"Scarecrow on Fire" by Illusion Theater at Center for Performing Arts

Illusion Theater is closing out their 50th anniversary season with the most delightful show, Minnesota treasure Kevin Kling's Scarecrow on Fire. It's a sequel of sorts to The Wizard of Oz, presented as a radio play and featuring live music and archival footage from the 1925 silent film version of The Wizard of Oz (I know, I didn't know that existed either!). Kevin originally wrote this piece for Minnesota Public Ratio, recorded in front of a live audience and broadcast on the airwaves. They've maintained the radio play style for this production, and reunited the original team - actors Simone Perrin, Stephen Yoakam, and Dan Chouinard (who also plays piano and accordion), and musicians Michelle Kinney (cello) and the House of Mercy Band. The mix of all of these artists, with the source material that is so beloved to so many of us, creates something so unique and special. It's funny and silly and charming, but also really heart-warming and even a little profound. It may just bring tears to your eyes as it highlights the beauty and frailty of life. The bad news is it's a short run, with only six performances remaining, two of which are sold out. So act fast to catch this special event!

"Witch" by Walking Shadow Theatre Company at Open Eye Theatre

The new play Witch, by Playwrights' Center affiliated writer Jen Silverman (author of The Roommate and The Moors), is an absurd and funny little play that's difficult to describe. It's a loose retelling of the 17th Century play The Witch of Edmonton, which is based on the real-life case of Elizabeth Sawyer, one of tens of thousands of women accused of and executed for being a witch in the middle ages and early modern era across Europe and the US. But the play also focuses on a wealthy landowner and his heirs, and the idea of selling one's soul to the devil, and things take many unexpected turns. The themes of women's agency, and selling your soul to gain power, make this four hundred year old story scarily relevant. Walking Shadow Theatre Company's production is well-executed in the intimate space of Open Eye Theatre, with a talented six-person cast. Witch continues through April 13 (note: "intimate" means small audience, so don't wait too long - some performances are already sold out).

"Star Keeper" by Emily Michaels King at Red Eye Theater

How do I describe Star Keeper, the latest of Emily Michaels King's very personal shows that combine theater, storytelling, spoken word, movement, dance, sound and lighting effects, and perfectly chosen nostalgic props? Simply one of the most raw, vulnerable, heart-breaking, and moving performances I've ever seen. Emily is the most fearless performer I know, sharing her deepest wounds with the audience, baring her heart, soul, and body. In this piece she explicitly works through the childhood trauma she's alluded to in previous works, and it's astonishing. At times difficult to watch (there was a moment when I, and probably everyone in the audience, wanted to rush the stage and stop what she was doing to comfort her, as she was causing real physical pain to her body in attempt to rid herself of the emotional pain of the trauma), at times esoteric (taxidermy?), but in the end one of the most moving experiences I've had at the theater. If you're looking for theater that's a little different, a little outside the box (we might call it "performance art"), and incredibly gutsy and risk-taking, head to Red Eye Theater to see one of the five remaining performances of Star Keeper.

"devoured: notes on love and enmeshment" at The Southern Theater

devoured: notes on love and enmeshment is a meditation on codependency through three queer intimate relationships. Weaving text and movement, it explores complicated relationship dynamics between people who are struggling to love and be loved, but can't help but hurt each other in the process." This description of the new play by Playwrights' Center's Many Voices Fellow Liqing Xu is apt, but doesn't cover how beautiful, funny, and moving it is. Over the course of 70 minutes, we see three different relationships play out, with no happy ending in sight. But perhaps a bit of personal growth. There are only three more chances to see this fascinating, innovative, and thoughtful new work at the Southern Theater.

"Again" by Theater Mu at Mixed Blood Theatre

"At Mu, we believe universality can only be found through specificity." I agree with Theater Mu’s Artistic Director Lily Tung Crystal. Here she’s talking about their new original musical Again, but it's true of all of their work. For 30 years, Mu has been telling specifically Asian American stories from the Asian American perspective, about universal themes of life that anyone can relate to. Again is about Hmong American women living with cancer, an experience that's all too familiar to many people. The story isn't about being Hmong, it's about being human – relationships, career crises, disease, grief – from the specific background of the artists. Despite the heaviness of the theme, I found the musical to be much lighter than I expected, really more about friendship, community, and perseverance than loss and dying. The talented four-person cast (some of whom are purportedly making their professional theater debuts, although that's hard to believe) is charming and fun to watch as they bring this story to life. See it now through April 16 at Mixed Blood Theatre in Minneapolis' Cedar-Riverside neighborhood.