Playlabs 2025 at the Playwrights' Center

Every fall, The Playwrights' Center hosts Playlabs, a festival of new plays with free readings over two weeks. Of course, this is in addition to the work that they do year-round supporting thousand of playwrights in various ways. I attended Playlabs every year from 2016 to 2019, as well as many other readings. But for whatever reason, I'd only been back to that beloved old church in South Minneapolis once since the pandemic. This summer, they moved into their brand new home at University and Raymond in St. Paul, with more space to support playwrights, and now they're hosting their first Playlabs in this gorgeous new space. I attended just one of the readings of the festival, but it made me realize how much I've missed The Playwrights' Center. We are so lucky to have this treasure in our community, and are invited to be part of the process of developing new plays, which we need so much right now! Because a play isn't a play without an audience, when playwrights get to see and hear how audiences react to their work. Now that I've been back, I vow to become a PWC regular again! Their monthly Ruth Easton New Play Series begins in December and continues through the spring, but for right how, you can attend readings and other events in this celebration of new plays through November 1, and/or watch any of the plays virtually after the festival's conclusion.

"Brujería for Beginners" by 20% Theatre Company and Lightning Rod at Mixed Blood Theatre

Amongst the theater companies recently lost to the pandemic (and other reasons) are Theatre Unbound (featuring female-identifying artists and stories), Uprising Theatre Company (transgender and gender nonconforming artists and stories), and now 20% Theatre Company (all of the above). The rest of #TCTheater really needs to step up to make sure that these stories continue to be told, and that women and members of the LGBTQ+ community are given a seat at the table. One new company that will be taking up the mantle is Lightning Rod, "a transgender-led, majority BIPOC organism, dedicated to legacy, development and opportunities for queer and trans artists," which is partnering with 20% Theatre's on their 50th and final show. Brujería for Beginners opened at Mixed Blood Theatre last night and it was a bittersweet event, full of celebration as well as sober finality. The family dramedy, with a magical twist, is a sweet and charming show, and the energy in the firehouse was palpable.

"Norma Jeane Baker of Troy" by Rough Magic Performance Company at the Mill City Farmers Market

Rough Magic Performance Company has made a name for themselves at Minnesota Fringe Festival with their short, modern, and feminist adaptations of Shakespeare. But now they're moving beyond that by performing a new play outside of the Fringe. And literally outside* (thanks, covid), in the gorgeous space used by the Mill City Farmers Market, between the Guthrie Theater and the Mill City Museum. Norma Jeane Baker of Troy is a retelling of the legend of Helen of Troy, aka the face that launched a thousand ships, superimposed with the story of Norma Jeane Baker, aka Marilyn Monroe. The play examines parallels between the two women and attempts to look beyond their status as icons of female beauty to the truth behind the image. It's a fascinating play, beautifully produced, with a lot packed into the one-hour runtime. Even though I've been to a handful of outdoor plays and musicals this year and last, for some reason this really felt like my first return to theater as we once knew it. Maybe because I held an actual physical program in my hands, maybe because the stage and audience setup felt familiar, maybe because of the complex nature of the play. But for perhaps the first time in 16 months, I left feeling that familiar sort of theater daze, having just traveled to another world for a time, and not quite ready to settle back into this one.

Minnesota Fringe Festival 2019: "A Man's Guide for Appropriate Behavior in the 21st Century"

Day: 4

Show: 15

Title: A Man's Guide for Appropriate Behavior in the 21st Century

Category: SPOKEN WORD / AUDIENCE PARTICIPATION / HISTORICAL CONTENT / POLITICAL CONTENT

By: One T Productions

Created by: Scot Froelich

Location: Augsburg Studio

Summary: A panel discussion on various issues around the topic of masculinity.

Highlights: The title of this show is a little misleading. It sounds like it could be a gross comedy, but rather it's a serious discussion of issues that are greatly affecting the health and safety of all of us in today's world. Each of the five shows has a different topic and different panelists (see the show website for details), but may change due to events of the day. I attended what was supposed to be a discussion on "Gender, sexuality, and intersectionality," but since there were not one but two mass shootings in the days prior, the discussion veered more towards violence as a result of white male patriarchy. Moderated by Scot Froelich with panelists Lisa Stratton, Erica Fields, Taiyon J. Coleman, Marcela Michelle, and Andrea Jenkins, all activists and experts in their fields varying from law to literature, it was an incredibly powerful, sobering, enlightening, inspiring, depressing discussion. The panelists got into some pretty serious stuff about the ingrained racism and sexism in our society, in our systems, in ourselves, much of which we don't even know how to talk about. But I take a little bit of hope in the fact that at least somebody somewhere is having these discussions. There are only two discussions left, and I hope you go to one or both of them. This may be the most important and necessary show in the Fringe this year, that feels so much bigger than theater or entertainment. I hope these discussions continue beyond and outside of the Fringe in some way, even if just in our living rooms.

Read all of my Fringe mini-reviews here.

"Mother Courage and Her Children" by Pangea World Theater at the Lab Theater

Pangea World Theater began in 1995 with the following mission: "Pangea illuminates the human condition, celebrates cultural differences, and promotes human rights by creating and presenting international, multi-disciplinary theater." Inexplicably, I have not seen any of their work until last weekend. I'm happy to jump on board with their thoughtful and thought-provoking production of German playwright Bertolt Brecht's Mother Courage and Her Children, performed at the gorgeous Lab Theater in Minneapolis' North Loop neighborhood. Written at the start of WWII, it tells the story of a woman and her children during Europe's 17th Century Thirty Years' War, but its themes translate to any and all wars occurring around the world. Specifically the way some parties seek out war and encourage it because of the profits that can be gained, while others pay the ultimate price. A strong ten-person ensemble and cool design elements effectively tell this important story.

"The Terror Fantastic" by 20% Theatre Company at the Crane Theater

The new play The Terror Fantastic, about a young gay woman grappling with anxiety and depression, is indeed both terrifying and fantastical. In 20% Theatre Company's production, now playing at the Crane Theater, mental illness is represented by an ever-present monster, the only escape from which is into a fantasy world.

"Ballast" by 20% Theatre Company at Mixed Blood Theatre

Now in its 12th season, the mission of 20% Theatre Company is "supporting and vigorously promoting the work of female and transgender theatre artists, and celebrating the unique contribution of these artists to social justice and human rights." The new play BALLAST is a perfect choice towards this necessary mission - it tells the story of two transgender people and their relationships with their partners, and features transgender actors in the cast. It's a hauntingly beautiful play with fully dimensional characters and relatable life struggles, and it touches on the role of faith as well. It's dreamlike and lyrical, even fantastical at times, yet grounded in the truths of the people whose story it tells. A few days later I find myself continuing to think about these beautifully flawed and human characters, and how important it is for all different kinds of people to tell their story, and to see themselves represented on our #TCTheater stages.