"Musical Mondays" at Hell's Kitchen, January 2017

What better way to ring in the new year than with Musical Mondays at Hell's Kitchen? This monthly cabaret series, featuring great local talent singing a selection of showtunes around a common theme, can always be counted on for a fun and celebratory evening. Last night's show, with a theme of new beginnings, was just what I needed to mark the turning of the year. We had a lovely "goodbye 2016" song and a hilarious and terrifying election response song. But most of all there was a feeling of hope that if we continue making and supporting theater, music, and art, and coming together as a community, we can make 2017 better than 2016.

"Silence! The Musical" by Minneapolis Musical Theatre and Bitter Boy Productions at the Lab Theater

A musical about silence? That seems paradoxical. But of course Silence! The Musical is not about silence itself, it's a parody of the 1991 Jodie Foster/Anthony Hopkins movie The Silence of the Lambs. A movie I've never seen. My friends at Minnesota Theater Love told me I should see the movie before seeing Minneapolis Musical Theatre's production of the off-Broadway musical, but I didn't have time, because... theater. Also I decided that the musical should be able to stand on its own; you shouldn't have to see a movie first to enjoy a musical. And for the most part the musical does stand on it's own, aided by the fact that the movie is so much a part of our pop culture that even I'm familiar with Hannibal the cannibal and the weird teeth-sucking sound he makes, along with a few other high points of the movie. Although this over-the-top campy horror-parody isn't really my kind of humor, I can appreciate that director Steven Meerdink and his talented cast commit fully to it and deliver an entertaining show.

"Christmas in the Airwaves" at Lyric Arts

If today's snowstorm doesn't get you in the holiday spirit, Lyric Arts in charming downtown Anoka will! This year they commissioned a new holiday play, Christmas in the Airwaves, which premiered the week before Thanksgiving, and this weekend they open their "Mainly for Kids" (and grown-ups who can't get over their childhood obsession with all things Little House) production of A Laura Ingalls Wilder Christmas. I'll be visiting my friend Laura on Saturday, but first, let's return to the 1940s. A time when men went off to war, women stayed behind to run things (and sing harmony), and radio was king. It's in this idealized world of the '40s that our story takes place. It's Christmas 1944 in a small snowy Minnesota town, as we watch a live radio broadcast, along with the behind-the-scenes lives of the cast and crew of the show. This simple, sweet, charming story with lovely holiday and wartime music is as comforting as hot apple cider on a cold and snowy day.

"Grease" at Lyric Arts

I love the 1978 movie Grease - '50s nostalgia, an adorable pre-Scientology John Travolta, the golden voice of Olivia Newton-John, and an endlessly singable soundtrack. It's the perfect fun and mindless movie musical. But the 1971 stage musical on which it was based is something different. Wikipedia says "In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. Subsequent productions sanitized it and toned it down." With their new production, Lyric Arts and director Christine Karki move closer to the original concept than the movie it ended up becoming. It's a little darker and less bubble gum look at teenagers in the '50s. The fantastic young cast breathes new life into these familiar characters to create a Grease that's still great summer fun, but with a little more weight.

On a set that looks more West Side Story than Grease, the lives of these teenagers unfold on the gritty streets of Chicago as they deal with relationships, friendships, pregnancy, gangs, and school dances. The cast is mostly made up of high school and college kids, or recent graduates, which brings some very believable teen angst and youthful energy to the show. Jordan Oxborough is a natural as Danny, with the slicked back dark hair, pretty falsetto, and charm that all the ladies fall for. With her performance as Sandy, Megan Fischer proves that little Annie is all grown up. She's sweet and naive but with an underlying feistiness. And the two of them sound gorgeous together on the Danny/Sandy duets (just don't expect to hear "You're the One That I Want," written for the movie). Jill Iverson is a standout as Rizzo - tough on the outside and tender on the inside - and her beautifully nuanced rendition of "There are Worse Things I Could Do" is a definite highlight (she's excelled at playing misunderstood teens before). As the mooning Roger and constantly eating Jan, Michael Conroy and Christine Walth are adorable and funny. And Lucas John Beach sings "Beauty School Dropout" like an angel.

oh, those summer nights! (photo by Mike Traynor)

Of course Grease isn't Grease without the car called Greased Lightning, and this version is a pretty cute little car that actually drives around the stage and threatens to upstage the actors. The cast makes good use of the multi-level set (with the onstage band sitting upstairs), hanging off the stairs and climbing around (set by Brian J. Proball). Samantha Kuhn Staneart's '50s period costumes are, like the rest of the production, less pretty and more realistic, expressing the distinct personality of each character.

The ending of the movie has always bothered me, in which Sandy changes who she is in order to "win" Danny. But this feels less like that and more like a young woman who's growing up and trying to figure out who she is and what she wants. It's a more believable transition.

While it doesn't top last year's summer hit RENT (nothing ever could in this RENThead's opinion), Grease is another fun and edgy summer musical at Lyric Arts Main Street Stage in Anoka. Due to popular demand, it has been extended through August 9 but the additional shows will sell out fast if they haven't already, so make plans soon.

Fringe Festival: "Teenage Misery: A Horror Musical"

Day: 6

Show: 18

Title: Teenage Misery: A Horror Musical

By: Devious Mechanics

Written by: Keith Hovis

Location: Theatre in the Round

Summary: A young woman in college and her two best friends kidnap their idol Shane West. It ends badly, and they go on a killing spree across the country.

Highlights: What do you get if you combine the Stephen King novels Misery and Carrie with the musicals Sweeney Todd and Bye Bye Birdie? You get this odd and delightful mishmash of a musical, that doesn't shy away from the material it borrows from (the opening song is "attend the tale of Carrie Black," and Conrad Birdie is replaced by Shane West). A little rough around the edges, but the songs are great, with clever commentary on what it's like to be a young person growing up today, and winking jokes about "no time for proper character introduction, we only have an hour." The young actors in the cast may be a little green, but there's a ton of raw talent on that stage, and they perform with such enthusiasm and energy that it's impossible not to have fun watching them. Kelly Houlehan as Carrie has a strong voice and lights up the stage, Jordan Oxborough plays the not-so-smart idol well and sounds great too (talent runs in the family), and Shana Berg is a scene-stealer as the woman with a psychic connection to Shane (their psychic duet is hilarious). It's everything you want a Fringe musical to be - fun, clever, over-the-top, with strong performances and catchy tunes. Musical theater lovers - go see this one!

Read more of my fringe fest reflections…

… including my top 5 shows

Fringe Festival 2012: The Music Box

Day: 4

Show: 13

Title: The Music Box

By: Graber and Napolitano Productions

Created by: Elliot David Graber

Location: Rarig Thrust

Summary: Set in 1929 St. Louis, a young writer takes a job with a newspaper to pay the bills, but never forgets about the book that he's written based on stories his beloved grandfather told him as a child. His favorite story is the one about the poet and the prince, and he dreams of the day when he falls in love. So of course, he falls in love with his boss's fiance, a spirited young woman who's not sure she wants to give up her life to move to New York and settle down with the stable, steady man.

Highlights: I feel like I should have loved this show more than I did. All the pieces are there - beautiful original music in the classic musical theater style, appealing performances by the leads, gorgeous costumes, elaborate sets (for the Fringe), even the clever program made to look like a newspaper from 1929 passed out by boys in period Newsies costumes. This is likely to be the most professional-looking show you'll see at the Fringe (check out the beautiful postcard on the left). But I just didn't connect with it as much as I did some other shows I've seen this week. Perhaps it was a little too cliche, perhaps it was too ambitious (see: frequent set changes that went smoothly but perhaps pushed the running time to the one-hour limit). But if you're a musical theater fan, it's still worth seeing for the gorgeous music and production. Libby Anderson gives a great performance as our heroine Zoey and makes you want things to work out for her. She and Jordon Oxborough (could he be Jared's little brother?) make beautiful music together. This show might work better if it were fleshed out into a full production, giving the characters and relationships more room to grow and develop.

Read more of my fringe fest reflections...