Showing posts with label Alejo Vietti. Show all posts
Showing posts with label Alejo Vietti. Show all posts

Sunday, December 21, 2025

"Somewhere" at the Guthrie Theater

West Side Story was one of the first musicals I fell in love with, and I thought I knew everything about it. But Matthew López's play Somewhere, which premiered in San Diego in 2011 and is currently receiving its regional premiere on the Guthrie's proscenium stage, helped me see it in a new light. He tells the story of a fictional Puerto Rican family (much like his own) living on the West Side of Manhattan in the late '50s when West Side Story was all the rage on Broadway. They're an artistic family with dreams of being in this show that they love so much, dreams that are deferred when they're evicted from their home - the entire West Side neighborhood known as San Juan Hill was about to be demolished to make way for Lincoln Center. The play is a love letter to New York City, to Broadway, to dreaming big. It's about family and the sacrifices we have to make to survive, while still trying to hold on to those dreams. It's another version of a West Side story that's perhaps more true to the community of people who called it home, and what happened after they were forced to find a new home. This moving dance-infused family drama continues through February 1.

Friday, March 17, 2023

"Born with Teeth" at the Guthrie Theater

As the perfect companion to the Guthrie Theater's upcoming 60th Anniversary production of Hamlet, they're presenting the Alley Theatre production of the new play Born with Teeth. Based on a recent scholarly finding that Shakespeare might have collaborated with another great playwright of the time, Kit Marlowe, on the Henry VI plays, playwright Liz Duffy Adams imagines those meetings between the two men and what might have transpired. But this is no dull history lesson. It's an enthralling, dynamic, quick-witted, modern, fascinating two-hander that feels like the best tennis match I've ever seen (note: I've never seen a tennis match). The design is beautiful, but all this play needs is this brilliant script and these two gifted actors who make us feel like we're in the room with two of England's greatest playwrights as they match wits with each other, and who comes out on top may surprise you. I don't often read plays, but I just ordered this script from the Guthrie Store, because this 90-minute play is overflowing with clever, hilarious, mind-boggling lines and plot points that I want to read, study, and devour (to borrow one of those lines). If you're fan of Shakespeare, or smartly written two-handers, or historical fiction, or really great acting, Born with Teeth is a must-see (continuing through April 2 on the Guthrie's proscenium stage).

Thursday, November 19, 2015

"Beautiful - The Carole King Musical" at the Orpheum Theatre

"You've got to get up every morning with a smile on your face, and show the world all the love in your heart." The opening lyrics of prolific songwriter Carole King's "Beautiful" paint a pretty picture, but as we learn in the biographical jukebox musical of the same name, her real life wasn't always pretty. Pregnant and married at 17, divorced by 26, she still managed to become one of the most successful songwriters of the 20th Century with such well-known hits as "Will You Love Me Tomorrow," "Up on the Roof," "You've Got a Friend," and "Natural Woman." Beautiful - The Carole King Musical tells Carole's life story as she finds her own voice, culminating in her Grammy-winning 1971 solo album Tapestry. Although it feels at times like a baby boomer tribute concert, Beautiful truly is just that - beautiful - as it celebrates this remarkable woman's talents and life story.