"Joan of Arc" at Open Window Theatre

Open Window Theatre's latest original play takes on the legendary figure of Joan of Arc, warrior saint of France. It's an epic and complicated story, and while there's a lot to like about this new play, at three and a half hours (including intermission), it's just too long. Written by Artistic Director Jeremy Stanbary in modern language that's easy to follow and understand, with even some lightness and humor, the characters are interesting and compelling. But there's just too much of it, and in particular the almost two-hour long second act feels like it, with a dragged out ending. The website lists the runtime as three hours, so maybe it'll tighten up throughout the run, but the script could also use some editing to condense characters, streamline (or cut out) some scenes, and focus the story more on Joan, who doesn't even show up until halfway through the first act. The cast is great, the design impressive, and I'd love to see a more condensed version of it someday. If you have three and a half hours to spare, check it out and see what you think. Grab a coffee or a nap, bring snacks, and head out to Inver Grove Heights for Joan of Arc through May 31. 

Minnesota Fringe Festival 2025: "An Exorcism, Don'tcha Know?"

Day: 9

Show: 33

Title: An Exorcism, Don'tcha Know?

Category: Comedy / Horror / Puppetry

By: New Endeavors

Created by: Andrew Rakerd

Location: Barker Center

Summary: The show description pretty much says it all: "Church Basement Ladies meets The Exorcist."

Highlights: I recently saw the original Church Basement Ladies for the first time, and the setup here is almost identical. There's a new pastor at the Lutheran Church in small town Minnesota, and the ladies holding an Easter fundraiser to raise money for a new furnace aren't sure what to think of him (he's "different"). And there's a young woman returned from school at "the U" in "the Cities," coming home different than when she left. And here's where this show diverges from CBL - she's possessed by a demon. A demon who is disappointed to find out he's been sent to torment not a Catholic Church, where they expect and know how to handle such things, but a Lutheran Church. The ladies (Angela Fox, Cayla Marie Wolpers, and Michelle Schwantes) and one husband (Mitch Kiecker) turn to Pastor Sal (Rob Ward) to help rid poor Regan (Emma Kessler) of the demon, but he's not sure what to do. One of the ladies has seen The Exorcist, and offers suggestions. But in the end, Minnesota Nice is the only thing that works to rid these Lutherans of the demon. Because it's not the Minnesota Fringe Festival without some Fargo accents and lutefisk jokes, and this show fills the bill nicely. The cast is great, particularly Emma with a blood curdling scream, her words echoed by Mike Dee as the demon, dressed all in black and shadowing her moves, creating a spooky otherworldly effect. This show is really fun and ridiculously funny, as I would expect from the team that brought us one of the most brilliantly stupid Fringe shows in my memory - 2017's The Buttslasher, and the 2019 sequel The Buttslasher: And Then There Were Buns. I'm still waiting for part 3, but in the meantime, you can catch the final performance of An Exorcism, Don'tcha Know? today (Sunday) at 1pm for some Minnesota humor mixed with a touch of horror.

Read all of my Fringe mini-reviews here. 

"Tolkien" at Open Window Theatre

Five years ago today, I landed in New Zealand for my second visit to this magical land that I fell in love with (as many of us did) watching Peter Jackson's The Lord of the Rings trilogy. A story that I first encountered when my aunt gave me The Hobbit for my 12th birthday. For nearly 40 years I have continued to read and re-read J.R.R. Tolkien's masterpiece, finding new inspiration in it every time. Open Window Theatre was scheduled to produce the U.S. premiere of Tolkien, by Canadian playwright Ron Reed, shortly after my return from New Zealand in the spring of 2020. We know how that story goes, but happily, they are finally bringing this beautiful story of Tolkien and his friendship with C.S. Lewis to their intimate stage. It's a must-see for fans of Tolkien and/or Lewis, but even if you've never read The Lord of the Rings or The Chronicles of Narnia, you still might enjoy this play about friendship, faith, loss, literature, myth, and inspiration. Tolkien plays weekends through the end of March at Open Window Theatre in Inver Grove Heights.

Minnesota Fringe Festival 2021: "Compromised"

Day: 4

Show: 10

Performance Type: In Person

Location: Phoenix Theater (indoors, masks required)

Length: 50 minutes

Title: Compromised

By: Reservoir Frogs 

Summary: A long-form improv show based on audience prompts.

Highlights: The show description is "An improvised tale of greed, lust, hubris, and failure. A dark comedy of people letting their ambitions get them in over their heads." Using the suggestions "ice cream," "post office," and "lawyer/client," this team of improvisors (Adam Boutz, Jenny Benusa, Rob Ward, Amy Zajack, Andy Christian, Heather Jo Raiter, Mickaylee Shaughnessy, and Mike Deneen) created just that, in a world centered around a small town post office that was being shut down, sending all of its employees scurrying. There were bees and bee-keepers, junk mail scams, real estate, a hit man, and arson. But who knows what you'll see when you go see the show, that's the fun of improv.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2020: "Waiting for Hugs"

Location: Nightly Fringe (Aug. 2)

Length: 34 minutes

Title: Waiting for Hugs

By: Highlander Kitty

Summary: Three actors are waiting in zoom to perform a children's play for a church, which never quite happens.

Highlights: Due to some technical difficulties on my end (as is going to happen occasionally in a Virtual Fringe), I watched the last half of this show first, and then went back and watched the first half. But it was still a lot of fun. This parody of the zoom box theater we've all become so familiar with pokes fun at the format while using it well. The three performers are there for different reasons with different expectations - one just wants to do the job (Rob Ward), one is drinking wine and waiting for her friends to come over to "play board games" (Jenna Papke), one believes in the craft of acting and wants to make it big (Mickaylee Shaughnessy). While waiting for their call, they rehearse, they argue, they pick on each other. But the call never comes, and they're just left with each other. Waiting for Hugs is a cute, clever, funny little show that makes good use of the virtual theater format.

Read all of my Nightly Fringe mini-reviews here.

Read all of my Digital Hub mini-reviews here.

"Maple and Vine" by The BAND Group at Center for Performing Arts

The 2011 play Maple and Vine explores what might happen if we really could return to the "good old days," the era that the Cleavers and Ozzie and Harriet make look so perfectly pleasant and innocent on TV. With all the recent talk of returning to a time when the world, and America, was supposedly greater than now, The BAND Group chose a great time to present this play. With minimal staging in an intimate space, the audience is almost uncomfortably close to this fake '50s world as its true ugliness is slowly revealed. As they always do, The BAND Group is partnering with community organizations, the Citizens League and the League of Women Voters, who both have materials and representatives at the show. Reminding us to use our voting power, as the play reminds us of the things at stake.

Fringe Festival 2016: "The Real World Fringe Festival"

Day: 4

Show: 15

Title: The Real World Fringe Festival

Category: Comedy

By: Trusty Paper Ship

Written by: Annie Scott Riley

Location: Mixed Blood Theatre

Summary: Like an episode of MTV's Real World franchise, except it's onstage instead of on TV, and it's at the Fringe Festival.

Highlights: Confession: I was a loyal viewer of The Real World back in the early days, before there even was such a thing as social media. But in this Real World, the housemates spend most of their time on their phones, worrying about their social media presence. This allows the creators to skewer not just reality TV, but also our larger obsession with social media. We meet the seven housemates (a disappointingly less diverse cast than the real Real World casts) in a series of vignettes, complete with "testimonials" Real World style. The cast (David Beukema, Sarah Broude, Stephen Frethem, Rachel (Finch) Postle, Marcia Svaleson, Rob Ward, and Katie Willer) is great and fully commits to their larger-than-life stereotypical characters. There are some amusing observations about the social media world and some clever fourth-wall-breaking and acknowledgement of being on a stage. I wasn't wowed by the show, but it was kinda fun.