Showing posts with label Gemma Irish. Show all posts
Showing posts with label Gemma Irish. Show all posts

Sunday, August 4, 2019

Minnesota Fringe Festival 2019: "Visitation"

Day: 3

Show: 9

Title: Visitation

Category: COMEDY / DRAMA / SPOKEN WORD

By: DangerVision Productions

Directed by: Amber Danger Johnson

Location: Crane Theater

Summary: A series of short plays about grief, framed by a visitation in a funeral home

Highlights: The play opens at a visitation (or wake), the most awkward of reception lines. As the widow steels herself to be able to speak, a funeral director (played by Clarence Wethern) talks about grief, what it is and what it isn't. What follows are five short plays (all accompanied by projected imagery) that range from funny to mystical to sad, brought to life by the ensemble (Ben Tallen, Charles Numrich, Karen Bair, Sophie Javna, and Victoria Pyan). Laura Buchholz's exploration of people's fascination with the details of death, Gemma Irish's profound treatise on the meaning of life itself, Rachel Teagle's story of a complicated mother/daughter relationship, Sam Landman's moving tribute to his best friend, and Tyler Mills' poetic journey through grief are tied together by Heather Meyer's funny/sad "interludes" delivered by the funeral director. I came prepared to cry, but laughed more than I expected, while still being moved by the varied expressions of the experience of grief, an inescapable part of being human.

"The price of love is loss, but still we pay, we love anyway."
Next to Normal

Read all of my Fringe mini-reviews here.

Saturday, August 13, 2016

Fringe Festival 2016: "The Chair-Builders"

Day: 9

Show: 41


Category: Drama

By: Catalog Models

Created by: Gemma Irish and Mark Sweeney

Location: Phoenix Theater

Summary: A couple is building chairs for a dinner party, but really they're figuring out how to build a life together.

Highlights: It's another quirky and delightful musical from Catalog Models* (book by Gemma Irish, music by Mark Sweeney). This one veers into the realm of the fantastical, as a couple meets a woman (Megan Kelly Hubbell) who, in exchange for the two chairs they're attempting to build, will make all their fears disappear. They agree to the exchange, and without fears, their jobs in insurance seem a little unnecessary. He decides to quit and become a lounge singer. She decides to stay, but learn to juggle in her spare time. It's a silly diversion but brings up some important questions. How many of our life decisions are based on fear? Would we make different decisions if we didn't have any fear of the result? Or does our fear serve us in some way? The songs are interesting, well-written, and well-placed within the story (although I would have preferred more live music and less recorded tracks). The Chair-Builders is an oddly sweet little musical journey through life and relationships.

*Listen to Gemma and Mark talk about the process of writing the piece on Mark's podcast Twin Cities Song Story.

Monday, August 4, 2014

Fringe Festival: "Into the Unreal City"

Day: 4

Show: 15


Category: Musical theater

By: Catalog Models

Written by: Gemma Irish and Mark Sweeney

Location: a walking tour that begins outside the Rarig Center

Summary: Zeke and Bet are a young married couple struggling with the small and big questions in life. The audience follows them around the city as they discuss, sing, remember their past, and dream of their future.

Highlights: One of four all new "site-specific" shows at the fringe, Into the Real City takes place on the city streets and campus walkways of the West Bank neighborhood.* Musician Zeke and writer Bet are happily married but struggling to find time for each other and their dreams. As we follow them, they run into younger and older versions of themselves. Not much happens; they sing a few songs, ask questions, and look forward hopefully into the future - "the doing and the learning and the figuring." It's unabashedly sincere and romantic - the cynical need not apply. Along the way you get to experience the sights and sounds and smells of the neighborhood in an immersive experience. Yes sometimes you can't hear them, or there's a bit of awkward silence while wait-wait-waiting for the light to change, but that's part of the uniqueness of the experience. The trio of Zekes (Russell Dugger, Tristan Miller, and Mark Sweeney) and Bets (Amber Davis, Laura Mason, and Shaina Ferguson) are all lovely and appealing (and do get as close as you can to the performers, they won't bite, and it will enhance your experience). This is a wonderfully unique theater experience - just what the Fringe is for (this is one that you definitely want to reserve in advance - with an audience of just 20, it's a high sell-out risk).



*You will be walking outside and going up and down stairs, so plan accordingly.