"Come From Away" at the Guthrie Theater

The documusical Come From Away, about the ordinary people of Gander, Newfoundland who showed us the best of humanity when they took in 7000 people diverted to their airport when the US airspace was closed on 9/11, opened on Broadway in 2017 and ran for five years (give or take a pandemic), and then continuously toured up until last year. Then it was released for regional productions, and it immediately became the most produced play in America. It's a story America needs, it's a story America is hungry for. I was fortunate to attend the meet and greet of the cast, crew, and design team at the Guthrie Theater where director Kent Gash talked about his vision for the show (which you can also read about in the program). He said that while Come From Away is about 9/11, it's about so much more than 9/11, it's about our shared humanity, and the power of storytelling to remind us of that. This production succeeds in that, in a big way. I've seen the Broadway/touring production five times, and can almost picture every scene in my mind. It's a thrill to see a fresh new take on the story with new direction, costumes, and staging, that is familiar to the original but with enough tweaks to make it a unique retelling of this story. Come From Away is a brilliantly written piece of music-theater, one that probably stands up to the many different iterations happening all over the country. But this version, at our own Guthrie Theater, lives up to the material and succeeds on so many levels. It's very funny, and thoroughly engaging, and utterly heart-wrenching. If you need your faith in humanity restored, go see Come From Away at the Guthrie Theater this summer.

Musical Mondays at Lush, July 2025

The last time I went to Musical Mondays, it was the night before the 2024 presidential election. At such an uncertain and scary time, it was so comforting to be there in the welcoming community that is Musical Mondays. Now, eight months later, when the world is even more scary and uncertain than we could have imagined on that night, it still feels so good to gather in community and celebrate artists, music, and being together. Because no matter what, "the world goes round," and so does this monthly cabaret series started by BFFs Max Wojtanowicz and Sheena Janson 13 years ago. This was the 108th installment of Musical Mondays (but only my 23rd), and featured an incredible cast of six talented performers, some old faves and some new faves, supported by an awesome three-piece band. Truly, if you're a fan of local music-theater and you've never been to Musical Mondays, you are missing out on one of the things that makes this community so great. And as I say all the time - if you're a person who casts local musicals, you really should check this out and cast all of these people in your shows! Read on for a summary of this month's show, and make your plans to attend the next show on August 4 (if you can take a night off Minnesota Fringe, which I probably cannot). Watch their Facebook page for the cast announcement and other details.

"Fun Home" by Theater Latte Da at the Ritz Theater

The long-awaited #TCTheater premiere of the 2015 Tony winning best musical Fun Home is finally happening! I was lucky enough to see this brilliant and moving musical on Broadway and have loved it ever since, even driving to Duluth for the Minnesota premiere by an intrepid theater company known as Renegade in 2019. I'm thrilled to finally see a production in the Twin Cities, and no one better to do it than Theater Latte Da. The smartly and succinctly written 90-minute musical is perfectly cast, perfectly staged, and perfectly designed, for an emotionally satisfying and epic journey through one person's story of coming of age, coming out, and coming to terms with her parents' flaws and humanity; a specific story that feels so real and relatable. Apparently I am not alone in this opinion; some performances are already selling out and they've extended it a week. Don't wait - get your tickets now to see this modern musical theater masterpiece (through April 11 at the Ritz Theater in Northeast Minneapolis).

"Irving Berlin's White Christmas" at the Chanhassen Dinner Theatres

It may still feel like summer outside, but winter has arrived at Chanhassen Dinner Theatres! The #TCTheater holiday* season begins early this year with their production of Irving Berlin's White Christmas, a nostalgic and heartwarming charmer. And demand for it is high - the show is already virtually sold out in the months of November and December (more availability in October and January). Audiences will be rewarded will a ridiculously talented cast, familiar and beloved Berlin tunes (more than we hear in the movie), thrilling dance numbers, and an overall warm glow that'll prepare us for holiday celebrations and (hopefully) a snowy winter to come.

"Blended Harmony" at the History Theatre, a co-production with Theater Mu

Wrapping up an excellent season of world premieres, the History Theatre is bringing us another gem of a local story - Blended Harmony: The Kim Loo Sisters, a co-production with Theater Mu. If you've never heard of this Chinese-Polish-American family of singers from Minneapolis, well, you have now! Referred to at the time as "the Chinese Andrews Sisters," they toured the Vaudeville circuit before making their Broadway debut in the late '30s. That's where this story picks up, and we follow them through the next several years, through conflicts, touring, and reunion. It's a heart-warming story of family and identity, told with a fabulous swing era score, with touches of Chinese and Polish sounds as well. See this original, historical, feel-good musical now through May 26.

"Jersey Boys" at the Chanhassen Dinner Theatres

Jersey Boys is my musical theater guilty pleasure, and the exception that proves the rule about jukebox musicals. Meaning, I'm not usually a fan of taking popular hit songs and creating a musical around them; I much prefer new original musical theater. Except for Jersey Boys, which I can't help but love and see nearly every time the Broadway tour came to town (four, although I missed last year's tour). After running for over 11 years, the Tony-winning musical closed on Broadway in 2017, but continued to tour the country for several more years. The reason I love it is not just because of the fantastically catchy music of Rock and Roll Hall of Famers Frankie Valli and the Four Seasons, the sharp choreography, and the retro fashions. But also because all of this is put together very smartly in the true story of the group, dealing with the good and the bad of fame and living in the music industry.* Leave it to Chanhassen Dinner Theatre's Artistic Director Michael Brindisi to snap up the rights to the show as soon as it became available for regional productions, making this their second regional premiere this year, after the super fun and heart-warming The Prom (which closed just a week before Jersey Boys began performances). It's great fun to see a different take on this show that I love and am so familiar with. As always, the Chan delivers a top-notch production of this musical that is sure to be a crowd-pleaser (but one with substance) for the next eight months (click here for info and tickets).

"Footloose" at Chanhassen Dinner Theatres

Chanhassen Dinner Theatres is back with their first show created after the long pandemic intermission of 2020-2021. After their 2020 production of The Music Man was finally able to return last summer and continue through January, the Chan is turning the page to Footloose, the adaptation of the classic '80s movie. While it's not my favorite musical, being both a movie adaptation and a (partial) jukebox musical, this production makes the most of the material and is a super fun time at the theater. As always at the Chanhassen, every element of production is smooth and professional, the music and dancing are fabulous, and the cast is top notch. It's nearly impossible not to have a blast at the Chan, and this Footloose is pure entertainment from start to finish. The show will continue through the summer and into September, but weekends are already starting to sell out and summers are always busy, so make your plans now to cut loose in Chanhassen.

"The Music Man" at Chanhassen Dinner Theatres

Chanhassen Dinner Theatres opened their production of The Music Man in early March of 2020, when I was out of town on vacation in paradise, aka New Zealand. I was scheduled to see it mid-March when I returned, but we know how that story goes. Fast-forward through 16 long months to their re-opening a few weeks ago, and I was finally able to see the show. It was only my second time inside a theater since I left town in late February of 2020, and my first large-scale musical with a full house. I attended with my mom, aunties, and cousins, and in the middle of the first act one of them leaned over to me and said "it's so good I can hardly stand it!" I couldn't agree more. It was a very emotional experience for me, watching a huge group of talented performers (many of whom I've watched on stage for years) doing what they do best, with a few hundred people in the same space experiencing it live. Something that I used to take for granted, but no longer will. And I can't think of a better show with which to return than The Music Man, a celebration of the importance of music, community, connection, and working together towards a common goal, all things that have been sorely missing of late. It's a fantastic production from start to finish, and such a joy to be back. Tickets are on sale through the end of the year, so make your plans to visit River City!

"Ordway Cabaret: Back to Before" at the Ordway Center for Performing Arts

The third installment of the Ordway Center for the Performing Arts' Ordway Cabaret series brought together some of the most talented women working in local music-theater. In addition to singing a wide variety of songs from the musical theater canon, they each shared personal stories about being a woman working in music-theater, and the depiction of women in the past and present of musical theater. I'm loving this new series (similar to the Ordway's former series, Broadway Songbook, but more personal) because it allows us to, as director Kelli Foster Warder said in her pre-show talk, celebrate these songs and musicals that we love, and still critique them in terms of how they speak to today's world. And let's face it, some of our most beloved classic musicals are real problematic when it comes to their depiction of women (e.g., Guys and Dolls) and people of color (or lack thereof). The 2018 hit Minnesota Fringe show Not Fair, My Lady! tackled this issue heads on, and Back to Before (a lyric from a song from Ragtime) continues that theme on a bigger stage. For this show, the Ordway appropriately brought together not just an all-female ensemble (including one of Not Fair, My Lady!'s creators, Colleen Somerville), but also an all-female team behind the scenes. Several of the women commented that it was their first time working on an all-female team, which is pretty astounding. But also perhaps a sign of things to come. The world has changed in the last few years, and "we can never go back to before."

"Victor/Victoria" by Artistry at Bloomington Center for the Arts

Twenty-four years ago, a new musical premiered in Minneapolis before moving to Broadway. A new musical starring Julie Andrews, created for her by her husband Blake Edwards, based on the 1982 movie also created for her. Yet inexplicably Victor/Victoria is only now receiving its regional premiere. Theaters have a tendency to do the tried and true musicals that we all know and love, but there are so many rarely produced gems out there (see also this list of musicals written by women). Artistry is bringing us one such musical in Victor/Victoria, and even more in their 2019-2020 season (which includes the rarely done musicals A New Brain and Mame, as well as the regional premiere of the 2014 musical The Bridges of Madison County with music by Jason Robert Brown, one of the most gorgeous scores I've ever heard). And even better - Victor/Victoria happens to be very timely and relevant with its themes of gender fluidity and being free to be who you are and love who you want. The team at Artistry has delivered a gorgeous production of this big old-fashioned musical full of heart and humor.

"Holiday Inn" at Chanhassen Dinner Theatres

Christmas may be over for another year, but that doesn't mean we have to stop celebrating. After all, Christmas is only one of many holidays celebrated around the world, and only one of the seven holidays celebrated in Chanhassen Dinner Theatres' gorgeously fun production of the Broadway musical Holiday Inn. Based on the 1942 Bing Crosby/Fred Astaire movie of the same name, the musical debuted on Broadway in 2016, and is now receiving its Minnesota premiere. This is the kind of thing that Chanhassen does best - a big splashy musical with wonderful recognizable music and fantastic dance numbers. If you didn't see it this holiday season, don't worry, it's still playing through February 23, and there are still plenty of holidays to celebrate.

"Mamma Mia" at the Ordway Center

Unless you've been living under a rock, you're probably aware that there's a new Mamma Mia! movie, a sequel to the 2008 smash hit movie adaptation of the smash hit jukebox musical (which ran for 14 years on Broadway and 19 years and counting in the West End) featuring the music of '70s pop sensation ABBA (phew, that's a lot of derivatives). But are you also aware that there is a brand new local production of the stage musical playing at St. Paul's Ordway Center for the Performing Arts for just three weeks? If you're thinking to yourself, "why should I spend more money to go see it live at the theater when I can just go to the movie, or watch it in my living room in a few months?" keep reading, because I will tell you why. What it boils down to is that firstly, live entertainment is always better than anything recorded could be, and secondly, this production is fantastically fun and surprisingly moving, performed by a mostly local and all fabulous cast. If you enjoyed either of the Mamma Mia! movies, you do not want to miss this one-of-a-kind LIVE Mamma Mia! experience! But hurry, unlike movies that last forever, you only have until August 5 to see this.

"Five Points" by Theater Latte Da at the Ritz Theater

On Hennepin Avenue in Minneapolis, the Broadway tour of Something Rotten! is celebrating the "must see magical new original musical" with a wonderfully ridiculous imagining of the genre's beginnings. A few miles away in Northeast Minneapolis, Theater Latte Da is dedicated to continuing the growth of the musical into the future. Several years ago they committed to developing 20 new musicals by the year 2020 (which is almost upon us). Their latest entry into this project opens this weekend, with the "must see magical new original musical" Five Points, written by #TCTheater's current "it" playwright Harrison David Rivers (his charming immigrant story Crack in the Sky opened at History Theatre last month, and Penumbra will produce his love story This Bitter Earth later this month), with music by NYC-based Ethan D. Pakchar and Douglas Lyons and lyrics by the latter. It's an ambitious story set in Manhattan's Lower East Side in 1863, dealing with themes of immigration, racial tension, war, poverty, and of course, dancing. As always Latte Da has put together a top-notch creative team to bring this story to life, and the result is an exciting musical that's traditional in structure, gorgeously designed, fantastically performed, with many thrilling moments of dance.

"Annie" at the Ordway Center for Performing Arts

"The future is female." If the main stage at the Ordway Center for the Performing Arts is any judge of it, this statement is true, and gives one hope for the future. The story of one 11-year-old girl who changes hearts and minds with optimism and determination is an inspiring one, as is the boundless energy and talent of the young females on stage who bring this story to life. Watching Annie last night, I couldn't help but feel nostalgic for the Great Depression, when at least the president cared about the people and developed (with Annie's help of course) a New Deal that would help lift the country out of poverty. A stark contrast to today's reality, when the current resident of the White House seems to care only for the rich, and those in need get served newly crappy deals nearly every day. Maybe we need to send Annie to the Washington to get Democrats and Republicans singing together about the hopeful future of America! In the meantime, head to the Ordway to see this swell production of an American musical theater classic and get your dose of optimism about our female future.

"Children and Art" - A Cabaret Performance by the Cast of the Guthrie's "Sunday in the Park with George" at Lush

In what was essentially a very special episode of "Musical Mondays," the sublime cast of the Guthrie's Sunday in the Park with George (now playing through August 20) gathered at Lush on Monday night for a cabaret performance. Hosted by cast member Max Wojtanowicz (who also co-hosts the usual "Musical Mondays at Hell's Kitchen" on the first Monday of every month), the theme was "Children and Art," and the proceeds of the night went to an organization called Project Success. Partnering with the Guthrie and other theaters in town, Project Success provides support and activities (including theater and the arts) for young people in order to "motivate and inspire them to dream about the future, help them take steps to get there, and give them the tools the need to achieve their goals." A worthy cause, and a wonderful celebration of music.

"Sunday in the Park with George" at the Guthrie Theater

Of late, the Guthrie Theater has had a tradition of producing a classic crowd-pleasing musical every summer (most recently: South Pacific, The Music Man, and My Fair Lady). But inexplicably, they have never produced a musical by the great Stephen Sondheim on the main stage. Perhaps it's because Sondheim is not easy, to do or to watch; not as readily familiar and accessible as the classics of the '50s. But Sondheim is the Shakespeare of musicals, and it's about time the Guthrie remedied this gross oversight. They do so in splendid fashion this summer with their stunning production of what is perhaps the musical theater master's greatest masterpiece, Sunday in the Park with George, directed masterfully by Artistic Director Joseph Haj. Sondheim and frequent collaborator James Lapine first joined forces on this piece that won them a Pulitzer Prize, getting their inspiration from the 19th century painting "A Sunday Afternoon on the Island of La Grande Jatte" by Georges Seurat, one of the leaders of the Impressionist movement. Artists being inspired by the work of another artist who lived a century earlier to create art about art. It's pretty meta, and no surprise that it's a favorite among musical theater artists. The Guthrie has assembled a sparkling cast and created a gorgeous design that brings this work of art about art itself to brilliant life.

"Sweet Land, the Musical" at History Theatre

Every place has a story
Every person has their time
Every tale has an ending
Don't know yours
Don't know mine
Every end has a beginning
All beginnings have an end
In between come all the hours
We can barely comprehend
And we hope what came before us
Was a story born of love
Trust the earth
Trust the sun
Trust in god above

"Irving Berlin's White Christmas" at the Ordway Center

There's no denying that 2016 has been a less than stellar year, but inside the Ordway Center for the Performing Arts, it's nothin' but blue skies! You may be concerned about the state of our nation, or our world, you may be worried about what the next year will bring on a national or personal level, you may be feeling grief, or loss, or confusion, but the Ordway's scrumptious production of everyone's favorite Christmas-movie-turned-stage-musical will make you forget all of that, at least for a few hours. There are two things art can do in times of crisis - it can provide a welcome escape from the stresses of the world, or it provide commentary, conversation, questioning about the world. Both are needed, and as long as we have plenty of the latter (and we do - see this, or this, or this), there is room for pure escapism that thrills and enthralls with its familiar beloved music, gorgeous set and costumes, and fantastic performances by a large and mostly local cast. This is exactly what the Ordway's White Christmas does. So if you're worried and you can't sleep, go see this show, and when you go home you will fall asleep counting your blessings. And then get up and get back to work.

"Paint Your Wagon" at the Ordway Center

I had never even heard of the 1951 Lerner and Loewe musical Paint Your Wagon when the Ordway announced it as part of their season. I guess that's not too surprising; it ran for less than a year on Broadway and has never been revived. The story was significantly rewritten for the 1969 movie adaptation starring Clint Eastwood, which also included a few new songs. Seattle's 5th Avenue Theatre (director David Armstrong and book writer Jon Marans) scrapped both the original and revised book (they're a little bit racist, and sexist) to write a new story set in the Gold Rush era of California, making it more reflective of the many diverse cultures that came together to build the great American West. This production has moved to the Ordway for two weeks, with a few local additions to the cast. This thrilling story of the beginnings of the American West (think Deadwood the musical, only with significantly less cursing) with a beautifully diverse cast has rescued this gorgeous Western and Mexican influenced score from the place where problematic old musicals go to die.

"Beauty and the Beast" at Chanhassen Dinner Theatres

Of all the Disney heroines, the odd girl with her nose stuck in a book is the one that I relate to most, especially since the 1991 movie Beauty and the Beast came out when I was a teenager and at my most odd bookishness. Belle is a heroine for all us normal girls who feel like we don't quite fit in. She meets another odd soul (who conveniently happens to be a handsome prince inside) and they make a connection, bringing out the best in each other. Yes it's a typical Disney fairy tale that ends in a wedding, but at least it's a meeting of equals who rescue each other. A few years after the movie, Beauty and the Beast was adapted into a successful Broadway musical (the 9th longest running musical on Broadway), and in 2005 Chanhassen Dinner Theatres was one of the first regional theaters to mount a production. Now, 11 years later, director Michael Brindisi and his team are revisiting this classic and beloved fairy tale with an energetic show that is flawlessly cast and beautifully designed. My inner odd bookish teenage girl (who's never very far beneath the surface) was quite pleased.