I've always believed that technology is neither good nor evil, it's how we use it that determines its morality. Nuclear energy can be used to create electricity, or to murder vast numbers of people. Facebook can be used to connect people across distances, or to bully and belittle people to catastrophic effect. But is that true? Are the people who made an amazing scientific discovery that went on to cause more harm that good responsible for that evil? Justin Maxwell's new play The Canopic Jar of My Sins explores that idea in the form of a medieval morality play that puts Ralph Wiley, inventor of one of the first kinds of plastic, on trial for the destruction that single-use plastics have caused to our planet and many species living on it. Swandive Theatre's production, playing for just three more performances at the Crane Theater in Northeast Minneapolis, will make you laugh, and think, and likely feel guilty for our thoughtless use of plastic. And maybe it'll also get you thinking about things you can do to help reverse the devastation, with help from the suggestions on their handout.
Showing posts with label Bethany McHugh. Show all posts
Showing posts with label Bethany McHugh. Show all posts
Tuesday, October 15, 2019
Saturday, June 10, 2017
"Romeo and Juliet" by Mission Theatre Company at the Crane Theater
As of this week, I've seen Romeo and Juliet nine times in some form or other (not counting West Side Story, its most successful adaptation). Not because I particularly love Romeo and Juliet (although I still remember a few lines I memorized in high school English class many years ago). But because it's done a lot (the Guthrie is opening their season with it this fall). So why do it again? Why see it again? Romeo and Juliet still fall in love at first sight. Romeo still kills Tybalt. Romeo and Juliet still react to his banishment with despair rather than just running away together. And the friar's stupid messenger still fails to deliver the message, resulting in the senseless death of both of these teenagers. But there's a reason it's done so often and has inspired so many adaptations (the latest being James Corden and Emily Blunt's musical version). It's a story of love, crazy stupid irrational love, in the face of hate and violence. Mission Theatre Company promises a Romeo and Juliet like you've never seen before. And they deliver, with an energetic and physical adaptation that builds from romantic comedy to tragedy over two intense hours with no intermission.
Subscribe to:
Posts (Atom)