"Courting Harry" at History Theatre

Two plays featuring the constitution and the Supreme Court in one week? What better time than now, when both things seem more in danger than ever. Over in Bloomington, Artistry is doing a fantastic production of the smart, funny, devastatingly relevant What the Constitution Means to Me, about one woman's relationship with our founding document. She discusses many aspects of it, including the Supreme Court decision on Roe v. Wade, and the majority opinion written by Justice Harry Blackmun. How fortuitous, then, that right now in St. Paul you can see History Theatre's remount of their 2013 play Courting Harry, written by prolific local playwright Lee Blessing. In a funny, engaging, and inspiring 80 minutes, we get to know Harry and his lifelong friend Chief Justice Warren Burger. But the play is also depressing, when you think about how much has changed in our country in the 13 years since this play premiered, specifically the Supreme Court overturning Roe v. Wade in 2022, something Harry spent his life defending and assures us in the play (now ironically) will never fall, and the current state of the Court, partisan and political as it was never meant to be. This is a perfect time for History Theatre to bring back Courting Harry, which gives insight into the proceedings of the Supreme Court and the people, flawed humans like all of us, behind it (continuing through June 7).

"Strange Heart: The Dream Songs of John Berryman" at Open Eye Theatre

I have to admit, I'd never heard of Pulitzer Prize-winning poet John Berryman, who taught at the University of Minnesota for much of his career. I'll also admit that I'm not a big fan of poetry, I never really read it on my own because I have a hard time making sense of it (but maybe poetry isn't supposed to make sense). That's why I love seeing poems or poetry depicted on stage, in the more familiar language of theater, or better yet, music-theater. I went to see the world premiere of Strange Heart: The Dream Songs of John Berryman at Open Eye Theatre for two reasons - Bradley Greenwald and Anna Hashizume - and I was rewarded with a very dreamlike show. Like poetry, it doesn't always make sense, it doesn't follow a straight line, it jumps around from one time or place to another. But also like poetry, it makes you feel things, even if you're not sure why. Strange Heart is odd, and funny, and silly, and heartbreakingly sad as it explores the life and work of a tortured artist, through his words put to music. You can experience this strange and lovely dream now through March 22.

"Lizzie: The Rock Musical" at Open Eye Theatre

A rock musical about the infamous Lizzie Borden, who was charged with and acquitted of killing her parents with an ax in 1892, why not?! It premiered in 2009, and Open Eye Theatre is finally bringing this super fun girl power rock musical to #TCTheater (Minneapolis Musical Theatre was planning to do it in 2020, but we know how that story goes). It's really more of a song cycle than a musical, it's almost entirely sung-through in 90 minutes or so (with an intermission, because these actors are singing their faces off and deserve a break). It feels more like a rock concert, like a visceral experience that you feel in your bones. If you sit in the front row (like I did because that's where you sit when you see a show with The Stages of MN) you'll experience fog, smoke, bright lights flashing and shining directly into your eyes, and blaring music (ear plugs available at the box office). The design, direction, and performances are just spot on for what this show should be - wild and feminist and bright and loud. But underneath all that the show deals with some serious issues of women's rights, incest, abuse, sisterhood, complex family dynamics, and love. Opening weekend is already entirely sold out, so don't wait to long too get your tickets to this show that is sure to become a phenomenon (continuing through November 8 - extended!).

"This Girl Laughs, This Girl Cries, This Girl Does Nothing" by Ten Thousand Things at Open Book

This Girl Laughs, This Girl Cries, This Girl Does Nothing, and this girl does all three and loves it! For their current production, Ten Thousand Things has found a fairy tale gem of a play that feels like it was written for their "All the Lights On" barebones straight-to-the-heart storytelling style. And it feels like it was written for this excellent five-person cast, so natural and rich and true are their performances. The story feels like a myth or a legend that could have been told around campfires for centuries, about three sisters - triplets - whose happy childhood is interrupted by tragedy, which sets them on three separate paths that eventually come back together again. This Girl is funny and sweet and heart-warming and joyful, in a way that only TTT shows can be. The show moves to Hennepin Avenue United Methodist Church this weekend (an easy-to-get-to location near the Walker, with a free parking lot) and continues through March 16. Don't miss it!

"Scrooge in Rouge" at Open Eye Theatre

This holiday* season, Open Eye Theatre is remounting** Scrooge in Rouge, which premiered last year, a show I called, "a little off-kilter, in the best possible way." The three-person musical reimagines the classic A Christmas Carol in the style of English Music Hall entertainment, meaning "witty lyrics, bad puns, and naughty double-entendres." The fabulous three-person cast portrays all of the characters in this story that hews fairly closely to Dickens' original, even including many of the famous lines you'll hear across town at the Guthrie. But there are a few ridiculous diversions too, resulting in a very entertaining and fun little show. You can see this alternative (or addition) to A Christmas Carol at Open Eye in South Minneapolis through December 29.

"Helen" by Ten Thousand Things at The Capri Theater

Six years after taking over as Artistic Director of Ten Thousand Things from founder Michelle Hensley, Marcela Lorca is directing her final show with the company before moving on. For this, she returns to one of her favorites - Greek tragedy. Specifically, she worked with playwrights John Barton and Kenneth Cavander on their adaptation of Euripides' Helen, a different retelling of the tragedy of the Trojan War than we usually hear. This adaptation, Marcela's direction and choreography, and this uber talented cast make this two thousand year old play feel refreshingly modern and relevant. And don't let the word tragedy fool you; this Helen is full of lightness and humor and music, albeit tinged with tragedy, specifically around the senselessness and destruction of war. My theater blogger friend asked me if this was a must see, and I said - of course it is, it's Ten Thousand Things! Marcela Lorca is concluding her tenure at TTT on a high note, and I look forward to how this uniquely special company created by Michelle Hensley continues into the future. In the meantime, you can see Helen at The Capri Theater, Open Book, United Methodist Church, or various locations around the community through November 10.

"Moonwatchers" at Open Eye Theatre

If you miss Minnesota Fringe Festival, go see Moonwatchers at Open Eye Theatre. It premiered at the 2022 Festival but I completely missed it. It's a very Fringey show, meaning creative, inventive, and less than an hour long. Continuing the year of the U of M/Guthrie BFA kids (I call them kids because I also received a degree from the U - in the last century), two graduates of that program prove its continued worth in our community and beyond. Nigel Berkeley and Corey Farrell have created something so unique, so downright silly, and so udderly delightful (pun intended). There are only four performances left; I recommend going if you need a little break from life to just smile and laugh and be transported into another world for a little while.

"The Hatmaker's Wife" by Ten Thousand Things at Hennepin Avenue United Methodist Church

The Hatmaker's Wife by Lauren Yee (whose most recent work produced in #TCTheater was the epic Cambodian Rock Band by Theater Mu and Jungle Theater) feels like it was written for Ten Thousand Things (it wasn't - it premiered over ten years ago). It's in the vein of their magical fairy tale stories, that I think is my favorite kind of TTT show (even more than their clear-eyed Shakespeare or stripped down musicals). I can't imagine a "normal" theater company doing this play, meaning on a proscenium stage separated from the audience, with fancy lights, sets, and costumes. It's so well suited to the TTT All the Lights On style, weaving a magical and moving tale simply through the talents of the performers and the power of collective imagination (that makes even the aggressively religious paintings in the room at Hennepin Avenue United Methodist Church fade into the background). It's a story of love, and disconnection, and grief, and hope, a wistful and whimsical story of talking walls, golems, and connections across time. These hats continue to sing at Hennepin Avenue United Methodist Church this weekend (with a huge free parking lot) and then will move on to Open Book for two final weekends.

"Scrooge in Rouge" at Open Eye Theatre

Leave it to Open Eye Theatre to bring us a holiday* show that's a little off-kilter, in the best possible way. The three-person musical Scrooge in Rouge reimagines the classic A Christmas Carol in the style of English Music Hall entertainment, meaning "witty lyrics, bad puns, and naughty double-entendres." The fabulous three-person cast portrays all of the characters in this story that hews fairly closely to Dickens' original, even including many of the famous lines you'll hear across town at the Guthrie. But there are a few ridiculous diversions too, resulting in a very entertaining and fun little show. You can see this alternative (or addition) to A Christmas Carol at Open Eye in South Minneapolis through December 30.

"Life Sucks" by Girl Friday Productions and Open Eye Theatre

Girl Friday Productions holds a unique niche in #TCTheater. Specializing in large-cast classics, they typically do just one production every other year. They skipped their 2021 production due to the pandemic (although they did create a really lovely virtual winter cabaret show - still available to watch here), and now they're finally back - four years after their last production. They're also stepping out of this niche, co-producing a play with Open Eye Theatre that was written in this millennium with just a seven-person cast. But Life Sucks by Aaron Posner is loosely based on Chekhov's Uncle Vanya, so I guess it counts in the classics department. And a seven-person cast is quite large for Open Eye's stage, which is the smallest and sweetest stage in town, so the cast to square footage ratio is still quite high. Maybe it's not such a leap for them after all, and it's consistent with their past work in that it's perfectly cast, thoughtfully constructed, and epic in themes if not in size. They've just extended their run through November 12, and you would be wise not to miss this funny and profound rare offering from Girl Friday and Open Eye (click here for info and tickets).

"The Chinese Lady" at Open Eye Theatre

If Open Eye Theatre's production of the new play The Chinese Lady is any indication, 2023-2024 is going to be a stellar season of #TCTheater. Written by Lloyd Suh, whose play Bina's Six Apples was seen at the Children's Theater last year, The Chinese Lady is a fictionalized account of the first Chinese woman in America. Known as Afong Moy, she was brought to New York City in 1834 at the age of 14 by a couple of traders in Chinese goods and put on display amongst said goods, in order to increase desire to buy the goods. History lost track of the real Afong Moy after about 15 years, but the playwright imagines her growing old in America, and ties her story to the stories of Chinese Americans, including the Chinese Exclusion Act of 1882 and violence against Asian Americans throughout the past few centuries. Brilliantly told in 80 minutes, the play is funny, charming, fascinating, devastating, and ultimately hopeful. With excellent performances and gorgeous design, The Chinese Lady is the first must-see of the season (continuing through September 24, click here for info and tickets).

"LOCH MESS! The World's Largest Freshwater Musical" by Open Eye Theatre at the Bakken Museum

As Open Eye Theatre's Artistic Director Joel Sass said, the best thing to come out of the pandemic is their tradition of annual original musicals performed outdoors at the Bakken Museum's lovely green rooftop overlooking Bde Maka Ska. Well, one of the best things anyway (personally, it was my newfound love of Minnesota State Parks). In the summer of 2021, when we weren't quite ready to go back into the theater yet, there was a plethora of outdoor #TCTheater. One of the best was Open Eye's sweet, silly, and very Minnesotan musical LOG JAM! A Paul Bunyan Musical Spectacular. It was so successful and popular, they followed it up with HAIR BALL! A Bigfoot Musical Adventure in 2022. This year brings us LOCH MESS! The World's Largest Freshwater Musical (are you sensing a theme?). With book, music, and lyrics by Josef Evans and direction by Mr. Sass, this delightful and hopefully never-ending series of musicals is fun, silly, clever, and heart-warming. The 85-minute show happens at 7pm Thursdays through Sundays until July 16, and should definitely be added to your summer traditions.

"The Defeat of Jesse James" at History Theatre

#TCTheater's favorite musical theater creative team Hatcher and Poling is back! Prolific local playwright Jeffrey Hatcher and longtime local musician/composer Chan Poling have teamed up on a number of musical theater pieces, the most successful being Glensheen, which History Theatre will be remounting once again this summer. Their newest work, began several years ago at the suggestion of History Theatre's recently retired Artistic Director Ron Peluso, is The Defeat of Jesse James. If you're thinking, I've already seen this story, you're not wrong. The story of the famed outlaw, whose career in crime was essentially stopped right here in Minnesota, has been told countless times. But you've never seen it quite like this - as a rock concert. This format allows the creators to not just tell this familiar story, but also comment on it, and our fascination with it. The all-star cast gives their all to this show that is delightfully meta, thought-provoking, and super fun. See it at the History Theatre in downtown St. Paul now through May 28.

"What / Washed Ashore / Astray" at Pillsbury House Theatre

In just 80 minutes, playwright Benjamin Benne succinctly writes about the experience of the death of a beloved family member with raw honesty and simple beauty. Despite the odd structure of the title, What / Washed Ashore / Astray is a very human story, with a little room for play and magic. Having recently gone through this experience, this play hit very close to home for me, and I was wiping away tears throughout the show. But it's quite lovely to see one of the most fundamental human experiences depicted on stage in such a beautiful way. Combined with wonderful performances from three of #TCTheater's best actors, an incredibly detailed set design that places us right there in the seaside cottage, and some delightfully inventive shadow puppetry, What / Washed Ashore / Astray is a must see for anyone interested in thoughtful human dramas (continuing through April 16 at Pillsbury House Theatre in South Minneapolis).

"Mlima's Tale" by Ten Thousand Things at Open Book

It's been three years since Ten Thousand Things has been able to fulfill their mission of bringing theater to those who would otherwise never experience it, performing in prisons, community centers, shelters, and other public spaces. It feels like a good sign that maybe we're moving beyond the pandemic, or learning how to live with it, that they're able to perform in these spaces that have been deemed unsafe for the past few years. They're also back at their home base for public performances - Open Book on Washington in Minneapolis. Even though I've seen a few TTT shows at various other spaces in the last few years, for some reason this small brick-walled wood-floored room above this more-than-a-bookstore (with its coffee shop reopening soon) feels like the TTT of old. And what a perfect show to return with - Lynn Nottage's Mlima's Tale, following the journey of a "big tusker" elephant through his life in the Kenyan bush, his death at the hands of poachers, and even the journey of his tusks in the ivory market. It's funny and fantastical and tragic, and as always beautifully brought to life by some of #TCTheater's best artists in a small space with "All the Lights On," harnessing the power of collective imagination as we travel the world with Mlima. See it at Open Book now through March 12.

"HAIR BALL! A Bigfoot Musical Adventure" by Open Eye Theatre at the Bakken Museum

"Friends, this is the sweetest, cutest, funniest, silliest, naturiest, heart-warmiest 80 minutes of music-theater you could see! Don't miss it!!" Such was my Instagram post last night after coming home from seeing Open Eye Theatre's new original music-theater-puppetry creation HAIR BALL! A Bigfoot Musical Adventure. This new tradition of outdoor summer musicals at the Bakken Museum's lovely green rooftop lawn was birthed out of the pandemic last year, and I hope it never ends. There's just nothing better than witnessing the creative talent of artists in the great outdoors next to one of Minnesota's beautiful lakes. HAIR BALL! is a fairy tale for kids with plenty for adults to enjoy too - great music, much humor, and fantastic performances by the cast. Click here for more information and to purchase tickets (continuing through June 19).

"Runestone! A Rock Musical" at History Theatre

Who else but the History Theatre can take a bizarre Minnesota legend and turn it into a super fun, entertaining, and even thought-provoking musical? Who else would even attempt such a thing? In the vein of their smash hit Glensheen (returning to St. Paul this summer after a tour through outstate Minnesota), History Theatre brings us the new original musical Runestone! A Rock Musical, a show many years in the making about the Kensington Runestone. I first saw a reading of it in 2019 and was so intrigued that I visited the original Runestone in its museum the next time I was in Alexandria. The musical's 2020 premiere was postponed along with so many things, but it's finally seeing the stage in a terrific production continuing through the end of the month.

"The Red Shoes" at Open Eye Theatre

In 2017, Open Eye Theatre premiered The Red Shoes, inspired by the Hans Christian Andersen story of the vain little girl with pretty red shoes cursed so that her shoes will never stop dancing. The show also "draws inspiration and influences from the vintage detective novels of Raymond Chandler and Dashiell Hammett, case studies of amnesia and multiple personality, and black and white film noir movies of the 1940s" (per director and co-writer Joel Sass, along with Kimberly Richardson). They were all set to remount it in March of 2020, when the pandemic shut down all live performance. Happily, a year and a half later, it is opening their live in-person 2021-2022 season in their charming and intimate space in South Minneapolis. Also happily but not surprisingly, The Red Shoes is still "something so curious and unique, odd and chilling, inventive and charming, it's thoroughly captivating from start to finish." And perhaps even more relevant and relatable after we've all spent so much time trapped inside our homes with only our own thoughts and imagination to fill the time and space.

"LOG JAM! A Paul Bunyan Musical Spectacular" by Open Eye Theatre on the Bakken Museum's green rooftop

My second outdoor* theatrical production this year (and hence only the second show I've seen live in 2021) is Open Eye Theatre's delightful new original musical LOG JAM! A Paul Bunyan Musical Spectacular, performed on the beautiful green rooftop of the Bakken Museum** overlooking Bde Maka Ska. The scheduled opening night turned out to be a cold and rainy spring day, but the actual opening night one day later was a gorgeous, sunny, cool evening. In just over an hour this group of talented performers, including many familiar faces I've greatly missed seeing in the last 15 months without theater, told a sweet and silly story about Minnesota legend Paul Bunyan, and I smiled through the entire show. Fun, safe, and accessible, great for kids and grown-ups alike, LOG JAM is another exciting step in the return of our vital performing arts community (continuing through June 20).

"Fast Company" by Theater Mu at the Guthrie Theater

Theater Mu's latest play is a fun crime caper about a Chinese-American family of con artists. Mu was part of the rolling world premiere of NYC-based playwright Carla Ching's smart, funny, two-person relationship play Two Kids that Blow Shit Up a few years ago, and are now bringing us this smart, funny, family crime dramedy Fast Company. There's nothing particularly deep or revelatory about it, but it's fun in an Ocean's Eleven heist kind of way, and it's rare and wonderful to see an Asian-American family at the center of this type of story, portrayed as flawed, messy, loving, complicated humans instead of stereotypes.