This is my fourth time seeing and writing* about Theater Latte Da's annual holiday show All Is Calm, presented with Hennepin Theatre Trust at the Pantages Theatre. This true story about peace in the midst of war is so beautifully told by creator/director Peter Rothstein, using period music and authentic writing from the time, that I could easily see it every year. It is the 11th holiday show I've seen this year** and my favorite because it best represents the true spirit of the season - connection, community, forgiveness, peace. The show underwent a significant change in this, its eighth year. The marvelous vocal ensemble Cantus is no longer in the show. Instead, Peter has cast a dozen talented singer-actors. I wasn't sure how this show would work without Cantus because they were such an integral part of the experience. But I needn't have worried, because if anything, it's even better than it was before. The music (brilliantly arranged by Erick Lichte and Timothy C. Takach) sounds just as gorgeous, and the addition of a cast full of actors, now sharing the stirring words of soldiers amongst all of them rather than just a few, humanizes the stories even more. The result is a piece of music-theater that's just about as perfect as one could be - a story told simply, effectively, and beautifully in a way that perhaps comes close to the beauty of the real experience of the Christmas Truce of 1914.
Showing posts with label Erick Lichte. Show all posts
Showing posts with label Erick Lichte. Show all posts
Thursday, December 17, 2015
Monday, December 20, 2010
"All is Calm" by Theater Latte Da at the Pantages Theatre
All is Calm is the annual Christmas show by Theater Latte Da, my favorite local theater, and, inexplicably, this is the first time I've seen it. In it's third year, the show was written by Latte Da Artistic Director Peter Rothstein (with musical arrangements by Erick Lichte and Timothy C. Takach) about the World War I Christmas Truce of 1914. Soldiers on both sides (German and Allied troops) spontaneously decided to stop shooting at each other for one day, and walked out into "no man's land" to sing songs, play games, and share photos of loved ones. All is Calm tells the story of these men through music and their own words.
I'm not sure whether to call this show a concert, a play, or a musical. It's really a lovely combination of all three. In a message from Peter Rothstein in the playbill, he says, "I'm interested in creating performance where the content dictates the form" (something I believe I've also heard Stephen Sondheim say). The show is constructed from quotes from soldiers' letters and journals, as well as articles written about the truce. Three actors recite these quotes in a colorful variety of British accents. Interspersed among the quotes are songs by the male vocal ensemble Cantus, who sing traditional Christmas carols and army songs. Peter was inspired to collaborate with Cantus when he saw one of their concerts and realized that "their work was pushing the boundaries of chamber music in the ways Theater Latte Da was pushing the boundaries of musical theater." It's a beautiful collaboration; at times it's hard to distinguish the actors from the musicians. They're all dressed alike in black coats and sweaters. As the story moves into winter of 1914, they all gather their scarves a little tighter, pull hats and gloves out of their pockets, and button their coats. The singers act the part of the soldiers leaving their homes and families with excitement, expecting to return soon, only to be caught in a brutal, cold, long war. The truce is a short break in their weariness, and gives them hope, at least for a moment.
I think this show is less about Christmas or any specific holiday, than it is about the realization that we're more alike than we are different. The people we are fighting against in any war are really not that different from ourselves. They want to be home with their families and live a peaceful, happy life, just like we do. It really is a lovely thought - what if the armies of both sides went on strike, would we find another way to settle our differences? Idealistic maybe, but something to think about.
I'm not sure whether to call this show a concert, a play, or a musical. It's really a lovely combination of all three. In a message from Peter Rothstein in the playbill, he says, "I'm interested in creating performance where the content dictates the form" (something I believe I've also heard Stephen Sondheim say). The show is constructed from quotes from soldiers' letters and journals, as well as articles written about the truce. Three actors recite these quotes in a colorful variety of British accents. Interspersed among the quotes are songs by the male vocal ensemble Cantus, who sing traditional Christmas carols and army songs. Peter was inspired to collaborate with Cantus when he saw one of their concerts and realized that "their work was pushing the boundaries of chamber music in the ways Theater Latte Da was pushing the boundaries of musical theater." It's a beautiful collaboration; at times it's hard to distinguish the actors from the musicians. They're all dressed alike in black coats and sweaters. As the story moves into winter of 1914, they all gather their scarves a little tighter, pull hats and gloves out of their pockets, and button their coats. The singers act the part of the soldiers leaving their homes and families with excitement, expecting to return soon, only to be caught in a brutal, cold, long war. The truce is a short break in their weariness, and gives them hope, at least for a moment.
I think this show is less about Christmas or any specific holiday, than it is about the realization that we're more alike than we are different. The people we are fighting against in any war are really not that different from ourselves. They want to be home with their families and live a peaceful, happy life, just like we do. It really is a lovely thought - what if the armies of both sides went on strike, would we find another way to settle our differences? Idealistic maybe, but something to think about.
Subscribe to:
Posts (Atom)