"Rhinoceros" by Pangea World Theater at the Southern Theater

"I am not capitulating!" The final line of Eugene Ionesco's absurdist masterpiece Rhinoceros, and in fact the entire play (written in response to the rise of Fascism in pre-WWII Europe), have never felt more relevant. I first saw this play in early 2017 as a response to the first Trump presidency (7th House Theatre's "pop up production"), and again the following year at Theatre in the Round. It felt so timely and urgent then, but here we are eight years later, and everything is so much worse. All around us people are turning into rhinoceroses, falling in line, and trampling over the things we hold most dear. Millions of Americans protested across the country in the "Hands Off" protests last weekend, and Pangea World Theater is doing their part by mounting a production of this important allegory. With a strong ten-person cast, it's well-staged at the gorgeous Southern Theater, and feels like it was written for this moment. A handful of performances remain over the next two weekends - click here for info and tickets.

"Rhinoceros" at Theatre in the Round

What a year it's been, friends! How fitting that my first #TCTheater show of 2018 is the same as one I saw in January last year, and it's just as timely and relevant as it was then (even though it was written nearly 60 years ago). My first experience with Eugene Ionesco's absurdist masterpiece Rhinoceros was 7th House Theatre's "pop up production" last year, which they intentionally premiered the night of the inauguration of the 45th president. Now a year has passed, and this absurd, funny, yet deadly serious little play, now playing at Theatre in the Round, resonates in whole new ways. Written in response to the rise of Fascism in pre-WWII Europe, Rhinoceros reminds us to be wary of large lumbering beasts running through our town and destroying everything we've worked so hard to build. Theatre in the Round's production makes great use of their in-the-round space and a wonderfully committed cast to entertain while also disturbing. As I wrote last year, "It would be terrifying if it weren't so funny. It would be funny if it weren't so terrifying."

"Rhinoceros" by 7th House Theater at A-Mill Artist Lofts

There have been various responses to the new presidency and the current political climate, including Facebook groups, letter writing and calling campaigns, petitions, and a nation-wide women's march. But what do artists do in response to injustice? They make art. Last weekend 7th House Theater opened a short run of what they call a "pop up production" of the 1959 play Rhinoceros, written by Eugene Ionesco as a response to the rise in Fascism in pre-WWII Europe. As company member David Darrow explained before the show, their new original musicals (which they've become known for) take about a year to plan, write, create, and produce, which makes it challenging to stay current. And they're not alone, most theaters plan their seasons months or years in advance, which is often necessary to secure talent and space in this busy theater town. But with this piece, 7th House is presenting "a specific work at a specific time in history." After just ten days of rehearsal, they very intentionally opened on the night of the inauguration, a work presented in what David called "a mostly sort of way." While the staging is minimal and actors have scripts in their hands, Rhinoceros is a work that is wholly entertaining, eerily relevant, and exactly what we need right now. Only three performances remain this weekend - don't miss this hot-off-the-presses, incredibly timely, excellent work from this talented young company.