"The Kung Fu Zombies Saga: Shaman Warrior and Cannibals" by Theater Mu at the Luminary Arts Center

The Walking Dead would be so different if the zombies could do kung fu. If you're curious what that looks like, go see Theater Mu's world premiere play The Kung Fu Zombies Saga: Shaman Warrior and Cannibals, a compilation/update of two previous plays by Saymoukda Duangphouxay Vongsay. It's not only a thrilling zombie apocalypse story with great fight scenes, not only a coming-of-age tale of a couple of young women on opposite sides of the planet, but it also draws on the culture and history of Laos and the Laotian diaspora. It's a wild ride, with fantastical elements and sci-fi mixed with real family drama and an exploration of grief, loss, and identity. At nearly three hours in length, it is a saga (you can't say they didn't warn us), so have a cup of coffee, take a nap, or see a matinee because you'll want to be awake and alert to experience this epic journey. And if you're curious to know more about the creation of the show, either before or after you see it, listen to Episode 8 of the Twin Cities Theater Chat podcast, in which we interview the playwright along with actor Michelle de Joya.

"The Labyrinth and the Minotaur: The Incarceration Play Project" by Wonderlust Productions at Mixed Blood Theatre

Four years in the making, Wonderlust Productions' newest piece The Labyrinth and the Minotaur: The Incarceration Play Project reimagines the myth of the Minotaur and the Labyrinth in which it is kept as the Minnesota Corrections system. For this project they collected  stories from over 230 people who live and work within this system, and the huge cast (perhaps the largest I've ever seen) includes many of these people, alongside seven professional actors. It's a really beautiful, inspiring, and thought-provoking piece about an incredibly relevant issue - this country's broken, cruel, and racist system of incarceration. This is a theater company dedicated to elevating the voices of the unheard, and there are few voices less heard than those of the incarcerated. Here they get to tell their own stories in an empowering and powerful way. Although the play is a bit too long (three hours and 15 minutes on opening night) and would benefit from some editing, it's very worthwhile and important. See it through May 22 at Mixed Blood Theatre; only five more performances remain.