"A Pink Triangle" at the Phoenix Theater

Local playwright Kirby Taylor has written a new one-act play called A Pink Triangle, referring to the symbol that gay men imprisoned in Nazi concentration camps wore on their clothing. In addition to targeting all Jewish people and pretty much anyone who disagreed with him, Hitler also attempted to stamp out the thriving gay culture that existed in pre-WWII Germany (see also Cabaret, for which this play could be the sequel). The 1979 play Bent, which I saw a production of in 2019 by The BAND Group, also covers this topic in a pretty horrific way. The horrors in A Pink Triangle are more implied, not explicitly seen but ever-present. It's really more of one long conversation between a father and son, both imprisoned in a concentration camp for reasons that become clear. Both actors in this two-hander give powerful performances, in a story that's becoming more and more relevant as our own government begins to take action against and slowly chip away at the rights of various marginalized groups. The short run of A Pink Triangle concludes with two final shows this weekend.

"Triassic Parq" by Minneapolis Musical Theatre at LUSH Lounge and Theater

Minneapolis Musical Theatre is back with another rare musical, well done. Triassic Parq is another in the vein of the campy spoof musical (see also Silence! The Musical), which is not my favorite kind of musical, especially when I'm not that familiar with the source material, but it's a lot of fun. This rock musical is a loose retelling of Jurassic Park from the point of view of the dinosaurs. I don't really know the movie (I pretty much only watched it recently when Minnesota Fringe did it for their annual Five-Fifths fundraiser), so I can't speak to the plot similarities or references. But it's probably kind of like what Rosencrantz and Guildenstern Are Dead is to Hamlet (for my fellow theater nerds) - showing us what's going on with the minor characters on the other side of the main action. In this case, those minor characters are dinosaurs, who are also going through some challenges and transitions of their own. Triassic Parq is a celebration of community, friendship, identity, and finding oneself. It's playing Saturdays and Sundays (plus one Monday night pay-what-you-can performance) through April 13 at LUSH Lounge and Theater in Northeast Minneapolis, which is the perfect venue for this show. You can also arrive early and have dinner or brunch in their dining room before heading into the event space for the show.

"The Lady Demands Satisfaction" by [un]qualified theatre at University Baptist Church

Another new #TCTheater born out of the Minnesota Fringe Festival continues to make great work outside of Fringe. [un]qualified theatre's super fun and playful adaptation of The Invisible Man was one of my favorite shows of 2023. Now they're bringing that playful silly vibe to the play The Lady Demands Satisfaction. This 18th Century farce was written in this century, so it feels both period and modern. Co-Artistic Directors Jake Sung-Guk Sullivan and Kiko Laureano serve as director and associate director, respectively, and have made a fun scrappy little show, performed in a church basement. They read this play during the pandemic and wondered why no one was doing it here, so they decided to do it themselves. That's the great thing about this theater community, that a group of young artists can put on a show with a much lower budget but just as much entertainment value as the big theaters in town. Unfortunately this is a super short run, with only two performances remaining at University Baptist Church in Dinkytown (go early to navigate construction, traffic, crowds, and parking).

"The Crucible" by Hang Fire Productions at the Historic Mounds Theatre

A #TCTheater company so new they don't even have a website or an Instagram page, Hang Fire Productions is making their debut with the classic play The Crucible. I'm not sure which came first, the company name or this production, but "Hang Fire" is certainly an appropriate name for a troupe tackling this dramatization of the Salem witch trials in late 17th Century Massachusetts, in which a firestorm of fear and accusations resulted in the hanging of 19 innocent people. More than 300 years after the events depicted and 70 years since Arthur Miller wrote the play in response to McCarthyism, the themes of religious fanaticism, mob mentality, the miscarriage of justice, and scapegoating are still relevant. If anything, with the anonymity and viral nature of the internet, it's almost easier for this kind of thing to happen. Hang Fire Productions, formed from some of the artists involved in the now defunct Mission Theatre, makes a promising debut with this strong production. Their short two-weekend run concludes this weekend at the Historic Mounds Theatre* (click here for info and tickets).

"True West" at Theatre in the Round

Continuing their excellent 71st season, Theatre in the Round is bringing us the dark comedy True West. No one writes the dystopian modern Western like Sam Shepard, with complex, flawed, fascinating characters in the darkest of situations. The cast and creative team at TRP have brought this dysfunctional family to life in the best way. The in-the-round space makes it feel like we're watching these brothers in a fish bowl, surrounding them on all sides with nowhere for them to escape. It's gritty and brutal, and so much fun to be on the outside of it watching this family descend into chaos. True West continues at Theatre in the Round through May 14.

"Copenhagen" by Melancholic Anonymous at the Crane Theater

New #TCTheater company Melancholics Anonymous came out of St. Olaf shortly before the pandemic. What a time to start a theater company! But maybe because they are new, and young, they were able to quickly adapt to the virtual theater world and produce some really great virtual productions (e.g., Good Grief and On Air: The Wuppet Time Murders for the 2020 and 2021 Minnesota Fringe Festival). I saw them live for the first time last night, a production of the 2000 Tony Award-winning best play Copenhagen. In the intimate space of the Crane studio theater, this three-hander (if that's a term) that speculates about the real-life 1941 meeting between scientists Neils Bohr and Werner Heisenberg (both of whose worked contributed to the development of the atomic bomb) is a wonderful exploration of science, philosophy, and morality. Copenhagen continues at the Crane Theater in Northeast Minneapolis through February 13 only.

"The Madwoman of Minneapolis" by The BAND Group at Calvary Baptist Church

The little theater in the basement of Calvary Baptist Church is becoming one of my favorite theater venues, because it's intimate and versatile. The latest example is The BAND Group's adaptation of the mid 20th Century French satire The Madwoman of Chaillot, which they're calling The Madwoman of Minneapolis. They've turned the space into a cafe, complete with food and drinks, which makes for an immersive and intimate (but not interactive, thankfully) experience of this charming little story, with a message of environmentalism and community over consumerism that couldn't be more timely.

"Rogue Prince: Henry IV, Parts I and II" by Theatre Coup D'Etat at Calvary Baptist Church

When Ten Thousand Things did an all-female production of Shakespeare's Henry IV Part I a few years ago, I wrote "and with a cliffhanger ending suitable for any movie franchise, I found myself wondering, when's Part II?" Well, here it is. Theatre Coup D'Etat brings us both parts of Henry IV, condensed into one play adapted by Gary Briggle, who also plays Falstaff and directs with his wife Wendy Lehr. These two plays combined tell the story of the "rogue prince" Hal, the son of Henry IV, and his journey from a careless young man who spends his time with criminals in pubs, to the soldier and King Henry V. This journey is presented with inventive staging in an intimate space that makes the audience feel as if we're there with them.

"Bent" by The BAND Group at the Phoenix Theater

Partnering with OutFront Minnesota, The BAND Group is bringing us the 1979 play Bent about the imprisonment and murder of gay people in Nazi Germany. A look at the daily news should tell you that those days are not as long ago and far away as they may seem, with increasing violence and discrimination against the LGBTQ community. One of OutFront's current campaigns is to end conversion therapy, which is still legal in Minnesota. You can find more information about this and sign the petition here. And you can see The BAND Group's powerful and sobering production of Bent at the Phoenix Theater in Uptown through this weekend only.

"TART: A Modern Adaptation of Moliere's Tartuffe" by The BAND Group at Bryant Lake Bowl

Working towards a world Beyond Acceptance with No Discrimination, The BAND Group debuts with a delightfully modern adaptation of Moliere's most famous comedy Tartuffe, set in a drag club. Similar to The Misanthrope a few years ago, founder-director-adapter Adrian Lopez-Balbontin has taken this 350 year old French comedy, made it look like the world today, peppered it with pop culture references, used it as commentary on current issues, and set it all to rhyme. With a talented cast of artists from across the gender spectrum whom we don't get to see onstage often enough, and a partnership with local non-profit RECLAIM! that provides mental health support for queer and trans youth, TART is as relevant as it is entertaining. Check it out at BLB (with full food and drink service before and during the show) through June 16.

Fringe Festival 2017: "Pope Joan"

Day: 10

Show: 43

Title: Pope Joan

Category: Drama

By: Featherstone Creation

Created by: Featherstone Creation

Location: U of M Rarig Center Xperimental

Summary: The story of the legend of a female pope (Pope Joan) re-imagined as a transgender pope (Pope John).

Highlights: I love history, and the history of religions is particularly fascinating (and sometimes scary) to me. I don't think I've ever heard of Pope Joan (or John) so this show was enlightening. Playwright Christy Marie Kent has the characters speak in modern language, making the story feel current. We follow John (Kjer Whiting) as he decides to dress as a man, not just because he wants to be a monk* but because that's who he authentically is. His secret is discovered by fellow monk Einhart (Jen Arzayus), who becomes a friend and confident as John rises through the ranks because of his dedication and scholarliness. When a rival to the papacy finds out, however, he is not so understanding, leading to what eventually is Pope John's downfall. This is a fascinating, thought-provoking show that explores history, gender identity, and the role of women in the Church (including the removal of the feminine divine from Christianity, Sophia the goddess of Wisdom).

Read all of my Fringe mini-reviews here.


*Kind of like that episode of Northern Exposure where Chris lives in a monastery and finds himself attracted to a silent monk, who turns out to be a woman. Except not like that at all.