"Joan of Arc" at Open Window Theatre

Open Window Theatre's latest original play takes on the legendary figure of Joan of Arc, warrior saint of France. It's an epic and complicated story, and while there's a lot to like about this new play, at three and a half hours (including intermission), it's just too long. Written by Artistic Director Jeremy Stanbary in modern language that's easy to follow and understand, with even some lightness and humor, the characters are interesting and compelling. But there's just too much of it, and in particular the almost two-hour long second act feels like it, with a dragged out ending. The website lists the runtime as three hours, so maybe it'll tighten up throughout the run, but the script could also use some editing to condense characters, streamline (or cut out) some scenes, and focus the story more on Joan, who doesn't even show up until halfway through the first act. The cast is great, the design impressive, and I'd love to see a more condensed version of it someday. If you have three and a half hours to spare, check it out and see what you think. Grab a coffee or a nap, bring snacks, and head out to Inver Grove Heights for Joan of Arc through May 31. 

"The Madwoman of Minneapolis" by The BAND Group at Calvary Baptist Church

The little theater in the basement of Calvary Baptist Church is becoming one of my favorite theater venues, because it's intimate and versatile. The latest example is The BAND Group's adaptation of the mid 20th Century French satire The Madwoman of Chaillot, which they're calling The Madwoman of Minneapolis. They've turned the space into a cafe, complete with food and drinks, which makes for an immersive and intimate (but not interactive, thankfully) experience of this charming little story, with a message of environmentalism and community over consumerism that couldn't be more timely.

"Rogue Prince: Henry IV, Parts I and II" by Theatre Coup D'Etat at Calvary Baptist Church

When Ten Thousand Things did an all-female production of Shakespeare's Henry IV Part I a few years ago, I wrote "and with a cliffhanger ending suitable for any movie franchise, I found myself wondering, when's Part II?" Well, here it is. Theatre Coup D'Etat brings us both parts of Henry IV, condensed into one play adapted by Gary Briggle, who also plays Falstaff and directs with his wife Wendy Lehr. These two plays combined tell the story of the "rogue prince" Hal, the son of Henry IV, and his journey from a careless young man who spends his time with criminals in pubs, to the soldier and King Henry V. This journey is presented with inventive staging in an intimate space that makes the audience feel as if we're there with them.

"Mother Courage and Her Children" by Pangea World Theater at the Lab Theater

Pangea World Theater began in 1995 with the following mission: "Pangea illuminates the human condition, celebrates cultural differences, and promotes human rights by creating and presenting international, multi-disciplinary theater." Inexplicably, I have not seen any of their work until last weekend. I'm happy to jump on board with their thoughtful and thought-provoking production of German playwright Bertolt Brecht's Mother Courage and Her Children, performed at the gorgeous Lab Theater in Minneapolis' North Loop neighborhood. Written at the start of WWII, it tells the story of a woman and her children during Europe's 17th Century Thirty Years' War, but its themes translate to any and all wars occurring around the world. Specifically the way some parties seek out war and encourage it because of the profits that can be gained, while others pay the ultimate price. A strong ten-person ensemble and cool design elements effectively tell this important story.

"The Minotaur Or: Amelia Earhart is Alive and Traveling Through the Underworld" by Sheep Theater at In the Heart of the Beast Theatre

The history and legend of Amelia Earhart and Greek mythology seems like an odd mix. In other words, perfect for Sheep Theater, a company that promises "original plays with an emphasis on classically epic stories that highlight the deranged confidence of humanity with sincerity and honesty." Like much of their work, The Minotaur Or: Amelia Earhart is Alive and Traveling Through the Underworld is a fun mish-mash of history, legend, and myth with an awkwardly long title. With a lot of ingenuity, heart, and silliness, the troupe proposes one possible fate for the long missing pioneering aviator, and makes the Underworld look like a pretty fun place to hang out.