Showing posts with label Annie Baker. Show all posts
Showing posts with label Annie Baker. Show all posts

Tuesday, August 26, 2025

Reading of "The Antipodes" by Table/Read at PAIKKA

After two years at Boston University earning his MFA in Directing, #TCTheater artist Grant Sorenson is back in town and jumping right in making good things. He has plans for a new theater company (which will hopefully continue the great and interesting work of Arrow Theater), but for now, Grant has introduced a new and exciting monthly theater event - one-night-only readings of new plays, fittingly called Table/Read. That in itself is a really cool idea, but what makes this series truly unique is that the name of the play is not announced until the moment the reading begins. We always go into the theater knowing something about the work, even if it's just the title and playwright. But often the promotional materials, social media, and/or the program have information on what the play is about - a short plot summary, character descriptions, or even just the location and time period of the story. It's extremely rare to watch a performance and know absolutely nothing about what's going to happen. And that's exciting! The first monthly Table/Read did not disappoint, with an excellent choice of play read by a powerhouse cast of nine of #TCTheater's best actors that gave fully realized performances despite having just one zoom rehearsal. And it was preceded by drinks and conversation in the lovely courtyard outside PAIKKA, an event space in Vandalia Towers. But I won't get too attached to that; each reading will take place at a different non-traditional space. Follow Table/Read on Instagram or watch their website for details on the next monthly reading. And for artists - check out the artist nights, intended to be a place where artists can connect.

Wednesday, October 27, 2021

"Circle Mirror Transformation" at Theatre in the Round

The oldest theater in Minneapolis returns from the very long intermission; Theatre in the Round opened their 70th season with the sweet and awkward little play Circle Mirror Transformation. Unfortunately it has already closed, but their season continues with four more productions through next summer, including the Agatha Christie mystery A Murder is Announced, opening in November. But in the meantime, read on for more about Circle Mirror Transformation, which I caught on closing weekend.

Saturday, February 9, 2013

"Circle Mirror Transformation" at Yellow Tree Theatre

Circle Mirror Transformation is an odd little play, full of awkward pauses, interrupted conversations, and silly games. But it's also surprisingly deep and poignant. It'll make you laugh, think, and feel, which is my favorite kind of play. I saw it at the Guthrie a few years ago and it was one of my favorites of the year, and I knew it was a perfect choice for Yellow Tree Theatre. Circle Mirror Transformation and Yellow Tree are a great match - both are slightly quirky and offbeat, but with a lot of heart and great storytelling.

The entire 90-minute play takes place in a six-week community acting class in a small town in Vermont. We mark the passage of time with a changing sign on the bulletin board announcing the week. The play is constructed as a series of short scenes depicting class exercises, as well as interactions between the characters during breaks or before class. As the play progresses we piece together more and more of each person's story. Teacher Marty (Doree Du Toit, read an interesting story about her acting journey here) wants to share her love of the art with her students, one of which is her husband James, an original hippie (Kurt Schweickhardt). Theresa (Yellow Tree co-founder Jessica Lind Peterson) was a struggling actor in NYC until breaking up with her boyfriend and moving to Vermont a few months ago. Lauren (Tara Borman) is a typically sullen teenager who signed up for the class to help her win the role of Maria in her school's upcoming production of West Side Story, and wants to know if they're going to do any "real acting." The final student, Schultz (Dan Hopman), is going through a bit of a mid-life crisis, recently divorced and dealing with living on his own and trying to make a new start.

James and Marty act out a scene as Lauren looks on
Each of these characters comes to the class for a different reason and gets something different out of it, but as the title suggest, each is transformed, in big or small ways. We witness the entire course of a relationship between Theresa and Schultz (beautifully, painfully, and realistically played by Jessica and Dan), from nervous attraction, to giddy infatuation, to a really awkward breakup, to some sort of closure. Marty is not quite as together as she seems and has some issues of her own to work through, with or without the help of her husband. Lauren is trying to escape some family issues, which she's finally able to admit in a really fascinating class exercise - each class member tells another person's life story, which reveals as much about the speaker as it does about the subject. This play is really a character study, and playwright Annie Baker has quite brilliantly allowed us to gain vital tidbits of information about each of them in an unconventional way, without telling the full story. One gets the sense that this is just a short snippet in each character's life, a full and complex life that started long before the action of the play began and continues long after it ends. As director Andy Frye (who does a beautiful job bringing out the depth of each of these characters as well as making great use of the space) says in the program notes, "the exercises performed serve only as a catalyst for what's really going on with these complex characters." As the play progresses, the exercises take on more and more meaning as we learn about the people performing them.

an intense moment between Schultz and Theresa
Costume, set, and props designer Sarah Bahr has perfectly created the world in which this story plays out. The slight wardrobe changes effectively signal a new day while allowing for quick changes between scenes. The Yellow Tree stage is about as bare as I've ever seen it - the back wall is painted a dull yellow, adorned simply with a barre, mirror, and bulletin board. The only set pieces are a hula hoop, stool, and and ball. It looks like any well-used community center classroom where any number of activities have taken place over the years.

I almost wish I could participate in a class like this, that's less about acting than it is about connecting more deeply with oneself and one's fellow human beings. On second thought, maybe that's exactly what (good) acting is, as perfectly illustrated in this production. This five-person cast, with no weak link among them, fully rises to the requirements of the material - being fully present and in the moment, speaking the way real people speak, with all the awkwardness of real life. If you've never made the trip up to Osseo, now is a great time to do it. Circle Mirror Transformation is one of the best shows I've seen at Yellow Tree Theatre. If you love funny, quirky, real, and poignant theater, you won't be disappointed. Playing now through February 24.