"Fefu and Her Friends" by Theatre Pro Rata at the Searle Mansion

It was just a year ago that Theatre Pro Rata introduced us to something called simultaneous theater, meaning they did two different plays, at the same time, in the same building, with the same cast! While Chekov's Three Sisters was playing out on the main stage at the Crane, the minor characters not on stage in that play were doing their own play out in the lobby. It was a brilliant creative and logistical feat, and something I've never seen before. This year they're returning to that concept, except that it's just one play, but with scenes happening simultaneously in different locations. The site-specific production of Fefu and Her Friends takes place in the gorgeous historic Searle Mansion near Lake of the Isles. We begin and end the play in the sitting room, and in between the audience is split into four groups and led to four different rooms in the house, where scenes play out simultaneously with different characters. It's a fascinating character study of a group of women in 1935, brought to such vivid life by this fantastic cast and setting that it feels like we're eavesdropping on these very realistic and unique women. I highly recommend spending a little time with Fefu and Her Friends, who will be in residence at the Searle Mansion through May 28. Since it's also an event space, performances are weeknights only. They also rent out a couple of bedrooms via Airbnb, so maybe you could even stay overnight at Fefu's house after the show - what fun!

"Endometriosis: The Musical" at Theatre in the Round

The Minnesota Fringe Festival* is a great place for artists to develop and showcase new work. But truthfully, even the best shows at Fringe usually work best within that framework (less than an hour in length, presented at an experimental festival). But every once in a while, you'll see a show that feels like it has life beyond Fringe. The smash hit of the 2022 festival, Endometriosis: The Musical, was one such show. I knew immediately that this was more than "just" a Fringe musical, and "it needs to be seen by more people than just five (likely sold out) Fringe performances." Thankfully, the folks at Theatre in the Round (the venue for the 2022 show) saw that too, and have worked with the creators (book by Maria Bartholdi, music by Kristin Stowell, and lyrics by both) to develop Endometriosis into a full-length musical. Sadly, a show about women's reproductive health and the increasing dangers to it, and our ever more broken health care system, has only become more relevant in the last three years. What better way to bring attention to these issues, and to talk (and sing) about periods and other things related to "lady parts," than in an original musical? And to do it in such a fun, funny, entertaining way. As I wrote in 2022, Endometriosis: The Musical is "beautifully and cleverly written, both hilarious and poignant, and utterly relatable for any human who has ever menstruated." If you're looking for a new, original, relevant, locally created, silly, sobering, highly entertaining musical, go see Endometriosis: The Musical at the oldest theater in Minneapolis, and one smart enough to recognize the potential of this Fringey musical. 

"Santa's Surprise Party" by The Mechanical Division at The Hive Collaborative

The best surprise of this holiday* season is the return of DalekoArts! Sort of. Amanda White and Ben Thietje, founders of the New Prague theater company that closed its doors last year after 11 successful years, have returned to their former company The Mechanical Division to create a silly holiday comedy of the type frequently performed at Daleko. Written by Ben and directed by Amanda, and featuring actors we know and love from Daleko, it's almost like returning to that beloved theater, without the long but gorgeous drive. It's playing at The Hive Collaborative in St. Paul, which over the last year has become one of my favorite venues for its welcoming vibe and variety of programming, and this time of year is particularly cozy with holiday lights and decorations (owners Laura and Eric live next door and their house is the brightest on the block!). Even better, it's a 7pm show with a 70-minute runtime so you can be in bed by 9 go out after the show and do other fun holiday things! Santa's Surprise Party is sweet and silly and stupid and wonderful, with just three shows remaining and few tickets left!

"9 to 5" at Lyric Arts

In the first of two #TCTheater premieres this season, Lyric Arts is bringing us the musical adaptation of the hit 1980 movie 9 to 5 (the second is Kinky Boots this summer, which had its Minnesota premiere at Duluth Playhouse last summer). With built-in name recognition, shows are already selling out. But the good new is, this 9 to 5 is more than just a recognizable name and an easy sell to audiences. It's super fun and really well done. I'm not sure why it took so long for a local professional theater to do this show (last seen to my knowledge on tour at the Ordway in 2011) - it features a fun original score by the great Dolly Parton and an ever-timely theme of women's rights, workers' rights, and the power of women working together. Directed by one of #TCTheater's funniest women people Shanan Custer (who also knows how to pull on the heartstrings) and featuring a large, talented, and energetic cast, it's a celebratory evening of music-theater. Bring your girlfriends, bring your coworkers, bring your family, or bring yourself to Anoka to see 9 to 5 now through May 12.

"Godspell" at Artistry

Artistry's second production in their 2023 season, coming back after a rough spell, is the 1971 musical Godspell (postponed from last fall). Written by Stephen Schwartz (who later penned a little show called Wicked) when he was in his early 20s, it tells the story of Jesus, with lyrics mostly taken from the Gospel of Matthew in the Christian Bible. Musically it's more akin to Pippin (his second musical to be produced, also in the '70s) than Wicked, and thematically and stylistically it bears some resemblance to the 1968 peace and love musical Hair. It may seem like an odd juxtaposition - the teachings of Jesus mixed with popular music and a sort of hippie group of friends, but it actually isn't. Jesus' original message of love, kindness, forgiveness, compassion, non-judgement, and community, before it was corrupted by institutional religion, is beautifully conveyed through this music-theater vehicle. Artistry has assembled a dynamite ensemble of performers, each one of them a superstar, for a joyful, fun, and moving show that's really all about love and acceptance. As radical an idea today as it was 2000 years ago.

Minnesota Fringe Festival 2022: "Endometriosis: The Musical"

Day: 2

Show: 6

Title: Endometriosis: The Musical

Category: MUSICAL THEATER

By: Ripped Nylons Productions

Written by: Maria Bartholdi (book and lyrics) and Kristin Stowell (music and lyrics)

Location: Theatre in the Round

Summary: A musical about one woman's struggles to be heard by her health care providers, and eventual diagnosis of endometriosis.

Highlights: It's only day two, but I can already tell you this is going to be one of my favorite shows of the festival. Firstly, it's a great and unique topic for a musical - who else is singing about women's reproductive health?! But we should be! Years in development, it couldn't be more timely with recent legal changes that have set women's reproductive health and rights back 50 years. And on top of that it's beautifully and cleverly written, both hilarious and poignant, and utterly relatable for any human who has ever menstruated. Songs cover the pain and shame around the menstrual cycle (why can't we say period at the dinner table, or on stage?!), constant doctors visits at which our protagonist is told her debilitating pain is normal or is all in her head, doctors prescribing birth control for any and all ailments in females from a very young age, and the novel idea that our reproductive organs and our reproductive choices shouldn't hold us back from doing everything we want to do. I hope and suspect that this is only the beginning for Endometriosis: The Musical. I'm not saying it'll end up on Broadway and win a Tony for best score like another female-centric musical that started at a Fringe festival, but I think it needs to be seen by more people than just five (likely sold out) Fringe performances. I would love to see it expanded to a 70-90 show (the happy ending wrapped up a little too quickly, I think there's more to explore there), and if they recorded a cast album of this fabulous score I would buy it, listen to it in my car, and sing along with every word. And they should lock this cast down because they're perfection. The two guys in the show (Christian Unser and Drew Tennenbaum) are great and very funny playing multiple (often antagonistic) characters, but this show belongs to the women. Abby Holstrom, who plays our protagonist Jane, appears to be new to #TCTheater and I look forward to seeing her again. Her portrayal is so empathetic and real, she really grounds the show in humanity amongst the wackiness going on around her, and has a voice that's so crystal clear and full of emotion I found myself tearing up in some of the more poignant moments. She's supported by a comedy/vocal dream team of a trio in Nora Sonneborn, Tara Borman, and Aly O'Keefe playing multiple characters and singing gorgeous harmony (particularly in the song "Birth Control" which you can watch here). 

This mini-review is already too long and I haven't even mentioned the adorable DIY costumes and props, the smart and interesting staging/choreography in the in-the-round space (by choreographer Krista Grover Winkka and director Maria Bartholdi, who also voices some very funny and bizarre interstitial bits about a serial stabber), the fabulous three-piece live on-stage band (with music director/composer Kristin Stowell on keyboard), the perfect sound mix (TRP is a such great space for musicals, no mikes necessary), and the way they expertly walk the line between outrageous comedy and tender moments about this very real and relatable issue. You'll just have to see it for yourself, and I recommend making reservations because their first night was nearly sold out. Friends, this is going to be the breakout hit of the 2022 Minnesota Fringe Festival, and deservedly so.

The first step in recording a cast album - the song "Hide."

Hide.mp4 from Maria Bartholdi on Vimeo.

Read all of my Fringe mini-reviews here.

"Holiday Show! the holiday show" at DalekoArts

A local theater fan arranges for all of their favorite actors to come to their home under false pretenses, locks them in, and orders them to create and perform a new holiday* show. No, I'm not describing my pandemic fantasy, this is the plot of DalekoArts' return to the stage after a 21-month extended intermission (during which time they produced an all-virtual subscription box season called "Daleko Home Invasion"). The new original comedy Holiday Show! the holiday show is a ridiculous and loving ode to theater, the holidays, and being together. In other words, it's perfect for this odd and lovely season we're living in. Holiday Show plays weekends through December 19 in charming historic downtown New Prague, just a quick jaunt over the river and through the woods (and farm fields). Their programming is always worth the drive, and their 10th season looks to be a great one, continuing with the "hilarious and heart-breaking" play Lone Star Spirits, and the second regional production of the eight-time Tony-winning musical Once. If you've not been to New Prague lately, now is a good time for a visit (click here for info on the season).

"The Dolls of New Albion" streaming from Feral Theatre Company

Intrepid young #TCTheater company Feral Theatre seems to have figured out this pandemic theater thing. Maybe because they've only been around since 2019, they were able to be more flexible and adaptable to the new world, since they had barely established themselves in the old world. In the last year, they've produced a series of podcast play readings, had several entries in the 2020 Virtual Minnesota Fringe Festival, and presented a live virtual production of The Awakening of Spring from various locations. Now they're bringing us the regional premiere The Dolls of New Albion, which seems to be somewhat of a cult hit musical, especially in the UK. In fact, this is only the third US production. It's a great piece; it reminds me of the kind of obscure musical gems that Theatre Elision and Minneapolis Musical Theatre often do. And it lends itself well to this time, in that although this production features a nine-person cast, most scenes only involve a few of them. They're able to practice social distancing on stage, wearing masks if there are multiple people on stage (even singing through masks), or removing their mask if they're alone on stage. Because that's right, this show is performed live, with all of the performers together, at Elision Playhouse. I can only hope/assume that they are following protocols backstage as well, but from this end, they appear to be doing everything right. That is: live theater almost as we remember it, with safety protocols in place for the performers, and with the audience tuning in from the safety of their own homes.