Sunday, August 10, 2025

Minnesota Fringe Festival 2025: "Against My Will"

Day:
 9

Show: 29


Category: Comedy / Drama / Solo Show / Spoken Word / Storytelling / Historical content / Political content / Shakespearian elements

By: Michael Quadrozzi

Created by: Michael Quadrozzi

Location: Rarig Xperimental

Summary: A solo storytelling show about overcoming childhood trauma.

Highlights: #TCTheater artists Michael Quadrozzi knocks it out of the park with his first solo storytelling show. It's so vulnerable, so beautiful, so moving. When he walks on stage and declares he has baggage to unpack, he's not talking about the backpack, duffel bag, and large roller suitcase he's lugging. Although he does literally unpack those bags, revealing family photos, childhood mementos, and other visual aids to his storytelling. But the real unpacking is of his childhood growing up on the East Coast with a narcissistic mother (and possibly other undiagnosed mental illnesses), a divorced dad he only saw on the weekends and who died suddenly when he was in college, and various stepparents and step/half siblings. With the help of words and drawings he writes on a large sketchpad, peeling of the pages one by one and laying them on the floor, he tells his well-written story in a way that's polished yet casual, as if he's sharing his deepest secrets with us, his new friends. And while the specifics of his story are unique to him, the themes of challenging families, grief, anxiety, and finding one's own way in the world, are universal. The best part of Fringe is when artists take their pain and turn it into art for all of us to cathartically share in, and this is a beautiful example of that.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "Clown Funeral"

Day:
 9

Show: 28


Category: Clowning / Comedy / Improv / Original Music / Physical Theater / Audience participation

By: Octoberdandy Productions

Created by: Jen Scott, Levi Weinhagen, Chris Rodriguez, Mark Benzel

Location: Theatre in the Round

Summary: Like the title says, it's a funeral for a clown.

Highlights: You've never attended a funeral this fun. These four clowns - Jen Scott as pastor clown Mads, Levi Weinhagen as lawyer clown Affa David, Chris Rodriguez as silent clown Pablo, and Mark Benzel as sweet clown Mo - lead us through the funeral for their friend Bongo J. Sprinkles, and it's a delight. We're given a program, with parts to sing, and the structure includes the usual funereal things like reading of the will, sharing of memories, songs, and readings. There's even a coffin (built before our eyes) and a body. But it's all super silly, very playful, and somewhat improvised. The cast is very playful with each other and with the audience (in a non-threatening way), with lots of (old) pop culture references and double entendres. And if you need your Reverend Matt fix at this year's Fringe, this is the place to get it, as the good Reverend (aka Matthew Kessen) makes a brief appearance in a banana costume to talk about the funeral practices of ancient civilizations. After a lot of goofing around, when sweet sensitive Mo finally gets to pay tribute to his friend with a lovely little song, it's surprisingly poignant. This is a very funny show about a very serious thing - death - that somehow makes it less scary.

Read all of my Fringe mini-reviews here. 

Saturday, August 9, 2025

Minnesota Fringe Festival 2025: "What We Wore"

Day:
 8

Show: 27

Title: What We Wore

Category: Comedy / Drama / Solo Show / Storytelling / Historical content

By: Ethan Nienaber/ GJ Media

Created by: Gabi Jones

Location: Open Eye Theatre

Summary: A solo storytelling piece from a vintage clothing social media star that's about so much more than clothes.

Highlights: I went to this show for the vintage clothing, but I came away moved, inspired, and with tears in my eyes from Gabi Jones' epic storytelling that weaves together so many relevant topics. A Minnesota native with a theater degree from a California university now based in Illinois, she begins by distinguishing between her online persona @gabis_vintage, who's always perfect and polished, and herself, Gabi, who is a real human with issues and flaws just like the rest of us. This solo show is very well constructed (with direction by Ethan Nienaber) in a mix of "live videos" about a vintage piece (from her Grandma's extensive collection), like she posts on social media, combined with personal stories, photos and videos displayed on the back wall of the theater, quotes, and statistics. Behind every piece of clothing (hung on a rack and donned throughout the show) is a story, a history, and that's where the juicy stuff is. Gabi uses clothing to connect to her female ancestors, because as we know history mostly only talks about the men. She tells us stories of some of these women, and some from her own life (including an alcoholic mother and an abusive boyfriend), and talks about how as a theater student, and as a woman in this world, we're taught to look at ourselves through others' (men's) eyes instead of our own. She connects everything together with statistics (a girl after my own heart) and quotes from feminist books like The Feminine Mystique and The Second Sex (joking, after so much time online, do you all know how amazing books are?!). Sometimes when someone tries to cover so many topics (addiction, domestic abuse, the dangers of social media, the male gaze, sexual harassment, feminism) in a one-hour show, it can feel shallow or like things are getting short shrift. But that's not the case here; this show feels full and complete and satisfying. What We Wore is one of my surprise favorite shows of the festival. Her final show is today (Saturday) at 7 and it's very much worth the quick drive to Open Eye.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "This"

Day:
 8

Show: 26

Title: This

Category: Comedy / Solo Show / Storytelling

By: Tim Uren

Created by: Tim Uren

Location: Theatre in the Round

Summary: A solo storytelling show about life in the theater and comedy world.

Highlights: I found this show to be surprisingly lovely. It's fun to get insight into the world of an artist (it's not as glamorous as it appears), but even if you're not an artist, the show is full of relevant material about life: anxiety, addiction, relationships, careers, memories vs. experiences, existential dread. Tim has constructed the show as a series of chapters, walking us more or less chronologically through his life, in a very personable and engaging way. From his hit comedy show Look Ma No Pants in the shadow of the Scrimshaw brothers, to being fired from his dream job at Brave New Workshop, to designing board games (which, honestly, I didn't really get, not being a game person of the video or board variety). It's really about his love of theater, and our love of theater, and being present together in the same room in the very special way that theater requires. The title comes from the first word Tim spoke as a child, when he didn't know what he wanted, just "this" or "this" or "this." But he comes around to discovering that this, here, now, is the only thing we have. Tim's final show is this Sunday, and you can also see him with his theater company Ghoulish Delights or as a part of The Mysterious Old Radio Listening Society which performs regularly at Crooners, information about both can be found here.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "A Sad Carousel 2: The Timely Death of Herschel Douscheburg"

Day:
 8

Show: 25


Category: Comedy / Drama / Physical Theater

By: LandmanLand

Written by: Sam L. Landman

Location: Rarig Thrust

Summary: An insult comic wakes up after 15 years in a coma and finds that everything has changed.

Highlights: I did not see Sam Landman's 2010 Fringe show A Sad Carousel (my first year at Fringe was 2011), but that did not affect my enjoyment of this sequel at all. The premise of the story is very clear, and the 15-year time lapse sets up lots of jokes of things that are no longer (Joann Fabrics, HUGE Theater, The Iveys). To begin the show, Herschel Douscheburg (played by Sam) wakes up in the Tyler Michaels King Memorial Hospital, the first in a string of TMK jokes. In fact the self-referential #TCTheater jokes abound (including about theater bloggers!), with many pokes at Fringe itself (and even a recorded appearance by Fringe artist and employee Amber Bjork). Because Herschel decides to use Fringe as his comeback, with the help of his longtime agent (Peter Ooley) and despite the protest of the Gen Z "comedy kids" troupe (Mae Ryan, Riley Eckman, and Elle Hinds) that practices gentle and bland comedy. Eric Webster and Jane Froiland play many characters, the former in a bored lackadaisical manner and the latter in over-the-top old-timey voices, often referred to by Sam as Webster and Jane (she's equity!). There are tons of clever and funny props, some of which are only on stage for a minute (how do I get a subscription to Fringe Hunks Monthly?). Directed by Shanan Custer, the show is ridiculous and ridiculously funny, with a playful tone that allows for ad libbing, fourth-wall breaking, and playing with the audience. It's just a whole lot of fringey fun, that also reminds us of the importance of comedy in society, because people who can't laugh at themselves cannot be trusted. 
Final show today (Saturday) at 1!

Friday, August 8, 2025

Minnesota Fringe Festival 2025: "Fangs and Bangs (and Sangs)"

Day:
 7

Show: 24


Category: Comedy / Musical Theater / Storytelling / LGBTQIA+ Content

By: Special When Lit

Written by: Nissa Nordland

Location: Southern Theater

Summary: #TCTheater fave Nissa Nordland enlists some of her talented friends (different every night) to read some of the "sexy vampire tales" that she wrote as a teenager.

Highlights: Nissa has written a lot of shows for Fringe and the TC Horror Festival, and this is like her origin story. Turns out she has always been interested in writing sexy, scary stories, and she has her journals and a floppy disc full of stories to prove it! She's an endearing host as she explains the concept of the show and then gets vulnerable, reading her journal entries full of her innermost teenage thoughts. A slide show of yearbook photos, journal entries, and sketches support her storytelling. She sings a couple of late '90s / early aughts songs accompanied by musicians (Nicholas Nelson and Keith Hovis at the show I attended), but the highlight really is the reading of a vampire story about a redheaded teenaged vampire named Lennox and her romance with a vampire hunter named Noah. The story is continuous throughout the five shows, so you'll need to go back if you want to find out how things turn out. Reading the story on the night I attended were Amber Bjork, Derek Lee Miller, Brettina Davis, and Duck Washington, who came prepared for the steamy scenes. And the section of the story that I saw got pretty steamy! It's very funny watching these actors read Nissa's teenage dreams, but it's even more fun to watch her react with a combination of sheer delight and utter horror.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "The Kendra Plant Variety Hour: Good Things Edition! -with special guests-"

Day:
 7

Show: 23


Category: Comedy / Dance / Original Music / Storytelling

By: Kendra Plant

Created by: the artists

Location: Mixed Blood Theatre

Summary: A variety show including storytelling, Japanese lion dance, singer/songwriter performance, and burlesque ballet.

Highlights: If the Minnesota Fringe Festival is a sampler platter of different kinds of performance, this show is a microcosm of that concept. Kendra Plant (who, full disclosure, is a friend and fellow member of The Twin Cities Theater Bloggers at her blog Artfully Engaging) has constructed a show around the idea of the artistic process itself. A longtime supporter of the arts, Kendra is trying something new as a first-time Fringe producer, stepping on stage for the first time in decades. She's a charming and disarming host as she walks us through her process of creating a show. The three guest artists (the same at every performance) include a little bit of everything, including some art you won't see anywhere else at the Fringe. TAM Edo Bayashi Ensemble performs a lion dance accompanied by drum and flute, really making the lion come to life in a way that may remind you of your favorite pet. Singer/songwriter Emily Boyajian (whose gorgeous and inspiring original opera Transition was a hit at last year's Fringe) sings two beautiful and poignant original songs about transition and being yourself. Last but not least, Jolie Meshbesher performs two dances, the first a more traditional ballet with aerial elements as she hangs off of a free-standing ballet bar, the second more modern and edgy as it turns into a burlesque ballet. If you're looking for a variety of art you won't see anywhere else at the Fringe, this is a great one to see. And it may just inspire you to try something new, get out of your comfort zone, learn a new skill, or collaborate with others to make some good things. We certainly need more of them in this world!

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "Grief, It's What's For Dinner"

Day:
 7

Show: 22


Category: Comedy / Drama / Puppetry

By: Aethem Theatre

Written by: Kayla Hambek

Location: Open Eye Theatre

Summary: A funny and moving play about caregiving, loss, and finding your way through the difficulties of life with the help of friends.

Highlights: It's not the Minnesota Fringe Festival if I don't cry a few tears, so thanks to Kayla Hambek for letting me cross off that bingo square. She's written a really beautiful autobiographical show (she steps out of character at the end to tell us the real details) that's so relatable to anyone who's experienced loss or caring for an aging parent. She plays a character named Kate who (along with her dad) is caring for her mother who has early onset Alzheimer's, while also dealing with a neurodivergent sister. Her mother is still with them, but the daughters are mourning the mom they knew. She has a therapist and support group to help her through, and maybe even meets a boy. The small ensemble (Danielle Krivinchuk, Emma Paquette, Sher U-F, and Courtney Vonvett) plays everyone in Kate's life, most of them playing multiple very different roles. The use of hand puppets (to represent her inner self as a rainbow puppet, some of the support group members, and silly little musical numbers) adds a whimsy and charm to the story. Like the spoonful of sugar that makes the medicine (a story about grief) go down. Grief is a sweet, funny, relatable, and moving show.

Read all of my Fringe mini-reviews here. 

Thursday, August 7, 2025

Minnesota Fringe Festival 2025: "Our Zombie Town"

Day:
 6

Show: 21


Category: Comedy / Horror / Literary adaptation / Political content / Shakespearian elements

By: Pat O'Brien

Created by: Richard Chin, Pat O'Brien, Larry Ripp and cast

Location: Mixed Blood Theatre

Summary: One of the most classic works of the American stage, Thornton Wilder's Our Town, but with zombies (also an American classic).

Highlights: The show is very cleverly written (by Richard Chin) in the familiar conversational fourth-wall breaking style of Our Town, with Kurt Schulz as our narrator in a Fringe artist lanyard. The story begins with the surviving citizens of Grover's Corners (including the Webb and Gibbs families) living in an abandoned Walmart, fending off zombies (a familiar situation to fans of The Walking Dead). The daily sweet mundane daily life continues, including the Emily/George romance, as more and more people become (still semi conscious) zombies (an unfamiliar situation to TWD fans). When a cure becomes available, Emily has to make a decision to go back to the old busy life where everyone is preoccupied on their phones, or spend one last day with her love in a world that's all about eating brains together. Our Zombie Town is a mashup of a theater classic and a horror B-movie, complete with some fun cheesy effects and an impressive wood chipper, a clever idea well-executed by the team.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "That Which Is Green"

Day:
 6

Show: 20


Category: Comedy / Drama / LGBTQIA+ Content / Political content / Religious content

By: Michael Rogers

Created by: Michael Rogers

Location: Southern Theater

Summary: Two friends named Kevin walk into the woods to visit their favorite tree, only to find it has changed, or maybe it wasn't so great to begin with.

Highlights: This is a show about a tree that isn't really about a tree at all. Kevin (Michael Rogers) has a love/hate relationship with this "tree," but just can't quit it. Kevin (Alex Van Loh) supports his friend but is tired of the push and pull. The tree is dying, and Kevin #1 is devastated, but also wants to burn it down. They decide to spend the night by the tree to see if it's better in the morning, and we flash back to a couple of scenes from each of the Kevins' early experience with the "tree" accompanied by a parent, and meeting each other while singing a hymn in the "tree" service. They've been friends through everything, and though the "tree" is no longer serving them, it's hard to let go of the past and the traditions you were raised in. The show makes good use of the gorgeous Southern, as the Kevins walk up and down the aisles, the hymn harmonies ringing out beautiful and clear in the space, the stage empty except for the trunk of a tree with a neon green light in the center of it. This is a sweet and lovely little show about friendship, and faith, and questioning, and finding your way in the world.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2025: "Breach"

Day:
 6

Show: 19

Title: Breach

Category: Comedy / Drama / Original Music / Physical Theater / Puppetry

By: Third Space Theater

Written by: Mariabella Sorini and Alex Church

Location: Theatre in the Round

Summary: On board a fishing vessel searching for crabs in the Bering Sea, a storm, family drama, and possibly mutiny wreak havoc.

Highlights: This is a thoroughly gripping story told in an hour that flies by and also somehow feels like an epic journey. It's well written with natural sounding dialogue, creating interesting and complex characters and setting up mysteries that pay off later in the show. Siblings Lennox (Stephanie Kahle) and Monroe (Em Adam Rosenberg) inherited the ship from their father, the former named Captain even though the latter is better at it. They and the rest of the crew (Isabel Estelle, Hannah Leatherbarrow, Mary Lofreddo, and Mariabella Sorini, great performances by all) perform the functions of their job (including gutting fish represented by water bottles), talk and joke, and have a wild night of drinking during a lightning storm. But things keep going wrong, and the tension builds in a wonderfully suspenseful way. Director Alex Church makes great use of the in-the-round space, with the cast climbing up and down the stairs, using various parts of the space as different parts of the ship. The lighting is spectacular, from bring lightning flashes to total darkness lit by flashlights. It's an immersive, visceral experience that makes you feel like you're on this doomed ship, and that's not a comfortable feeling. Simple but effective props and costumes, the occasional singing of sea shanties, beautiful movement to represent the waves and water, and one amazing crab puppet complete the experience.

Read all of my Fringe mini-reviews here. 

Wednesday, August 6, 2025

"Singin' in the Rain" at Artistry

I interrupt this all-fringe-all-the-time coverage to bring you news of a terrific new production of the classic-movie-musical-turned-stage-musical Singin' in the Rain at Artistry. The classic 1952 movie musical was written by legendary musical theater team Comden and Green, and adapted into a stage musical in 1983. It's a big old-fashioned musical with comedy, romance, dancing, and tons of familiar songs* (by Nacio Herb Brown and Arthur Freed). Artistry did the show 12 years ago (then known as Bloomington Civic Theatre), directed and choreographed by the late, great Michael Matthew Ferrell. I remember loving that production, and it's a treat to see this new production on that same stage. This time it's directed by Artistry's Artistic Director Kelly Foster Warder, who also co-choreographed with our fabulous Don Lockwood, Danny McHugh, a native Minnesotan who makes his very welcome return to #TCTheater after living and working in NYC for 16 years. In the interest of saving precious time to see more Fringe shows, I will give you a brief review and encourage you to buy your tickets to this fun, high energy, and endlessly entertaining show sooner rather than later - it's been selling so well they already added another week (continuing through the end of August).