and sweet so you're outa there in under two hours. For someone who sees a ton of theater, it's a nice palate cleanser to watch a story unfold with nary a word said. Now in their 5th season, the COLLIDE team (choreographer Regina Peluso, Director Josh Campbell, and Music Director Doug Rohde), the musicians, and the dance company are experts at telling a story solely through music and dance.

"Dracula" by Collide Theatrical Dance Company at the Ritz Theater

Collide Theatrical Dance Company is now in their fourth season of creating "original Broadway-style jazz dance musicals." As a theater geek who doesn't know much about dance but loves to watch it, Collide provides an accessible and theatrical way to get into dance. I've seen all of their productions over the last four seasons, and their newest creation Dracula may just be my favorite of them all. Collide is at their best when they let the dancing do the talking, as they do here, telling this modernized story of the iconic Dracula strictly through movement and music. A live band accompanies this fantastic troupe of dancers as they perform innovative and evocative choreography to a wide variety of popular songs reinvented to fit the story. Created by Artistic Director and choreographer Regina Peluso and director Joshua Campbell, this Dracula truly is a perfect collision of dance, music, and theater to create a new and exciting form of storytelling.

"C.L.U." by Collide Theatrical Dance Company at the Ritz Theater

My grandparents' attic contained many delights for a kid, particularly a collection of vintage board games from the '50s and '60s that my aunties used to play. My cousins and I spent hours playing Risk, Masterpiece, Monopoly, Life, and one of our favorites, Clue. Sometimes we'd even get the adults to join in. I took very detailed notes on my Clue sheet with my own system of shorthand. It was such delicious mysterious fun! Collide Theatrical Dance Company's new original piece C.L.U. captures that fun and mysterious spirit. Created by Artistic Director and Choreographer Regina Peluso along with new collaborator, Director Joshua Campbell, C.L.U. is a fun and entertaining evening of music, dance, and melodrama.

"Zoot Suit Riots" by Collide Theatrical Dance Company at the Lab Theater

Collide Theatrical Dance Company is a bit of a step out of my comfort zone as a theater blogger. But I do love to watch dance, and Collide (named for the collision of various art forms, including dance, theater, and music) allows this theater geek to get a dance fix in the form of storytelling, which is what theater is all about. Their latest original jazz-dance musical creation is Zoot Suit Riots, based on the historical riots in 1943 Los Angeles that spread to other parts of the country. This version of the riots takes place in Harlem in a dance hall similar to the historic Savoy Ballroom, and while the story may be a bit thin, the dancing is spectacular and does a wonderful job of expressing emotions and defining characters.

Let's start with the music. The five-piece band, directed by Bob Beahen on percussion and also including keyboard, upright bass, guitar, and my favorite jazz instrument the clarinet, sounds super smooth and cool and jazzy. The song selections are mostly standards from the era like "Moondance" and "You Can't Take That Away from Me," with a little Queen and Lady Gaga thrown in for good measure. Singing these songs are two amazing vocalists, Katie Carney and Ben Bakken (did someone say Queen?), solo and duet. The choice of music is, as always, spot on, and it's fun to hear modern pop music played and sung in the '40s jazz style.

the company and the band (photo by V. Paul V.)

Hand in hand with the music is the dancing, which is awe-inspiring to this non-dancing theater geek. Directer/ choreographer/creator of the piece Regina Peluso combines various styles of dance (jazz, ballet, tap, Fosse, contemporary) to create something unique and so much fun to watch. Whether solo dances or group numbers, the dances perfectly suit the music which perfectly suits the moment in the story. In fact, the dancing is so expressive and tells the story so well that I wish they would eliminate the short scenes with dialogue, which are a bit stilted. These dancers are better actors when they're dancing; when they're dancing I know who they are and I believe them. Some of Collide's earlier pieces had no dialogue and told the story entirely through music and movement (with a short story summary in the program), and were the stronger for it.

Galen Higgins flies high (photo by V. Paul V.)

The ten dancers in the company are all beautiful, graceful, strong dancers (including familiar faces Renee Guittar, Riley Thomas Weber, and Jeffrey Robinson in the lead roles), but the standout in this show is Galen Higgins as a hard-nosed, fierce-tapping Marine. His tap dance (which he also choreographed) is huge and fast and explosive. Lastly, there's no costumer listed in the credits, but I'm always amazed how the dancers can move so well in what look like street clothes, and look stylish while doing so.

Zoot Suit Riots officially opens tonight and continues through March 15 at the gorgeous Lab Theater, a great space for dance. (Discount tickets available on Goldstar.)

"Class of '85" by Collide Theatrical Dance Company at the Southern Theater

"Live music. Dance. Complimentary drinks. Like totally radical!" I can't say it better than that. The newest original jazz-dance musical by Collide Theatrical Dance Company, which in the past has created more serious pieces such as Romeo and Juliet and a story about prostitution in the '30s, is a fun and light-hearted look at high school in the '80s. But while the topic may be a little lighter, this show is like their past shows in that it is beautifully danced, features a great selection of pop music performed by a live band and singers, and offers free beer and wine before the show. As someone who doesn't know much about dance or see dance productions very often, I always enjoy Collide's ability to tell a story, whether heavy or light, deep or fun, purely through dance and music.

In Class of '85, eight dancers portray the usual high school stereotypes - the spoiled princess, the cheerleader, the nerd, the jock, the rebel. As the audience is filing into their seats before the show, the dancers are mingling with the audience, totally in character. It was almost a little too realistic and started to give me an uneasy feeling in the pit of my stomach (I was in high school in the '80s and I have no desire to go back there!). Soon the principal (aka director/choreographer Regina Peluso) calls everyone to order and announces nominations for Prom King and Queen (the audience gets cast their vote at intermission). We follow these familiar characters through a school day, Saturday detention (similarities to The Breakfast Club and other '80s movies are intentional), and the all important Prom night. Short scenes with dialogue help to set the scene, but most of the story is told through dance. Company dances alternate with solo dancers, in which we get to know each character a little better, and see that they're more than how they're perceived. The choreography and the dancers (who are surprisingly good actors too) do a beautiful job of conveying all the angst, pain, confusion, uncertainty, and joy of being a teenager.

Singers Michael Hanna (who also plays the Young Republican a la Alex P. Keaton) and Deb Brown (a teacher) alternate solos and sometimes duet on this list of '80s hits. From Tiffany to Madonna, Whitney Houston to Michael Jackson, Twisted Sister to Guns and Roses, all '80s bases are covered. Highlights include "Under Pressure," a powerful expression of the pressure that teenagers feel from all sides; the girls vs. boys dodgeball dance-off medley; "I Think We're Alone Now," in which the characters don't actually dance but let us get a glimpse into their souls; and the fun final number danced to, what else, "Footloose." Regina Peluso's choreography is fantastic, flawlessly performed by this beautiful company, many of whom I recognize from past Collide shows.

"Live music. Dance. Complimentary drinks. Like totally radical!" If that sounds good to you, head to the Southern Theater (the best dance venue in town) and take a little trip back to high school. It'll make you feel nostalgic or uncomfortable, depending on your high school experience, but either way it's a fun night filled with beautiful dancing that tells a familiar story (now through October 19, with discount tickets available on Goldstar).

yes, I voted for the nerds - my people

"Romeo and Juliet" at the Lab Theater by Collide Theatrical Dance Company

The idea of a jazz-dance musical version of Romeo and Juliet may sound a little weird, but in the hands of theater-dance company COLLIDE Theatrical Dance Company, I wasn't worried. A new company, they presented two original pieces last year, Lot of Living to Do (set in a 1930s brothel) and The Belmont Hotel (about bootleggers in the late 20s). Both of these told the story entirely through dance (with the help of a short explanation in the program), accompanied by a live band and vocalists. For Romeo and Juliet, some of Shakespeare's original text is included, interspersed with scenes told by dance alone. While I don't think all of it worked, the choreography by Artistic Director Regina Peluso is fantastic and beautifully executed by the eleven dancers, who successfully convey the emotions of the iconic story through music.

In a note in the program, Regina explains that the piece is inspired not only by the original play but also Baz Luhrman's movie and West Side Story, which placed Shakespeare's tale in a 1950s gang war. Of the three pieces, I am most familiar with West Side Story, which brilliantly told the story through Jerome Robbins' choreography, so that's where I saw the most similarities. This version mostly follows the original plot but sets the story in 2005 Brooklyn, with characters dressed in modern clothes and texting on flip phones (I finally know why Romeo never got the message from the Friar about the plan to have Juliet fake her death - no cell service). The music is comprised of pop songs played by a string quartet, upright base, and percussion. Two narrator/vocalists (Sasha Andreev and Emily Grodziak) occasionally sing along and also play characters (Officer Krupke/the Friar for Sasha, with Emily as Juliet's stylish nurse) and act out a few scenes opposite the dancers. This works best when it's just a line or two, to place the scene within the context of the familiar story, such as "my only love sprung from my only hate" or "Tybalt is gone and Romeo banished" as we flow from one dance to the next. But the longer speeches and lengthy dialogue scenes, although well performed by the two talented actor/singers, drag down the momentum of the piece. I would love to see them go all the way with the concept and tell the story strictly through dance with little to no dialogue. As it is it's a bit of an awkward mix of traditional Shakespeare and contemporary jazz dance that sometimes works and sometimes doesn't. Another complication is that at the preview I attended, the amplification of the singers was too loud and somehow muffled, so hopefully they'll work out the sound mix as they go along.

Patrick Jeffery and Julie Hatlestad
as Romeo and Juliet

Now on to the good stuff - the delicious dancing and gorgeous music! The choice of songs is spot on for the
various scenes: "Poker Face" for the masquerade ball, "Bad" when Romeo and Juliet's friends are discouraging their love affair, "Rolling in the Deep" for the rumble, I mean fight, scene, and "Angel" for Juliet's faux death. Similarly, the choreography beautifully expresses the anger, love, excitement, or grief the characters are feeling. I especially loved the fight scenes, the party scene, and the power of the percussive dances with little or no musical accompaniment. The talented company of dancers is led by Patrick Jeffery and Julie Hatlestad as the charming star-crossed lovers.

While COLLIDE's previous two productions have been at the Southern Theater, the Lab is a great place for dance too.  Plenty of space for movement, with stairs leading to the requisite balcony, underneath which the musicians are perched. The modern costumes range from graphic black and white for the gang fights to colorful dresses and shirts for the ball.

My third COLLIDE production and I finally get where the title comes from - the collision of multiple art forms including dance, theater, and music. Romeo and Juliet truly is a beautiful and inventive creation of music-theater-dance, even if it doesn't all quite work. Playing now through April 20 (a few discount tickets still remaining on Goldstar).