"Somewhere" at the Guthrie Theater

West Side Story was one of the first musicals I fell in love with, and I thought I knew everything about it. But Matthew López's play Somewhere, which premiered in San Diego in 2011 and is currently receiving its regional premiere on the Guthrie's proscenium stage, helped me see it in a new light. He tells the story of a fictional Puerto Rican family (much like his own) living on the West Side of Manhattan in the late '50s when West Side Story was all the rage on Broadway. They're an artistic family with dreams of being in this show that they love so much, dreams that are deferred when they're evicted from their home - the entire West Side neighborhood known as San Juan Hill was about to be demolished to make way for Lincoln Center. The play is a love letter to New York City, to Broadway, to dreaming big. It's about family and the sacrifices we have to make to survive, while still trying to hold on to those dreams. It's another version of a West Side story that's perhaps more true to the community of people who called it home, and what happened after they were forced to find a new home. This moving dance-infused family drama continues through February 1.

"Treasure Island" at Children's Theatre Company

For high stakes adventure on the open sea, head to Children's Theatre Company in South Minneapolis. Their production of Scottish playwright Stuart Paterson's adaptation of the 1883 novel Treasure Island is a high energy tale filled with music, magic, thrilling fight scenes, and admirable heroism. Surprisingly, this was my first experience with the classic tale, having never read the book or seen any of the many movie adaptations. There are a lot of pirates and bad guys to keep track of, but the trajectory of our young hero Jim is clear as he risks life, limb, and reputation to do what's right and stand up to the bullies who will stop at nothing to get what they want. The kind of heroism that seems to be lacking in the real world right now, but maybe Jim will inspire us to be heroes in our own stories. CTC recommends this show for age 8 and up, and I observed some little ones getting a little squirrelly as the story and accents might have gone over their heads, and there's quite a bit of violence, including gunfights and murder. But for the older kids and the grown-ups, this show is treasure indeed.

"Between Riverside and Crazy" at Park Square Theatre

Park Square Theatre was planning to produce the 2015 Pulitzer Prize-winning play Between Riverside and Crazy in 2023, shortly after its Broadway premiere, when they ran into financial issues and had to cancel half of that season and all of the next one. But they came back last summer with a new Artistic Director, Stephen DiMenna, who has long been trying to stage this play (read more about that journey here). It has finally arrived as the final show in Park Square's excellent comeback season, and it was worth the wait. The well-written family dramedy that deals with gentrification, racism, drug addiction, and policing has been perfectly cast with #TCTheater favorites and newcomers, on an incredibly detailed and lived-in NYC apartment set. Between Riverside and Crazy plays Thursdays through Sundays until June 8 in the Historic Hamm Building in downtown St. Paul.

"Homo Dramaticus" by Teatro del Pueblo and Pangea World Theater at the Southern Theater

Teatro del Pueblo and Pangea World Theater are combining their resources and talents for their new production of Homo Dramaticus, a series of three short plays by Argentinian playwright Alberto Adellach. Written in response to the Dirty War in Argentina (disclaimer: pretty much everything I know about Argentinian politics is from the musical Evita), these plays are a bleak look at the war and violence in his world, and in ours. They're written in the absurdist style, which means they're not so much narrative stories as a series of characters, scenes, images, feelings. It's beautifully acted and directed, and gorgeously designed. And while I didn't always understand what was happening, this production succeeds in evoking feeling of grief, horror, and dismay at the violence that seems to be intertwined with all of human history. This short run concludes on Sunday, with just three more performances at the Southern Theater.

"Code You" by Exposed Brick Theatre at Dreamland Arts

Exposed Brick Theatre, "dedicated to telling untold stories, centering omitted narratives and creating art at the intersection of identities," was founded in 2004, and somehow this is my first experience with them. Last night I saw the new play Code You, written and directed by Nora Montañez Patterson, at Dreamland Arts, a sweet little venue on Hamline Avenue in St. Paul that I haven't been to since pre-pan. Code You is one of several plays to come out of Exposed Brick's 2020 "Through Our Eyes" program, in which they commissioned eight playwrights to write plays "in response to the multiple pandemics impacting MN communities." Code You starts out as fun and trippy multiple-reality narrative about friends just hanging out and having fun, but there's an undercurrent of something more sinister happening, and things get serious real fast. The short run continues for one more weekend only, and the hour-long play is short, sweet, and to the point, bringing back the fear of the unknown from those early COVID days and reminding us what we all went through.