I'm sure you all know the story: 72-year-old widow Daisy crashes her car in the driveway, causing her son Boolie to hire her a driver despite her protestations. Hoke shows up at Daisy's home, unwanted by her, but she eventually allows him to drive her to the Piggly Wiggly, temple, family gatherings, and even a dinner honoring Martin Luther King, Jr. Over the years Daisy comes to rely on Hoke, and he becomes more than "the back of a neck" that she stares at in the car. This is a beautiful portrait of a true and lasting friendship, and an unlikely one at that. Quite simply, Daisy and Hoke are family, despite their differences.
|Miss Daisy (Wendy Lehr) and Hoke (James Craven)|
The Jungle's Artistic Director Bain Boehlke* directs and designed the set, once again allowing for the perfect marriage of story and setting. Four chairs and a steering wheel at the front of the stage represent the car, where much of the drama occurs. The characters mime every window opening and door closing, perfectly timed with sound effects (by Sean Healey). To the right we see Boolie's office, and to the left Daisy's living room, both specifically populated with details. In the center is a video screen showing the car or location, occasionally marking the passage of time from 1948 to 1973. All of these pieces are joined together with a theme of latticework, creating a charming Southern home.
The Jungle Theater's Driving Miss Daisy is a compact and emotionally powerful 80 minutes of theater. Completely engrossing, funny, heart-warming, and utterly charming. Warning: you might want to bring tissues.
*I had the great pleasure of being seated next to Wendy and Bain at the Patti LuPone concert at the Dakota a few months ago. It truly was one of the theatrical highlights of the year for me, to spend a little time with and chat with these two local theater legends.