Showing posts with label Thomas Matthes. Show all posts
Showing posts with label Thomas Matthes. Show all posts

Tuesday, September 26, 2023

"The (Almost) Complete and (Mostly) Accurate History of Alcohol" at Bryant Lake Bowl

Favorite local funny man Josh Carson and friends have put together a sketch comedy show about that great elixir and social lubricant - alcohol. Ironically, I saw the show about four weeks into a six-week break from alcohol (and caffeine), which I started as part of my marathon training. And even though an injury got me off of the marathon track, I stuck with the alcohol break just to see if I could do it (and I am still in training, if only for the much less physically demanding half marathon). It's an interesting experiment and has made me more aware of how prevalent alcohol is in our society and our social lives. It hasn't really been that hard for me, but there have certainly been days where I wanted a drink to smooth out the edges of a rough day, or just to taste a delicious concoction on a night out. This group of very funny writers and performers have taken all of these ideas, as well as stories of alcohol throughout history, and created about a dozen silly, funny, relatable sketches. You can see it at Bryant Lake Bowl (with dinner and yes, drink service before and during the show) through September 30 only (click here for info and tickets).

Tuesday, August 7, 2018

Minnesota Fringe Festival 2018: "Right, Wrong or Bomb! A Dating Musical"

Day: 5

Show: 17

Category: Comedy / Dance / Musical Theater

By: Backyard to Broadway Productions

Created by: Rosie Sauvageu Nestingen, Shannon McDonald, and Brittany Shrimpton

Location: Mixed Blood Theatre

Summary: An original musical about life and dating in the social media age.

Highlights: I saw this musical when it premiered a few years ago, and while I thought it had promise, I did have a few issues with it. The main character (Jill) seemed to be only focused on finding a man. But for whatever reason, I enjoyed it much more this time around. About the premiere I wrote: "It feels like a small-scale musical, in a good way, and with a little trimming would work great as a short and sweet 90-minute-no-intermission show." Creators Rosie Sauvageu Nestingen (music and lyrics) and Shannon McDonald and Brittany Shrimpton (book) have done just that, only 60 minutes. Maybe it was being forced to make cuts, or the fact that director of both versions Shanan Custer also co-wrote Not Fair, My Lady! which takes a very real look at women in musical theater, but this version feels more like a focus on Jill and all her relationships, including her female friends and her mother (who in this version is less of an unpleasant stereotype of a "cougar"), and a study of not just relationships but life in the social media age. The cast (Anna Larranaga, Delanie Wiedrich, Per Nestingen, Rachel Austin, Teri Parker Brown, and Thomas Matthes) is all new and all great, the songs are fun and clever, and there are a few cute winks at the audience. Sometimes less is more, and editing makes things better. This version of A Dating Musical seems fresh, tight, funny, relatable, and just right.

Read all of my Fringe mini-reviews here.

Sunday, August 13, 2017

Fringe Festival 2017: "Repertoire Dogs"

Day: 10

Show: 41

Title: Repertoire Dogs

Category: Comedy

By: Ideal Productions

Created by: Dana's Boys

Location: Mixed Blood Theatre

Summary: Impressions of celebrities in unlikely situations, performed by a cast of seven.

Highlights: This show is just plain fun. Who doesn't love impressions? If they're good it's fun to appreciate the skill, if they're bad it's fun to laugh at how bad they are (and there's a bit of both in this show). Josh Carson hosts a panel which, when I saw the show, included Allison Witham, Ben Tallen, Brad Erickson, Kelsey Cramer, Ryan Nelson, and Thomas Matthes. The first segment is celebrities or fictional characters in movies they weren't in, like Tim Gunn reading the rules from Fight Club, Gollum in The Goonies, and George Bush doing the Independance Day speech. There's a bit of audience participation when someone picks a card of a stock impression every impressionist should have (Jerry Seinfeld) and a competition ensues to see who does it best, while reading from Fifty Shades of Grey. And one (un)lucky audience member gets to go onstage and try to guess the impression. After a lot of laughter (including from the stage, it's also fun to watch the panelists crack each other and Josh up) and Simpsons characters, the show wraps up with a motley crew singing "Piano Man."

Read all of my Fringe mini-reviews here.