"Witch" by Walking Shadow Theatre Company at Open Eye Theatre

The new play Witch, by Playwrights' Center affiliated writer Jen Silverman (author of The Roommate and The Moors), is an absurd and funny little play that's difficult to describe. It's a loose retelling of the 17th Century play The Witch of Edmonton, which is based on the real-life case of Elizabeth Sawyer, one of tens of thousands of women accused of and executed for being a witch in the middle ages and early modern era across Europe and the US. But the play also focuses on a wealthy landowner and his heirs, and the idea of selling one's soul to the devil, and things take many unexpected turns. The themes of women's agency, and selling your soul to gain power, make this four hundred year old story scarily relevant. Walking Shadow Theatre Company's production is well-executed in the intimate space of Open Eye Theatre, with a talented six-person cast. Witch continues through April 13 (note: "intimate" means small audience, so don't wait too long - some performances are already sold out).

"The Lady Demands Satisfaction" by [un]qualified theatre at University Baptist Church

Another new #TCTheater born out of the Minnesota Fringe Festival continues to make great work outside of Fringe. [un]qualified theatre's super fun and playful adaptation of The Invisible Man was one of my favorite shows of 2023. Now they're bringing that playful silly vibe to the play The Lady Demands Satisfaction. This 18th Century farce was written in this century, so it feels both period and modern. Co-Artistic Directors Jake Sung-Guk Sullivan and Kiko Laureano serve as director and associate director, respectively, and have made a fun scrappy little show, performed in a church basement. They read this play during the pandemic and wondered why no one was doing it here, so they decided to do it themselves. That's the great thing about this theater community, that a group of young artists can put on a show with a much lower budget but just as much entertainment value as the big theaters in town. Unfortunately this is a super short run, with only two performances remaining at University Baptist Church in Dinkytown (go early to navigate construction, traffic, crowds, and parking).

"The Pavilion" at Lyric Arts

After opening their 2023-2024 season with the smash hit sell-out quintessential musical about musicals A Chorus Line, Lyric Arts is bringing us something quieter and more intimate, but no less meaningful, and no less deserving of sell-out crowds. Written by Minnesota screenwriter and playwright Craig Wright, The Pavilion is a lovely, funny, and bittersweet play that's filled with beautiful, poetic, profound, airy language, interspersed with very real and grounded scenes of average humans at their 20-year high school reunion. The story itself is not very original (in life or literature) - high school girl gets pregnant, boy leaves her to deal with it alone, forever changing both of their lives. The original thing about this Pulitzer Prize nominated play is that this very common idea is used as the seed to explore themes of time, regret, happiness, letting go of the past, and second chances. It's funny and earthy at the same time that it's deep and philosophical.* The talented three-person (plus one musician) cast and creative team do a beautiful job of bringing this story to life on Lyric's stage. They're already halfway through their short three-week run, so don't miss out on seeing this lovely show before it fades into the past.

Minnesota Fringe Festival 2023: "H.G. Wells' THE INVISIBLE MAN"

Day: 3

Show: 7

Title: H.G. Wells' THE INVISIBLE MAN 

Category: COMEDY / PHYSICAL THEATER / SCI-FI / LITERARY ADAPTATION

By: [Un]Qualified

Created by: Jake Sung-Guk Sullivan

Location: Southern Theater

Summary: An adaptation of the 1897 novel The Invisible Man, in which a scientist becomes invisible, in a playful physical theater style.

Highlights: I don't think it's a coincidence that playwright/director Jake Sung-Guk Sullivan and one of the actors, Brendan Veerman, performed the roles of "the clowns" in Lyric Arts' 2021 production of The 39 Steps. This production uses the same sort of physical theater, clowning, prop work, and fast pace as that show, to great effect. Don't worry if you're not familiar with the source material (which was adapted into a film in 1933), neither was I. The story of the scientist whose experiment goes awry is clearly told in under an hour, as he travels around London trying to resume his work, and running afoul of the law, again. Doni Marinos plays the titular character, either appearing completely clothed and wrapped up, including face and hands, or staying behind the shower curtain under the Southern Theater arch and providing the voice for the unseen man. Brendan Veerman, Courtney Vonvett, and Tucker Brewster Schuster, dressed in trousers with suspenders and a white tank top, play a dizzying number of characters, and probably burn about a thousand calories per show as they run around the stage donning different costumes and accents, one after the other. The physical work, costumes, sound and lighting design, and use of props is so fun, playful, and clever. One particularly delightful recurring gag is going up and down stairs, another highlight is Brendan, a gifted physical comedic actor with a rubber face, in a fight scene with the invisible man, throwing himself all across the stage. This super fun and clever creation is a must-see.

Read all of my Fringe mini-reviews here.

"Our Town" at Lyric Arts

Thornton Wilder's 1938 play Our Town is a classic of the American theater for a reason. It's a slice of life kind of play (or rather, three slices of life), in which not a lot happens, but everything happens. Our Town tells the story of an average American town in the early 20th Century, filled with average people. While the gender roles feel dated (the men go out to their jobs while the women stay home and take care of the home and family, and everyone is married), the themes still resonate. In fact I find the older I get, the more bittersweet the play becomes. The idea that it's the ordinary days that are the very stuff of life, and we rarely realize their value while we're in them, only becomes more relevant the more those ordinary days stack up behind you. Lyric Arts' new production uses the traditional bare bones style, and adds movement and music to help color the world of Grover's Corners. With beautifully sparse design and a talented cast, they've created something heart-breakingly lovely. You can visit Grover's Corners on Main Street in Anoka weekends through the end of June.

"The Wedding Singer" at Lyric Arts

I've never seen the 1998 Adam Sandler movie The Wedding Singer, and am unfamiliar with the 2006 musical adaptation (which was nominated for five Tonys). I went into Lyric Arts' new production of the musical with zero expectations, and found it to be a very fun, very funny show. It's not a particularly revolutionary story, boy meets girl, etc., but it's a whole lot of fun. The huge cast's energy, enthusiasm, and commitment to the campy '80s era is infectious, and the original score (by Matthew Skylar and Chad Beguelin, who also wrote the score for another super fun show, The Prom) is cute and catchy. The Wedding Singer might be just what you need to bring a little light and joy into these last dregs of winter.

"[title of show]" at Lyric Arts

If you love musicals (and if you don't, why are you reading this blog?), grab your vax card and mask and head to Anoka to see Lyric Arts' new production of [title of show], the charming, irreverent, quirky little musical about two guys writing a musical about two guys writing a musical. I knew I loved the show, but I hadn't seen it in over ten years and I had forgotten just how fantastic it is. Chock full of (sometimes obscure) musical theater references and meta fourth-wall breaking, it shows the creative process in all it's wonder and heartbreak. Lyric has assembled a really talented young cast and creative team, some of whose names you may not know, but you will now. It's 90 minutes of sheer joy and delight, a celebration of making art that couldn't come at a better time. 

"The 39 Steps" at Lyric Arts

The last time I saw a play at Lyric Arts was January 2020, the bittersweet Irish love story Bloomsday. Returning to their Main Street Stage in Anoka 21 long months later felt like coming home, even without the familiar smell of popcorn, and with the new normal of showing proof of vaccination and wearing a mask. They haven't been silent during this extended intermission, producing several virtual cabarets and even a fully staged production of Lauren Gunderson's The Revolutionists for virtual viewing. But it's great to be back in that space again. This little theater in the 'burbs has an exciting and ambitious season planned, culminating in yet another regional premiere next summer, the hilarious 2015 Tony-nominated musical about musicals Something Rotten. But first, they're opening the season with the very fun and clever British mystery/comedy The 39 Steps. Welcome back, indeed.

"Evita" at Lyric Arts

Continuing with their season of showcasing women's stories, Lyric Arts presents the musical Evita, one of the most popular woman's story in music-theater. There hasn't been a local production of it in several years, so the time feels ripe to revisit this story. It's a big show for Lyric Arts to tackle, a sung-through musical with a large cast and complicated score, but they've proven that they're up to the task (this season began with a regional premiere of a new musical, and next season will too). They've enlisted a strong cast, which is notably one of the most diverse casts I've ever seen at the Anoka theater, plus a great design team. The result is a thrilling production of this 1980 multiple Tony-winning classic.

"Romeo and Juliet" by Classical Actors Ensemble at St. Clement's Church

The best thing about summer in Minnesota is outdoor theater. And the lakes, of course. But I love nothing more on a lovely summer evening than to sit outside in a park or a garden somewhere while someone tells me a story. Classical Actors Ensemble continues their tradition of bringing Shakespeare to metro area parks (for free!) with Romeo and Juliet, playing at Lake of the Isles and many other parks every Thursday through Sunday through mid July. Previously I've seen CAE do Shakespeare's comedies, and found them to be so fun, playful, and almost interactive, the way Shakespeare was meant to be. This is the first time I've seen them do a tragedy for their fun summer outdoor play. But Romeo and Juliet is pretty much a rom-com, until somebody dies, so it's still fun and playful in the beginning. And while maybe the tragedy doesn't have quite the same effect when the sun is softly setting, the birds are chirping, and the wind is blowing through the leaves on the trees, it's still the best way to see Shakespeare. Click here to see all of the locations along with handy maps, and then just show up - no tickets or reservations needed (but donations happily accepted to keep this wonderfully free and accessible experience going).

"The Comedy of Errors" by Classical Actors Ensemble at Newell Park

This is my third summer seeing Classical Actors Ensemble's delightful Shakespeare in the Park, and I'm convinced this is how Shakespeare is meant to be seen, at least the comedies. Playful, approachable, bawdy, musical, outdoors, accessible (read: free) to all, and 90 minutes long. The Comedy of Errors is a silly farce of a play and a perfect choice for this annual event. This charming and entertaining cast makes the convoluted story (relatively) easy to follow and the Shakespearean language clear and compelling. Performances continue at parks around the Twin Cities through July 23, and I highly recommend it as a fun outing for all ages, enjoying the best that Minnesota has to offer in terms of summer weather and great theater. The performance is free with no reservations required, just show up with a blanket or lawn chair, and maybe a picnic lunch, and be ready to be entertained.