Showing posts with label Teenage Misery. Show all posts
Showing posts with label Teenage Misery. Show all posts

Tuesday, October 11, 2016

"Teenage Misery" by Revisionary Theatre Collective at Sandbox Theatre


There's another new theater company in town. They're called Revisionary Theatre Collective, and they're making their debut with a remount of the 2013 Minnesota Fringe musical Teenage Misery. It was one of my favorite Fringe shows that year, about which I wrote:
What do you get if you combine the Stephen King novels Misery and Carrie with the musicals Sweeney Todd and Bye Bye Birdie? You get this odd and delightful mishmash of a musical, that doesn't shy away from the material it borrows from (the opening song is "attend the tale of Carrie Black," and Conrad Birdie is replaced by Shane West). A little rough around the edges, but the songs are great, with clever commentary on what it's like to be a young person growing up today, and winking jokes about "no time for proper character introduction, we only have an hour."

Thursday, August 15, 2013

Minnesota Fringe Festival 2013 Wrap-up

2013 was my third year at the Minnesota Fringe Festival. In 2011 I saw 10 shows, followed by 16 last year, and 25 this year. This was my first year with a "Gold Pass," which means that I could see as many shows as I wanted - for free! I attended both Fringe-For-Alls (a sampler in which 30 shows present a 3-minute preview) and read through the list of 176 shows to narrow down the list to those I wanted to see (based either on the preview or the people involved, or sometimes the subject matter). I came up with a must-see list of 28 shows. I was able to fit 25 of those into my 8-day schedule (I had conflicts on 2 of the 11 days of the fest, and wanted to give myself a day off). And since I am not a spontaneous person, I stuck to that schedule (I almost stayed for a 10 pm performance of Clocked until I remembered that's past my bedtime).

And I had a marvelous time. As a Minnesota super-theater-goer, I know that we have an abundance of talent in this town, but it's never more apparent than at the Fringe Fest. I saw a huge variety of shows - musicals, plays, comedies, dramas, stand-up, spoken word, dance, clowning, improv - and almost all 25 were enjoyable. Several of them I absolutely loved, and many I liked immensely. But mostly I was once again impressed at the level and depth of talent and creativity we are lucky enough to have in this local theater community.

In summary, it was a whirlwind 25 shows in 8 days, but it was amazing and well worth the sleep lost and vacation hours spent. From my vantage point, the fest was once again extremely well-organized and impeccably run, thanks to the Fringe employees and many volunteers. And the lines, traffic, and parking were not even that bad. I love the Fringe Fest, and I can't wait until next year!

Here are just a few of the shows that I loved the most. You can read what I thought about all 25 by clicking the link at the bottom of the post.

  • Expiration Date: a one-woman show about a young woman facing a diagnosis of terminal cancer, featuring one of the best performances I saw in the Fringe - Candy Simmons, who also wrote the piece.
  • Four Humors' Lolita: A Three Man Show: a clever, hilarious, well-written, and well-performed adaptation of the infamous movie/book. It's obvious a lot of thought went into this wonderfully ridiculous show.
  • Hello Stranger: the best original music I heard at the Fringe (by local musician/composer Blake Thomas), a charming host, and a delightful experience of human relationships.
  • Shelly Bachberg Presents: How Helen Keller and Anne Frank Freed the Slaves: The Musical: a fantastic cast of local musical theater actors, smartly written political satire, great original songs, and fabulous costumes.
  • Teenage Misery: The Horror Musical: a fun and clever new musical that mashed the stories of CarrieMiserySweeney Todd, and Bye Bye Birdie, featuring a young cast chock full of raw talent.
  • The Unknown Matters: a quiet and lovely musical about two friends exploring the grand ideas of the universe while navigating earthly matters like friendship and snacks.
  • These Old Shoes: an aesthetically and emotionally beautiful tale of love lost and found, in Transatlantic Love Affair's trademark physical theater style.
  • They Called Her Captain: the one show I saw that is begging to be extended into a full-length play, because the material about a woman who becomes a captain in the army in WWII is so rich. Bonus - it's a true story, and the woman and many other characters are portrayed by her real-life daughter.

Friday, August 9, 2013

Fringe Festival: "Teenage Misery: A Horror Musical"

Day: 6

Show: 18


By: Devious Mechanics

Written by: Keith Hovis

Location: Theatre in the Round

Summary: A young woman in college and her two best friends kidnap their idol Shane West. It ends badly, and they go on a killing spree across the country.

Highlights: What do you get if you combine the Stephen King novels Misery and Carrie with the musicals Sweeney Todd and Bye Bye Birdie? You get this odd and delightful mishmash of a musical, that doesn't shy away from the material it borrows from (the opening song is "attend the tale of Carrie Black," and Conrad Birdie is replaced by Shane West). A little rough around the edges, but the songs are great, with clever commentary on what it's like to be a young person growing up today, and winking jokes about "no time for proper character introduction, we only have an hour." The young actors in the cast may be a little green, but there's a ton of raw talent on that stage, and they perform with such enthusiasm and energy that it's impossible not to have fun watching them. Kelly Houlehan as Carrie has a strong voice and lights up the stage, Jordan Oxborough plays the not-so-smart idol well and sounds great too (talent runs in the family), and Shana Berg is a scene-stealer as the woman with a psychic connection to Shane (their psychic duet is hilarious). It's everything you want a Fringe musical to be - fun, clever, over-the-top, with strong performances and catchy tunes. Musical theater lovers - go see this one!


Wednesday, August 7, 2013

Minnesota Fringe Festival 2013 Top Five (or so)

I compiled a list of my five favorite shows about halfway through my Fringe experience, and when it came time to update the list at the end of the fest, I couldn't bear to remove any from the list upon adding new ones from the second half. So it's a bit longer list now.

In alphabetical order, my favorite shows of the 2013 Minnesota Fringe Festival are (click on the show title for more details):

  • Expiration Date: a one-woman show about a young woman facing a diagnosis of terminal cancer, featuring one of the best performances I saw in the Fringe - Candy Simmons, who also wrote the piece.
  • Four Humors' Lolita: A Three Man Show: a clever, hilarious, well-written, and well-performed adaptation of the infamous movie/book. It's obvious a lot of thought went into this wonderfully ridiculous show.
  • Hello Stranger: the best original music I heard at the Fringe (by local musician/composer Blake Thomas), a charming host, and a delightful experience of human relationships.
  • Shelly Bachberg Presents: How Helen Keller and Anne Frank Freed the Slaves: The Musical: a fantastic cast of local musical theater actors, smartly written political satire, great original songs, and fabulous costumes.
  • Teenage Misery: The Horror Musical: a fun and clever new musical that mashed the stories of Carrie, Misery, Sweeney Todd, and Bye Bye Birdie, featuring a young cast chock full of raw talent.
  • The Unknown Matters: a quiet and lovely musical about two friends exploring the grand ideas of the universe while navigating earthly matters like friendship and snacks.
  • These Old Shoes: an aesthetically and emotionally beautiful tale of love lost and found, in Transatlantic Love Affair's trademark physical theater style.
  • They Called Her Captain: the one show I've seen that is begging to be extended into a full-length play, because the material about a woman who becomes a captain in the army in WWII is so rich. Bonus - it's a true story, and the woman and many other characters are portrayed by her real-life daughter.