"Whoosh!" at History Theatre

For the third iteration of #TCTheater artist Andrew Erskine Wheeler's solo piece Whoosh! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls, he has partnered with History Theatre. What began as a 2022 Minnesota Fringe Festival show was expanded into an outdoor show performed very near the falls themselves, and now has been fully realized in this perfect partnership. Andrew has created several compelling solo historical Fringe shows, which are all great and succinct as they were, but it's lovely to see this one fully realized. Some Fringe shows are destined to be more - Illusion Theater often works with Transatlantic Love Affair to produce expanded versions of their Fringe shows, and Theatre in the Round supported the creators of the fantastic new original musical Endometriosis: The Musical as they expanded it into a full-length musical, producing it as part of their season last year. Whoosh! is somewhat of an anomaly for History Theatre; typically they commission, develop, and produce new works, participating in every step of development. Andrew developed Whoosh! independently, but its very Minnesotan and historical themes make it a natural fit for History Theatre, and they provided the resources and additional creative talent to help make it all that it can be. As much as I love the intimate solo storytelling nature of the original, this expanded version is just as moving and compelling, and even richer and more thrilling. Take a trip over the falls and through the history of this great state now through February 22.

Minnesota Fringe Festival 2025: Wrap-Up and Favorites

The wonderful theatrical whirlwind that is the Minnesota Fringe Festival is over for another year, and I'm left with great memories of friends, fun, and theater, and also not a little exhaustion (I took an afternoon nap yesterday and then slept nine hours last night). I never cease to be amazed, impressed, and moved by the incredible talent in this festival, both local and touring artists. This year I saw 39 Fringe shows in 10 days, but technically I saw 42 shows within the 11 days of the festival, because I took the first day off to drive to Duluth and see Zeitgeist Theater's incredibly immersive and intimate production of my favorite musical RENT, and I took a few afternoons off to see a NEXT new works reading at Theater Latte Da and Artistry's fabulous production of the beloved classic Singin' in the Rain (continuing through August 31). But other than that, I saw a show in every timeslot that I could (not counting 10pm shows because #morningperson). And I did not see a bad show, in fact the majority of the shows I saw were excellent. Which makes narrowing my list of favorites down from 39 to something less than half of that a nearly impossible task. So here's a list of some (but not all) of the shows I loved at Minnesota Fringe this year. But Fringe is never really over; they continue activities and programming year-round, so be sure to follow them on social media and sign up for their email list (if you're not already). And most of the artists and companies in this festival do work all year round, so if you saw someone or something you really loved, check out what else they're doing this season. The 2025 Minnesota Fringe Festival is over, but #TCTheater never ends!

Minnesota Fringe Festival 2025: "In The Garden Of American Heroes"

Day: 5

Show: 17

Title: In The Garden Of American Heroes

Category: 

By: Wheeler in the Sky

Created by: Andrew Erskine Wheeler

Location: Southern Theater

Summary: General Custer is stuck in purgatory and lamenting not being included in the "Garden of American Heroes" being built for America's 250th birthday next year (that's a real thing).

Highlights: This is the third of Andrew's original solo historical pieces that I've seen, and like 2019 Booth's Ghost and 2022's WHOOSH! (a revised version of which is part of History Theatre's upcoming season) it's thoroughly researched, thoughtfully constructed, incredibly relevant to our current times, and performed with 100% commitment. All of these works examine controversial figures from America's history, and don't ask us to sympathize with them, but maybe perhaps understand how they came to be and how that's paralleled in things we're seeing happening today. We have to understand our history in order to not repeat it, and that's what this show does for Custer. To try to describe this show would not do it justice, it feels like a fever dream through this particular segment of American History. As Custer, Andrew speaks directly the audience, running through the aisles, disappointed in his exclusion from the Garden ("how bad do you have to be to be rejected by this administration?!"). He comes out dressed in Custer's full regalia, gradually shedding layers and arranging them on the floor, like the remnants of a life. This Custer does not apologize or ask for our forgiveness; he admits that he was motivated not by any sense of duty to his country, but by the love of killing. It's harsh and brutal, and endlessly captivating. As usual Andrew's prop work is detailed and thoughtful, with a saber, a spear, a wig head that holds those flowing blond locks. The lighting is almost like a character in and of itself, sometimes garishly bright, sometimes flashing, sometimes soft, Custer reacting to each change. The story starts and ends with his death in battle, and leaves us disturbed and questioning just what is an American Hero?

Read all of my Fringe mini-reviews here. 

2024 Twin Cities Horror Festival at The Crane Theater

The weather is (finally) turning cooler, the brightly colored leaves are falling from the trees, which means it must be time for the 13th annual Twin Cities Horror Festival. Unlike my friends at Minnesota Theater Love and The Stages of Minnesota (follow them for full coverage), I am not in general a fan of horror. But I am a fan of this mini Fringe festival that features many of my favorite Fringe artists. So I'm seeing a handful of shows this year (October also happens to be the busiest theater month of the year in general, and this year in particular). I was at the first show of the festival on last Thursday evening before continuing my stretch of five non-TCHF shows in five days, and then returned a few times to see a few more. I saw 7 of the 11 shows this year, read about them below, and visit the TCHF website for details and tickets (warning: there are sellouts already, particularly in the smaller studio space). Shows continue daily through November 3 at The Crane Theater in Northeast Minneapolis.

"WHOOSH!" A Ghost Story and Music Performance by Andrew Erskine Wheeler at the Mill City Museum

The 2023 Minnesota Fringe Festival has just ended, but last night I had the opportunity to revisit one of my favorite shows of the 2022 Minnesota Fringe Festival. Andrew Erskine Wheeler's solo play WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls has been expanded and renamed WHOOSH! A Ghost Story and Music Performance, presented in the most appropriate location possible - the gorgeous Mill City Museum Ruins Courtyard right next to the falls themselves. St. Anthony Falls, which we learn were known as Owamni Yamni by the Dakota and Gakaabikaang by the Ojibwe, play a big part in this story of an Irish immigrant who follows his brother to Minnesota work in the logging industry, and then into the Civil War. It's a beautiful story that combines local history, ghost stories, Greek tragedies, Irish music, and the trauma of war and loss. Andrew once again gives a captivating performance as multiple characters in this story, and sitting there outdoors on a warm summer night within sight of the location of this historical fictional story was a special experience. I say "was" because the two sold out performances are over, but hopefully we'll see WHOOSH again. In the meantime, check out the other events happening at the Mill City Museum (just make sure there's not a football game happening at the same time to complicate the parking/traffic situation, as I failed to do).

Minnesota Fringe Festival 2022: Wrap-Up and Favorites

It's the closing weekend of the first fully live and in-person Minnesota Fringe Festival in nearly three years, but my fringing time is done, at least until next year. I've moved on from my favorite theater festival to my favorite music festival (Storyhill Fest in Deerwood). Sitting in a coffee shop in Crosby, reflecting on the eperience of the last seven days, in which I saw 23 short pieces of theater / music / storytelling / dance / spoken word / any combination thereof, the overwhelming feeling is gratitude. Gratitude that despite a global pandemic, financial issues, and cancelled performances, adventerous audiences (of which I consider myself a part) were able to gather to experience adventurous art (of which I consider myself an admirer). After two years of (mostly) virtual festivals, I didn't realize how much I missed this until I was back. To be immersed in a life in which the only goal is to see as much theater as you can, to eat, sleep, and breathe theater, is a theater blogger's dream. But the best part of Minnesota Fringe is the community feeling it engenders. Walking down the street, particularly in the Cedar-Riverside hub, and seeing so many theater-goers and theater-makers there for the same purpose, and chatting about theater with artists, friends, and strangers, is something that only happens at Fringe. Though I only saw 23 of the 100+ shows, and I know I missed some great shows (follow my friends at Lettered in Theatre and The Stages of MN, as well as the OG Fringe blogger Single White Fringe Geek, for continuing coverage), that tiny feeling of regret and FOMO is overwhelmed by feelings of satisfaction and happiness that Minnesota Fringe is back! Read on for my favorite shows of this year's fest, and visit the Fringe website (sometimes slow but very informative) for today's schedule. There's still time to get out there and #seethefringe, #bethefringe, #supportthefringe!

Minnesota Fringe Festival 2022: "WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls."

Day: 4

Show: 13

Title: WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls.

Category: SOLO SHOW / AUDIENCE PARTICIPATION / HISTORICAL CONTENT / KID FRIENDLY / SHAKESPEARIAN ELEMENTS

By: Wheeler In The Sky

Created by: Andrew Erskine Wheeler

Location: CFPA Black Box

Summary: A compelling historical solo show about Minnesotans who fought in the Civil War, the history of St. Anthony Falls in Minneapolis, the indigenous people of this land, and how all of the above are related.

Highlights: Once again, Andrew Erskine Wheeler throws himself completely into this character, or rather characters. He starts the tale as an Irish immigrant who followed his brother first to the logging camps of Northern Minnesota, and then to the Civil War. He tells his story directly to the audience, how he was injured in the war, was given a job after the war by his sergeant (who, spoiler alert, is Andrew's ancestor), and survived a tumble over the falls. Andrew personifies all of these people, with a change of accent or accessory to his period costume. Into this story he brilliantly weaves the history of the falls (known as Owamni Yamni by the Dakota and Gakaabikaang by the Ojibwe), Indigenous and White people's stories and legends surrounding it, the infamous painting in the Minnesota State Capitol about Father Hennepin's "discovery" of the falls (read more about that here), and the horrors of war and its aftermath. With direction by Allison Vincent, the show seamlessly flows from one story to the next, one character to the next, and might possibly utilize the most props in the Fringe, which Andrew flawlessly manipulates to help tell the story. He also employs jokes and modern references, and a few charming moments of fourth wall breaking, and brings the audience to tears with his passionate and emotional portrayal. At the end of the show, he offers an opportunity for a donation to the Minnesota Indian Women's Resource Center and encourages the audience to seek out Native stories. Rather than another White man telling a story that isn't his to tell, he's telling stories from Minnesota's shared and complicated history, and encouraging the audience to acknowledge, explore, and understand all parts of our history. WHOOSH is a thoughtful and detailed show that's as fun and engaging as it is educational and inspiring.

Read all of my Fringe mini-reviews here.

"Not For Sale" at the History Theatre

Part two of History Theatre's pair of new original plays based on Minnesota's history of segregation and redlining is now on stage. Originally scheduled to run in rep in March 2020, the two plays were split up this season, with Not in Our Neighborhood premiering last fall, and Not For Sale last weekend. It would have been nice to see them in rep (although perfectly understandable why that plan was shelved in the wake of new covid safety protocols) because they really are two chapters in the same story. The long, complex, ugly story of racism in Minnesota that continues to play out on a daily basis. There's a direct line from Black families being denied the opportunity to purchase property in certain neighborhoods, or at all, to the racial injustice we see today. Plays like these help us to remember our history, so that we can build a better future.

Minnesota Fringe Festival 2019: "Booth's Ghost"

Day: 7

Show: 24

Title: Booth's Ghost

Category: COMEDY / DRAMA / HORROR / PHYSICAL THEATER / SOLO SHOW / STORYTELLING / HISTORICAL CONTENT / LITERARY ADAPTATION / SHAKESPEARIAN ELEMENTS

By: Andrew Erskine Wheeler

Created by: Andrew Erskine Wheeler

Location: Ritz Theater Mainstage

Summary: A ghostly and theatrical solo show about the Booth family - acting legend Junius Brutus and his sons, actor Edwin and presidential assassin John Wilkes.

Highlights: This is an all-engrossing performance by Andrew Erskine Wheeler, who stays in character(s) even through the moving curtain call that draws parallels between this story and the recent shootings, with a connecting thread of white supremacy, toxic masculinity, and gun violence. But first, Andrew leads us non-linearly through the life of the Booth family primarily through the ghost of Edwin's assistant, but also taking on the form of the three Booth men. He makes great use of the Ritz Theater (where John Wilkes Booth was last seen in the person of Dieter Bierbrauer in Theater Latte Da's brilliant production of the Sondheim musical Assassins), walking through the audience and up and down the aisles, engaging the audience (but not quite interacting) as the house lights go up. The show is very thoughtfully put together and smoothly transitions from lighter moments to deadly serious ones (with direction by Matt Sciple). With a ghostly white face and dressed in period clothing, adding and removing pieces as appropriate to the story, using a few well chosen props, Andrew is the embodiment of the ghosts of these men that forever changed American history. The show is enlightening about the Booth family, steeped in history and nostalgia, and also relevant to today (see above). This is a truly impressive feat by Andrew Erskine Wheeler to create and perform this show that is thoughtful, thorough, entertaining, educational, moving, funny, and more. A can't miss of the festival (two more performances this weekend).

Read all of my Fringe mini-reviews here.

"The Great Society" at History Theatre

I'm not sure I've ever seen a play that feels (and is) as much of a direct sequel as History Theatre's production of Robert Schenkkan's The Great Society, a sequel to All the Way that History Theatre produced just a year ago. This play continues right were the last one left off, with Lyndon B. Joynson's second term as president (or really, his first full term after taking over for JFK halfway through his term). History Theatre reunites most of the cast and creative team from last year, including director Ron Peluso and Pearce Bunting as LBJ, a performance even more powerful than last year. What also continues from the last play is "political machinations, the Civil Rights movement, and the ugly opposition to freedom and equality for all," with a bonus - the rapid escalation of the Vietnam War. The rhetoric used by everyone on stage is disconcerting in a "the more things change, the more they stay the same" kind of way, as is the divisiveness of a country torn in two by politics. The Great Society is long, dense, and kind of depressing, but it's also extremely rewarding, and important to examine our history to give insight into the issues of today.

"All the Way" at the History Theatre

The night after seeing the historical political drama Watch on the Rhine at the Guthrie, I saw the historical political drama All the Way at the History Theatre. That was a couple of pretty heavy (and long) nights, and left me feeling dismayed at just how much history repeats itself. With Watch on the Rhine, it's the rise of fascism in 1930s Europe, genocide, and an impending world war. With All the Way, it's political machinations, the Civil Rights movement, and the ugly opposition to freedom and equality for all. Covering Lyndon B. Johnson's short and eventful first presidential term, from Kennedy's assassination that thrust him into the presidency to his re-election (or rather, first election) one year later, All the Way has a lot of history and historical figures to pack into three (yes, three) hours. While I wish that playwright Robert Schenkkan had consolidated characters and compressed speeches a bit to create a more concise and driving story (the days of me being able to sit comfortably through a three-hour play are long gone), it's a gripping story, well told by director Ron Peluso and an excellent cast.

Fringe Festival 2017: "One Foot"

Day: 4

Show: 17

Title: One Foot

Category: Drama

By: Langston Theatre Company

Written by: Lojo Simon

Location: Strike Theater

Summary: A lovely and bittersweet romance marred with tragedy, but one that finds happiness nonetheless.

Highlights: While the Fringe website describes this play as "pure Minnesotan," it felt pure Irish to me, and not just because of the accents. (Do people go ice fishing in Ireland? A quick google search tells me yes.) Andrew Erskine Wheeler and Jamie White Jachimiec both give wonderfully real performances as this charming Irish couple, you can feel the love and tenderness between them. Finn one day wakes up finding his foot has fallen off, and wife Dove doesn't seem too disturbed by it. We then flash back through their relationship from their first meeting on the ice, to their wedding, to the loss of their child. Beautifully staged by director Lanny Langston with inventive use of a sparkling white cloth to represent different things, beautiful performances by the actors, and that distinctly Irish mixture of sadness and joy all combined to leave me feeling all mushy.

Read all of my Fringe mini-reviews here.

"Baltimore is Burning" by Underdog Theatre at SPACE

There's another new theater company in town, and they're coming out of the gate with a strong message and a powerful new play. Underdog Theatre hopes to be a voice "for the underserved, the underrepresented, and unheard." Founder Kory LaQuess Pullam, a talented young actor who's made quite an impression on several stages around town in the last few years, has written a great new play about the death of Freddie Gray while in police custody in Baltimore last year. While Baltimore is Burning is about this one specific incident, on a larger scale it's about the many such deaths that have occurred around the country, even right here in Minnesota, and the need to have a conversation about why it's happening and what can be done to change it. At its best, theater brings attention to issues and starts a conversation about them, which is exactly what this play does.

"The River" by Walking Shadow Theatre Company at Open Eye Theatre

If your new boyfriend invites you to his cabin to go fly fishing in a river by the sea, just say no. That's what I learned from Walking Shadow's The River. This seemingly happy new relationship takes an unsettling, unexpected, and vaguely creepy turn over the course of 90 minutes. I don't want to say too much about what happens, because the discovery and the figuring it out is half the fun of this play. Or maybe fun isn't the right word. But this fascinating exploration of love and relationships, with strong performances by the cast, fluid unhurried direction, and a spot-on detailed set is definitely entertaining.

"The Christians" by Walking Shadow Theatre Company at Mixed Blood Theatre

Why do we believe what we believe? Can our beliefs change? What happens when those we love don't believe the same things we believe? How important is it to find a group of people that believe in the same things you do? These are just a few of the questions raised by Walking Shadow Theatre Company's excellent production of the thought-provoking play The Christians. In just 90 minutes or so, we witness the pastor of a hugely successful church lose everything because he preaches what he believes, which contradicts the teachings of the church, causing everyone in his life to reexamine their beliefs as well. And it just might have this same effect on the audience.

Fringe Festival 2015: "Ferguson, USA"

Day: 8

Show: 35

Title: Ferguson, USA

Category: Drama

By: Random Walk Theatre Company

Written by: Maxwell Collyard

Location: U of M Rarig Center Arena

Summary: An intensely powerful play about the shooting of black teenager Michael Brown by a white cop in Ferguson, Missouri in 2014.

Highlights: Maxwell Collyard has written a powerful and thought-provoking play, weaving together scenes of the shooting and its aftermath with spoken word poetry, tied together with the recitation of what everyone agrees on: "who, what, when, where." The harder one to grasp is "why." The strong four-person cast (Andrew Erskine Wheeler, Ashe Jaafaru, Brid Henry, and Talief Bennet) plays multiple people involved, including a brother and sister who knew Michael, the cop who shot him, and FBI agents who may or may not be trying to get to the truth. I ended up seeing this show because the one I intended to see was sold out, and I'm glad I got the opportunity to witness this well-executed piece that tackles some important and difficult questions, without ever preaching to the audience or providing pat answers.