"A Midsummer Night's Dream" at Modern Rep

I can't remember when I've had so much fun experiencing Shakespeare. #TCTheater artist Grant Sorenson's new company Modern Rep bills the experience thusly: "Shakespeare's most overdone comedy gets a radical new production that explodes Original Practice all-male casting into something messy, sexy, and very gay. Performed by six dynamic actors, this Midsummer Night's Dream embraces the dark, twisted, and unsettling aspects of Shakespeare's original text, served up in a flamboyant and unexpectedly queer way." Mission accomplished! When you think about it, Midsummer features fairies, ample romantic banter including double entendres, a character named Bottom, an ass, and lots of talk about a hole. It was just begging to be turned into a gay fantasia! And this production delivers in the most clever and joyful way. It's definitely the sexiest Shakespeare I've ever seen, and the gayest Shakespeare I've ever seen, in the best possible way. It's a joyful celebration to begin Pride month that flies in the face of anyone who dares to say that queer people don't deserve all of the fullness and legality of life as a citizen of this country, as a resident of this planet. And as a piece of theater, this Midsummer is so modern and forward-thinking. I don't worry about the state of theater as long as there are artists making inventive, outside-the-box, wholly engaging theater in sweaty little loading docks in the North Loop (continuing through June 20).

"Macbeth" at the Guthrie Theater

Someone is getting murdered in a castle in Scotland, and I'm not talking about the new season of The Traitors. In the Guthrie Theater's new production of Shakespeare's tragedy Macbeth, it's the king who gets murdered, and we all know who the traitor is - the title character, who then becomes the king. The Guthrie's previous Artistic Director Joe Dowling returns to direct this play, which he also directed in 2010 (just before I started this blog, and the play made it onto my first annual favorites list), and he has once again crafted a compelling and action-packed continuous two hours of storytelling with no break to catch our collective breath. But the world is much different in 2026 than it was in 2010, and this story of a country and its citizens who are hurt, desperate, and disillusioned by their corrupt leadership hits a lot closer to home. Shakespeare's evergreen tale of unchecked power and greed has resonance in any era, but perhaps never more so in my lifetime than right now. Macbeth is a dark tale, but eventually the true citizens of the beleaguered country band together to create a better future. See this powerful, visually stunning, and excellently cast production of a classic on the Guthrie's thrust stage through March 22.

"Henry V" by Jackdonkey Productions at Theatre in the Round

Sixteen months ago, I had one of my best and most memorable days at the theater when I saw Guthrie Theater's production of the History Plays,  Shakespeare's Richard II, Henry IV, and Henry V, all in one marathon day. One continuing story and one incredible cast of actors bringing it to life over three plays, for a total of 8+ hours of theater. The taglines for the three plays were: "a king becomes a man," "a man becomes a king," and "a king becomes a hero," respectively. But Jackdonkey Productions' new take on the finale of this trilogy, Henry V, brings a little different perspective to the story. Because in reality, war is much more complicated than that. There are no heroes, there are no winners, there's only death and destruction. This is a theme that is very relevant to what's going on in our world today, with wars, violence, and power-hungry leaders everywhere you turn. Jackdonkey brings this ancient story right into the present in this innovative production, playing at Theatre in the Round this weekend only (through August 18).

"A Pink Triangle" at the Phoenix Theater

Local playwright Kirby Taylor has written a new one-act play called A Pink Triangle, referring to the symbol that gay men imprisoned in Nazi concentration camps wore on their clothing. In addition to targeting all Jewish people and pretty much anyone who disagreed with him, Hitler also attempted to stamp out the thriving gay culture that existed in pre-WWII Germany (see also Cabaret, for which this play could be the sequel). The 1979 play Bent, which I saw a production of in 2019 by The BAND Group, also covers this topic in a pretty horrific way. The horrors in A Pink Triangle are more implied, not explicitly seen but ever-present. It's really more of one long conversation between a father and son, both imprisoned in a concentration camp for reasons that become clear. Both actors in this two-hander give powerful performances, in a story that's becoming more and more relevant as our own government begins to take action against and slowly chip away at the rights of various marginalized groups. The short run of A Pink Triangle concludes with two final shows this weekend.

"The Ally" at Mixed Blood Theatre

For the second mainstage production as Artistic Director of Mixed Blood Theatre, and the first he's directing, Mark Valdez choose a new play by Itamar Moses (whom I know primarily for writing the books of the musicals The Band's Visit and The Children's Theatre's stage adaptation of An American Tail). The Ally debuted at The Public Theater in NYC earlier this year, and now it's here in Minneapolis - a smart choice of a brilliantly written play, artfully executed by Mark, the creative team, and this terrific cast. The Ally is a must-see, and the kind of theater we need right now. It delves into one of the most contentious issues of our time, the Israeli/Palestine conflict, and brings the kind of nuance and humanity to it that seems to be missing in a lot of the debates, arguments, and accusations surrounding it right now. I don't know the solution to this decades, even centuries long problem, and the play doesn't offer one either. But what it does do is provide a place for thoughtful, informed, respectful discourse about it. Not that the characters are always respectful; the play is tough to watch at times as some real pain and righteous anger are on display. But through these characters we're able to explore, process, and maybe come to some new understandings about the conflicts in our lives.

"Survivors" at Six Points Theater

Just in time for Holocaust Remembrance Day, Six Points Theater is presenting the play Survivors, which tells the stories of ten Holocaust survivors. 79 years ago today the concentration camp Auschwitz was liberated by the Soviet army. In the course of human history, or even American history, that's not that long ago, and unfortunately it did not mark the end of violence, discrimination, and hate against the Jewish people. It's so important to keep telling these stories, to remember the horrors that Jews endured not so very long or far away, because as they say in the play, "Never Forget! Never Again! Never is Now!" Survivors only has three performances; it's more of a special event than a part of Six Points' full season. But if you have a chance to see the final performance on Sunday afternoon, I encourage you to do so. Each performance is followed by a discussion about anti-Semitism with local leaders and scholars. Anti-Semitism never went away, but has seen a resurgence in recent years with the extreme political climate, as well as in recent months since the Israel-Hamas War. I'm so glad I was able to attend this moving performance and informative discussion, which was heavy and a bit depressing, but also hopeful and inspiring. (Click here for info and to purchase tickets to the final performance.)