"Penelope" by Theatre Elision at Elision Playhouse

It's such a joy to revisit a good show after a period time. As an audience member, but also, I imagine, as an artist too. Theatre Elision staged the new one-woman (and five-musician) musical Penelope last summer, just a year after it premiered in New York. They're remounting it this summer for just two weekends at their home Elision Playhouse in Crystal. If you missed it last summer, you really must see it this year; like most of Theatre Elision's work, it's a musical you can't see anywhere else. And if you did see it last year, you might find deeper meaning and understanding this year, as I did. Penelope really is a gem of a musical, and Christine Wade is even more at home in the role than she was last year (a performance that earned her a Twin Cities Theater Blogger Award nomination). The show is just 70 minutes long, preceded by a bit of Greek trivia, in an intimate welcoming space with concessions. It has more of a concert vibe than a traditional musical, so it's great for music lovers as well as musical theater fans. Just five shows remain - make your Penelope plans now!

"Penelope" at Theatre Elision

Next up in Theatre Elision's tradition of bringing us rarely done (often regional premiere) one-act musicals with a largely female cast and/or creative team is Penelope, about the long-waiting wife of Odysseus. What started as a pandemic project by singer-songwriter Alex Bechtel turned into a concept album, and then a one-woman musical with help from director Eva Steinmetz and book writer Grace McLean (who also wrote Elision's winter show In the Green, and is currently starring in Suffs on Broadway as a hilariously buffoonish President Woodrow Wilson). Penelope premiered in 2023 in New York, and here it is on the Elision Playhouse stage less than a year later. Thanks once again to Theatre Elision for finding this music-theater gem, and no one better to perform it than the luminous Christine Wade, who has been in every Elision show (and often serves as Vocal Director). She's joined on stage by a five-piece orchestra on this gorgeous score that sounds modern yet classical, telling a story of longing, waiting, loyalty, and identity. It's playing for about a month, so you have plenty of time to get to Elision Playhouse to see this new original piece of music-theater that you can't see anywhere else (unless you're planning a trip to NYC this month). 

"Anon(ymous)" by Full Circle Theater at Park Square Theatre

A play that was commissioned by and premiered at Children's Theatre Company in the early aughts is receiving a lyrical and haunting new production by Full Circle Theater at Park Square Theatre, a building that has been largely empty this year as Park Square works through some financial difficulties. But Anon(ymous) brings life and theater back into the space. Playwright Naomi Iizuka uses inspiration from The Odyssey to tell the story of a refugee, which is incredibly relevant right now with the growing numbers of people fleeing their homes due to war and violence. We follow one such person, an unnamed young man from an unnamed country, on his long journey home, in a story both grounded in reality and fantastical. 

"A Pickup Truck Opera; Volume One: The Odyssey" by Mixed Precipitation at Various Outdoor Locations

While Mixed Precipitation's annual tradition of the "picnic operetta" is on hold due to the pandemic, last year they premiered a new fun and accessible opera mash-up experience - the Pickup Truck Opera. Driving a 2011 royal blue Ford pickup to parks around and outside of the Twin Cities, and performing out of the bed of the truck (have opera - will travel), they mash up Monteverdi's 17th Century opera The Return of Ulysses to his Homeland with the songs of Dolly Parton. Last year they teased us with Episode 3, but this year they're presenting the full three-episode saga, and as always with this troupe, it's sheer delight. I caught them near the end of their two-month run in a nearby park, but you can still see them today at Cedar Lake, next weekend in Hastings, or their closing weekend September 11-12 in St. Paul and Minneapolis (see details and schedule here).

"A Pickup Truck Opera; Volume One: The Odyssey; Episode Three, The Song of Telemaco" by Mixed Precipitation at Various Outdoor Locations

One of my favorite summer #TCTheater traditions is Mixed Precipitation's delightfully playful mash-up of classic opera and pop music, performed outdoors with passed small bites of delicious food. While the "Picnic Operetta" (which I've attended for the last six years) is on hiatus this year due to the pandemic, Mixed Precipitation is still bringing us fun and and accessible outdoor opera in the form of what they're calling "Pickup Truck Opera." In a 2011 royal blue Ford pickup, they've been "popping up" all over the Twin Cities with their 25-minute performance of yet another opera/pop mash-up. I was lucky enough to catch one of their 11 performances, at a little not-park in St. Paul on a perfectly gorgeous fall afternoon. Their final two performances will be as part of Park Square Theatre and Steppingstone Theatre's "Family Day Out" event on October 25.

"The Penelopiad" by Theatre Unbound at Gremlin Theatre

Homer's The Odyssey is one of our oldest stories; Wikipedia tells me it is "the second-oldest extant work of Western literature." But this story, as many old stories do, mostly focuses on the men, with the women as peripheral characters. What if we reimagined this ancient story with women at the center? Author Margaret Atwood did just that in her 2005 novella The Penelopiad, which she later adapted for the stage. It's fascinating and exciting to look at these old familiar stories in new ways, ways that feel more relevant and immediate and rich. Theatre Unbound is presenting this play to begin their 20th anniversary season, and it's a powerful, moving, tragic, and beautiful example of the work they've been doing for 20 years - women telling women's stories.

"The Odyssey" by Walking Shadow Theatre Company at Open Eye Figure Theatre

Charlie Bethel's one-man version of The Odyssey, which he adapted and performs, is an eye opener (no pun intended). I of course was familiar with the Greek epic poem from high school and college lit classes - you remember, it's the the one about the ten-year long sea voyage involving the one-eye Cyclops, the island of the Lotus-Eaters, the evil Circe (Cersei?) who turned men into pigs, the dangerous call of the Sirens, etc. etc. But this version allowed me to see the story in a whole new light. In two hour-long acts, Charlie spins this tale like a master storyteller, making it fun and accessible and compelling. He makes no pretense of the fact that he's telling a story to us, and in that sense it feels like the most ancient form of theater - storytelling. We could have been sitting around a fire or in a cave, except for the modern language mixed with traditional phrasing.

A quick primer for those of you who don't remember your high school or college lit class, The Odyssey recounts the journey of Odysseus as he endeavors to return home to Ithaca after the Trojan War (the subject of another excellent one-man show, An Iliad, starring Stephen Yoakam at the Guthrie last year). Odysseus angers the gods, and they curse him to wander the seas for ten years before he finally makes it home after losing all of his men and ships, only to find his house filled with suitors eating his food and wooing his wife Penelope. It's a story that's filled with much tragedy, as Odysseus watches his men being eaten by a variety of ogres and perishing in the sea, but this version is quite light-hearted. Charlie tells it with a wink at the audience, skipping over parts, giving us hints of what's to come, and pausing the story to explain inside jokes.

His carefully metered speech is a thrill to listen to, every gesture and movement meaningful, as he casts us under his spell. He makes direct eye contact with the audience, thanks us for getting a joke, and encourages us to recite the phrase "rosy-fingered dawn" along with him. He leads us through all of Odysseus' travails, playing all the roles, and casting Odysseus as a bit too curious and bold for his own good. It ends with a poignant reunion as Penelope finally welcomes back her Odysseus, after testing him to make sure he's really who he says he is. The moral of the story is, "You don't give up, because someone needs you bad."

Charlie Bethel spins the tale of Odysseus
(photo by Dan Norma

The small stage at Open Eye is as crowded as I've seen it. Filled with stacks of books, chests and blocks of wood, a classic column, and a ladder that serves to give height to the Cyclops, which tipped on its side functions as a boat. Each prop has its place in the storytelling - a pile of ancient looking paper thrown in the air becomes a hurricane, a worn piece of fabric becomes a scarf or a sail.

I just happened to attend on a night with ASL interpretation, and even though I don't understand the language, it was almost as fascinating to watch the theatrical performance of Claire Alexander as she translated the words into moving poetry as it was to watch Charlie on stage.

Charlie Bethel's unique version of The Odyssey is produced by Walking Shadow Theatre Company and continues through April 6. Check it out for an entertaining journey through a familiar story.