"The Great Leap" at the Guthrie Theater

This may come as a shock to you, dear readers, but I am not a fan of the sportsing events. The one exception being my lifelong love of the Minnesota Twins, but other than that, I have no interest in watching any game anywhere anytime. Except on the stage, where for some reason sports provides a good background for drama (see also Colossal and The Wolves, which is being remounted at the Southern beginning next week). In the case of Playwrights' Center affiliated writer Lauren Yee, basketball combined with US-China relations in the 1970s and '80s provides a whole lot of drama. Inspired by her father, a Chinese-American who went to China to play basketball against Chinese teams, she has written a smart, funny, entertaining, educational, and thought-provoking play about basketball that isn't really about basketball at all.

"Mermaid Hour: Remixed" at Mixed Blood Theatre

On a snowy Sunday afternoon, several of the Twin Cities Theater Bloggers gathered in an old firehouse in Minneapolis to witness the rolling world premiere of a new play called Mermaid Hour, which means that the premiere is happening in several theaters around the country. In this story of a 12-year-old transgender girl, her parents, and her friends, playwright David Valdes Greenwood set out to "write a real portrait of a family life, not just an 'issue' play with a message of 'do this' or 'do that.'" From where I was sitting, he succeeded. But what makes Mixed Blood Theatre's production of Mermaid Hour special is that it's the only one of the world premieres to feature music; the Mixed Blood team worked with the playwright to turn his play into a musical. As a musical theater nerd who thinks every play is better with music, I couldn't be happier with this turn of events. Mermaid Hour: Remixed is not only a real and relatable family story that features transgender characters, too often under- or mis-represented onstage, but it's also done in song!

"Fly By Night" at Jungle Theater

A new original folk-rock musical? It's like Fly By Night was created (by Will Connolly, Michael Mitnick, and Kim Rosenstock) and brought to the Jungle (by director Sarah Rasmussen) just for me. The rare bird that is the new original musical is my favorite thing in the world, and folk-rock/folk/Americana is my favorite genre of music. I was primed and ready to love this show, and love it I did. Charming and funny yet poignant, with a fantastic score played by greats from the local music scene, and a cast that couldn't be better - what's not to love? Well maybe a few things - a bit of the ending I didn't love, and a confusing timeline issue.* But other than that I loved everything about this show that is right up my alley, and I hope to get back to see it before it closes on July 23.