Touring Production of "The Sound of Music" at the Orpheum Theatre

I will never say no to seeing The Sound of Music, whether on stage, or a screen of any size. I grew up watching the movie (back in the 1900s when we didn't have any way of watching movies at home other than when they were broadcast on TV, like this one frequently was), I played in the pit orchestra for a production in high school, and I lived in Salzburg for four months when I studied abroad in college. It is beloved to me for all these reasons and more, as it is to many people. Surprisingly, it's only been revived once on Broadway since it's original run in the late '50s and early '60s, although it returns again next spring, at the Vivian Beaumont Theater at Lincoln Center (my favorite Broadway venue for classic musicals). But a new tour began last fall that has finally made its way to Minneapolis, and I'm happy to report that it's as gorgeous and joyful and inspiring as always. But it's only here for a week, so get your tickets now to visit wunderschöne Salzburg on Hennepin Avenue through October 25 (I highly recommend a visit to the real city of Salzburg too!).

Broadway tour of "Harry Potter and the Cursed Child" at the Orpheum Theatre

I'm not a huge Harry Potter Fan. I have read all the books and watched all the movies and enjoyed them, it's just not something I go back to, and have forgotten a lot of it. These days, consuming any Harry Potter content brings up the complicated issue of whether or not we can separate the artist from the art, or should. Since the last book of the Harry Potter series was published in 2011 and the script for Harry Potter and the Cursed Child was published in book form in 2016, author J.K. Rowling has made increasingly concerning anti-trans statements, and funded anti-trans organizations and movements. Can we still love Harry Potter if we find her views on human rights egregious? I don't know the answer to that, but I went to see the Broadway tour of Cursed Child (playing at the Orpheum through May 17), which is the product of so very many artists. I received complementary tickets as a member of the press, but I donated the price of the tickets ($290 for two) to nonprofit organizations that support the trans community* in order to counteract any ill effects of my decision. And I'm glad I did see it; I loved the play and found it to be not only an incredible technical achievement in theater, but also such a beautiful message about friendship, family, community, and banding together to fight against evil and injustice. I cannot make it make sense that someone who created such a beautiful and inspirational universe can also spout such hateful things about trans women in the guise of feminism (BTW, it's not feminist to narrowly define "woman" and vilify anyone who doesn't meet that definition). In the interest of not throwing out the baby with the bathwater, maybe we can take in, admire, and emulate the words and actions of Harry, Hermione, Ron, and their kids (as this play features) instead of those of their creator. And use it to inspire us to continue to fight against the very real and scary evils in our world that are continually acting against the most vulnerable and most in need among us. That's what Harry would do!

Broadway tour of "Suffs" at the Orpheum Theatre

I saw Suffs on Broadway in May of the tumultuous election year that was 2024, and I thought it was relevant then. I didn't realize how much more relevant it would be to see this story about the final leg of the Women's Suffrage movement in 2026 in Minneapolis. As women's rights seem to diminish with every passing day, and protests continue and increase in size and frequency, in a city that's very familiar with marching and standing up for justice, meeting violence on the streets and being unfairly detained. Suffs is an inspiring story of the women that worked for over 60 years to get women the right to vote in America, and the various and varying tactics they used, and reminds us not to take these rights for granted but to keep marching, because as we've recently seen, they can be taken away in an instant. Music/book/lyrics writer Shaina Taub (who also starred in the original production) has focused the long history of Women's Suffrage in this country on a handful of historical figures over the last few years before the passage of the 19th Amendment, creating a story that feels fresh and modern, that's as funny and entertaining as it is serious and moving. These Suffs will be marching through Minneapolis through Sunday only - click here for info and tickets, including student, educator, and performing arts industry rush.

Broadway tour of "Water for Elephants" at the Orpheum Theatre

The 7-time Tony-nominated 2024 Broadway musical Water for Elephants brings the circus to town for one week only at the Orpheum Theatre in Minneapolis, and it's pretty thrilling! The circus elements, puppetry, and great score by the indie folk band PigPen Theater Co. combine for a show that has both spectacle and substance. I've not read the book upon which it is based nor seen the 2011 movie adaptation, but I really enjoyed the touching, if not particularly unique, memory play about a man looking back on his life in the circus in the 1930s. Click here for info and tickets, including student, educator, and performing arts industry rush tickets.

Broadway tour of "Chicago" at the Orpheum Theatre

I hadn't seen the Broadway tour of Chicago since 2018 (and Theater Latte Da's brilliant production in 2019), and I have to admit, I forgot just how good it is. There's a reason this revival is the longest currently running Broadway musical, marking its 30th anniversary this year. The clever and jazzy score by the genius team of John Kander and Fred Ebb, Bob Fosse's iconic and positively thrilling choreography (reinterpreted by Ann Reinking for the 1996 revival, in which she also played Roxie), the ever more timely book (by Ebb and Fosse) that shines a harsh light on our culture's obsession with violence and celebrity, the incorporation of the onstage band into the story, and the seemingly endless supply of gorgeous and talented actor/dancer/singers who don't just inhabit these now familiar characters, they make them their own. If it's been a while since you, too, have seen Chicago, or you have (gasp!) never seen it, now (meaning this week only) is the time. Chicago never gets old.*

Broadway tour of "Shucked" at the Orpheum Theatre

If you're looking for a straight-up comedy with corny jokes, bad puns, a great country-tinged score, and a ton of heart, head to the Orpheum Theatre on Hennepin Avenue for the National Tour of the 2023 multiple Tony-nominated musical Shucked. I missed seeing this on Broadway (starring #TCTheater actor Caroline Innerbichler in her Broadway debut), so I was excited to finally see the show on tour. I knew it would be fun, but I loved it even more than I thought I would. It's so goofy and tongue-in-cheek, with a fantastic touring cast, and is endlessly endearing. The story of a small isolated community that tears down their walls (of corn) to let in new ideas and new people, and see each other in a new light, is a much-needed and heart-warming one. Shucked continues through January 11 only; click here for the official ticket-buying site, as well as info about rush tickets for industry, students, and educators. 

Broadway tour of "The Wiz" at the Orpheum Theatre

The new revival of the 1975 Tony-winning best musical The Wiz is on tour and has landed in Minneapolis for one short week, and it's fabulous! This retelling of The Wizard of Oz through the lens of Black culture and Black experience features a wildly impressive cast with one power voice after another, an infectious upbeat score, a technicolor explosion of a production design, and an inspiring message about traversing a difficult world with friends by your side that help you find your own power, self-worth, identity, and home. A "Super Soul Musical" indeed! But don't take my word for it, Stephen Sondheim purportedly said, "it's the one show which makes you feel better when you come out of it than you did when you walked in," and that's absolutely true. I wanted to sing and dance down Hennepin Avenue like it was the yellow brick road. To witness all of that Black joy, and have it rain down on you and infuse your soul, is truly a balm in this dark world. The Wiz continues through December 21 only, and tickets should be purchased only from the official site here.

Broadway tour of "Kimberly Akimbo" at the Orpheum Theatre

Somehow I missed seeing the 2023 Tony-winning best musical Kimberly Akimbo on Broadway, so I'm thrilled that it finally made its way to Minneapolis for one short week. I went into the show knowing almost nothing about it (which is rare for me), other than it was about a teenage girl with a disease that caused her to age rapidly. As the show unfolded, every moment was a delightful surprise. This is not a big splashy huge-cast over-the-top kind of musical. It's a small intimate story that's told well, with complex, distinct, relatable characters, and music that perfectly expresses the emotions of the story. Truth be told, that's my favorite kind of musical. It's similar to a Next to Normal or Fun Home in scope, but much lighter in tone, although it does deal with some heavy themes as our Kimberly deals with turning 16, the average life expectancy of someone with her (unnamed) disease. But it's also really funny, sweet, and touching, with fun, catchy, singable songs. It's the kind of musical that will lend itself well to regional productions, and I look forward to that, but in the meantime, don't miss this opportunity to see this well-deserved Tony winner live and in person - through July 13 only!

Broadway tour of "& Juliet" at the Orpheum Theatre

The nine-time 2023 Tony nominated musical & Juliet arrived at the Orpheum Theatre in downtown Minneapolis this week. I knew very little about the show going into it, other than it had something to do with Shakespeare's Romeo and Juliet, and the score was comprised of pop songs. No expectations often leads to a great experience at the theater, and that was definitely the case here. The book (written by Schitt's Creek writer David West Read) is very clever in its meta structure, includes lots of Shakespeare references and a bit of rhyme, and is modern, feminist, and very funny. The score features well-chosen pop songs by artists of the last few decades, from Britney Spears to the Backstreet Boys to Katy Perry, all of them written or co-written by prolific Swedish songwriter Max Martin. And despite the fact that I knew maybe a third of these songs (I'm a nerd, I don't know pop music from any decade), I found it to be a really fun, entertaining, feel-good show. & Juliet continues at the Orpheum Theatre through May 18 only.

Broadway tour of "Hadestown" at the Orpheum Theatre

It's an old song. It's a sad song. But we sing it anyway. Such is the song of Hadestown, the 2019 Tony winning best musical that's returning to Minneapolis this week. Three years since the last time I saw* it and it's even more meaningful and powerful in light of the state of the world right now. This brilliant musical written 15+ years ago speaks to the struggles of the working class and the dangers of a despotic ruler in a way that strongly resonates in 2025. These themes are explored through the story of Hades and Persephone, whose relationship is responsible for the changing of the seasons (according to Greek mythology), as well as Eurydice and Orpheus' tragic love story. Singer/songwriter Anaïs Mitchell turned this sad old song into a song cycle, a folk opera which she first recorded with some of her folk singer friends in 2010 (which I heard her perform at the loveliest little folk festival in Minnesota, Storyhill Fest). It took almost a decade to turn that song cycle into a Broadway musical, with help from visionary director Rachel Chavkin. The result is this stunning piece of music-theater that's wholly unique and original. I was lucky enough to see it on Broadway (where it's still playing), and now twice on tour. Because even though we know how this song ends, as long as they keep singing it I'll keep listening with rapt attention. Experience the song of Hadestown at the Orpheum Theatre in downtown Minneapolis through Sunday only (click here for info and tickets, including student/educator rush).

Broadway tour of "Parade" at the Orpheum Theatre

Last night, the National Tour of the 2023 Tony winner for best revival of a musical opened right here in Minneapolis. Parade premiered on Broadway in 1998 and ran for only three months, but won the Tony for score (Jason Robert Brown, his first of two Tonys, the second for The Bridges of Madison County) and book (playwright Alfred Uhry, who won the Pulitzer Prize for Driving Miss Daisy). Almost 25 years later it was revived in a stunning and devastating production that I was fortunate to see.* I'm so glad that it's going on tour, because this is a story that America needs to see right now. Unfortunately, this very American story of antisemitism, racism, otherism, corruption in the judicial and political systems, fearmongering, mob violence, and media distortion of the facts only gets more relevant with each passing day. Heavy subject for a musical? Yes, but not all musicals need to be light and happy. In fact the best ones delve into heavy issues and shed light on the dark places of our past and present, and do it with gorgeous music that evokes the emotions of the story better than a history book or even a play ever could. Twin Cities theater-goers should feel honored to be the first ones in the country to experience this brilliant production, and if you're a fan of meaningful and relevant music-theater that's also beautiful to watch and listen to, go see Parade (through Sunday only - click here for info and tickets, including group sales and student/educator rush).

Broadway tour of "The Book of Mormon" at the Orpheum Theatre

The Book of Mormon is the fourth longest running musical of those currently playing on Broadway, and 12th of all time, soon to pass RENT to become the 11th longest running Broadway musical. It's been touring the country (and world) for years, and has stopped in Minneapolis numerous times. But I hadn't seen it since 2018 so I was more than ready to experience one of my favorite and one of the most joyful musicals again. Seeing it for the fifth time, I was instantly caught up in the humor and heart of the piece, cringing at the foul language, and having a wonderful time. The words I've written in the past about my love for this show still hold true*:

Broadway tour of "Les Miserables" at the Orpheum Theatre

Are you ready to hear the people sing? The people being the incredibly talented cast of the long-touring production of the 2014 Broadway revival of Les Miserables, most of whom were with the tour when it was last here in 2022 (and some even in 2018). The singing being the 6th longest running Broadway musical (from 1987 to 2003) and one of the most popular and beloved. I was telling someone about the show today (because I always end up talking theater with strangers) and they asked, why would I want to see something so miserable and depressing? Firstly, the music is gorgeous, nearly three straight hours of singing accompanied by a glorious orchestra. Secondly, because as I've previously written about the show, it's "such an inspiring story. Through a moment of kindness, a man's life is changed and he goes on to affect others' lives by passing on that kindness. But through it all he's still just a man, with doubts and regrets and struggles. In short, it's the human experience." It's truly inspiring and brings me to tears every time, especially my favorite line "to love another person is to see the face of God." Last night I was struck by the contrast between the two main characters. Valjean receives a moment of grace and kindness and allows it to turn his life around for the better, extending grace and kindness to those he meets. But when he extends it to Javert, he is unable to accept it and let go of his lifelong vendetta of hate. The world could use more Valjeans. Experience this epic journey at the Orpheum Theatre through December 1.

"Some Like It Hot" Broadway tour at the Orpheum Theatre

I saw the new musical adaptation of the 1959 comedy classic film Some Like It Hot on Broadway in 2023, and loved it more than I expected to. I was unfamiliar with the film at the time, but have since learned that the musical stays fairly true to the plot of the film, but with a few tweaks that make it feel refreshingly modern and relevant. When I saw it on Broadway I wrote, "this is a show that is perfect for touring." It is at its heart an old-fashioned musical comedy show, with a fabulous score, thrilling dance numbers, and hilarious comedy that I heard an audience member refer to as "corny as hell." But it's almost subversive in the way that it works in issues of trans acceptance, feminism, and overcoming racism. I'm thrilled that it's touring around America in this time when we need more of all of that, and that one of the first stops on the tour is right here in Minneapolis. So don't walk, don't run, but tap briskly down the street as if gangsters were chasing you to get to the Orpheum Theatre to see this fantabulous new musical before Joe, Daphne, and the gang tap on out of town! Click here for tickets, including student/educator rush tickets.

Broadway tour of "Back to the Future: The Musical" at the Orpheum Theatre

The 1985 movie Back to the Future, starring Michael J. Fox and Christopher Lloyd, was a huge success, spawning two sequels and now, a stage musical. Many years in the making, the musical premiered in London in February 2020 (an unlucky time for theater), and made its way to Broadway last summer. While it didn't win any Tony Awards, it's still running, and the first national tour began this June, with Minneapolis one of its early stops. As a child of the '80s I have a soft spot in my heart for the movie, although I'm not a superfan, and I found the musical to be a ton of nostalgia-wrapped fun. The design seamlessly blends projections with real set pieces to create an almost visceral experience. The musical is performed in a very broad tone and doesn't take itself too seriously, with a few fourth-wall breaking winks at the audience. All of this, plus this fantastic touring cast that is giving their all to the story, make for a really fun night at the theater. Did Back to the Future need to be made into a musical? Maybe not. Is it ground-breaking music-theater? No. But they've tapped into the nostalgia and love for this movie and created something fans, and maybe even those unfamiliar with the movie (if such people exist), will love. Doc, Marty, and the DeLorean will be in town for two weeks, so head to the Orpheum Theatre, buckle your seatbelt, and enjoy the ride! (Click here for the official ticket site.)

"The Lion King" Broadway tour at the Orpheum Theatre

In the summer of 1997, the stage musical adaptation of the 1994 Disney animated film The Lion King premiered in Minneapolis at the Orpheum Theatre. That fall it moved to Broadway, winning six Tony Awards (including best musical), where it is still playing - currently at number three in the list of longest running Broadway shows. The tour has come back home again, and will play at the Orpheum Theatre for about a month - through April 28. Last night was my 5th time seeing it, and still, nearly 27 years after I first saw it, it's an absolute thrill. It's without a doubt the most successful Disney movie-to-stage musical adaptation on many levels - financially, creatively, musically. The creators of the stage musical took a two-dimensional children's cartoon movie and turned it into a wholly satisfying three-dimensional spectacle of music, dance, puppetry, and story. It's a big-budget spectacle that's also uniquely beautiful and moving storytelling. As Dana said in that one episode of Sports Night - look what we can do!*

"Clue" on tour at the Orpheum Theatre

A newish 90-minute non-musical stage adaptation of the cult classic 1985 movie Clue is going on tour, and it's premiering right here in Minneapolis! I'm not a particular fan of this movie, in fact I watched it for the first time just last week (#research). I found the movie to be quite delightful, and the play even more so. First of all, I love a 90-minute show at the Orpheum Theatre, when you don't have to sit through a 20-minute intermission (or worse yet stand in line for the bathroom for 20 minutes), or stay up past 11pm (#morningperson). Secondly, it's a really fun mystery with lots of wordplay, clever nods to the popular board game, and hilarious physical comedy. The 90 minutes are jam-packed with laughs, the mystery part taking a back seat to the entertainment factor. If you're looking for a different kind of tour that's non-musical, short and sweet, and a fun time, check out the premiere of Clue through March 3 only, after which it will embark on a tour across the country.

"Mamma Mia" on tour at the Orpheum Theatre

The smash hit 2001 Broadway musical Mamma Mia!, which opened in 2001 and went on to become the 9th longest running musical in Broadway history, has come back to Minneapolis for one week only! When I first saw it on Hennepin Theatre Trust's 2023-2024 season (note: the new season will be announced this Thursday!), I thought - really, Mamma Mia! again? Why?! But then I realized I hadn't seen the Broadway/touring version since 2010 (although I did see three gorgeous local productions in the last few years, at the Ordway, Chanhassen, and Zephyr in Stillwater outdoors), so I thought I'd check it out. And I had an absolute blast at the show. Yes, it's a jukebox musical with a silly plot made up in which to shove ABBA songs, but the result is so joyously infectious, it's impossible to resist. So if you're thinking, "why should I see Mamma Mia! again," keep reading and I'll give you ten reasons. But hurry, Donna and Sophie and her three dads leave town on Sunday! (Click here for the official ticket site.)

"Funny Girl" Broadway Tour at the Orpheum Theatre

The long overdue first Broadway revival of Funny Girl (which made Barbra Streisand a star in the '60s) has finally arrived in Minneapolis - for one short week only! I'd never seen it on stage before (I don't recall a #TCTheater production in my blog-memory), and while I have seen the movie, I'm not that familiar with it, or the music. I was blown away by the score, the dancing (setting a story in the Follies allows for some great dance numbers apropos of nothing), and the positively radiant performance of Katerina McCrimmon as Fanny Brice. Head to downtown Minneapolis to see this fabulous new production of a little done classic while you can! (Click here for the official ticket purchasing site, which also include info about the student/educator rush tickets.)

Broadway tour of "Aladdin" at the Orpheum Theatre

The 1992 animated Disney movie Aladdin was adapted into a stage musical and opened on Broadway in 2014, where it's still running. The second national tour has made it to Minneapolis this week, and since I skipped it the first time around, I decided to check it out this time. It is, in the tradition of Disney musicals, a funny, sweet, entertaining spectacle of a show. Fabulous dancing, recognizable music, and some great performances (the real star of this show - Genie - does not disappoint) make for a fun and not too long show (under two and a half hours including intermission). I have some concerns about the casting choices, which you can read about at the end of this post. But first I'll share a few things I enjoyed about the show. Aladdin is in town through Sunday only - remember to only buy your tickets from the official site here, NOT from any of the third-party vendors that pop up first in a Google search.