"Little Women: The Broadway Musical" at Artistry

After cancelling their originally scheduled opening weekend due to a positive COVID test in the vaccinated cast (statistically speaking, this was bound to happen somewhere amongst the many shows in production right now, even with a low breakthrough rate), Artistry finally opened their production of Little Women: The Broadway Musical. Louisa May Alcott's classic story of four very different but loving sisters has stood the test of time and many adaptations. While this is not my favorite adaptation of the story, it's still a heart-warming tale, and the talented cast and creative team make the most of the material.

"All is Calm" by Theater Latte Da at the Pantages Theatre

If you're looking for 70 minutes of calm, peace, and wonder in this crazy busy season at the end of this crazy busy year, look no further than Theater Latte Da's annual favorite, All is Calm. But look quickly because only a few shows remain this weekend at the Pantages Theatre. This is my fifth time seeing the show, and since I've written about it four times I don't really have any more words left to write. Except that this is a truly beautiful piece of music-theater. Created by Latte Da's Artistic Director Peter Rothstein based on extensive research, with gorgeous musical arrangement of traditional Christmas carols and military songs by Erick Lichte and Timothy C. Takach, All is Calm is a succinct and exquisite look at a moment of peace in the midst of war. An ensemble of a dozen men sing in breath-taking harmony and read (in a delicious smorgasbord of accents) the words of soldiers who experienced the Christmas Truce of 1914. With simple staging and costumes and no applause breaks to interrupt the storytelling, it's 70 minutes of beauty, sadness, and hope.

Read my thoughts on last year's show, which is virtually the same as this year's, here.
Read my thoughts on the previous version of All is Calm featuring Cantus here.

"The Dutchman / The Owl Answers" at Penumbra Theatre

In one of those strange theater-going coincidences, the night after I saw two one-act plays at the Guthrie, I attended opening night of Penumbra's presentation of two one-act plays. Both paired plays by different playwrights linked by a common theme. But unlike the theater comedies The Critic and The Real Inspector Hound, The Dutchman and The Owl Answers are dense and meaty dramas dealing with heavy issues. They might not make you laugh (except, occasionally, uncomfortably), but they will definitely make you think. Written in the '60s as part of the Black Arts Movement, these plays take an unforgiving look at the racism, sexism, and classism of the day, that still have implications in today's world. A stellar ensemble cast and top-notch production design tie the two very different plays together and highlight the playwrights' messages. Though they are not easy to watch and I can't say I understood everything that was going on, I certainly came away with much to chew on, and a greater understanding of our shared history. Which is pretty much a given at Penumbra Theatre.

"All Is Calm" by Theater Latte Da at the Pantages Theatre

This is my fourth time seeing and writing* about Theater Latte Da's annual holiday show All Is Calm, presented with Hennepin Theatre Trust at the Pantages Theatre. This true story about peace in the midst of war is so beautifully told by creator/director Peter Rothstein, using period music and authentic writing from the time, that I could easily see it every year. It is the 11th holiday show I've seen this year** and my favorite because it best represents the true spirit of the season - connection, community, forgiveness, peace. The show underwent a significant change in this, its eighth year. The marvelous vocal ensemble Cantus is no longer in the show. Instead, Peter has cast a dozen talented singer-actors. I wasn't sure how this show would work without Cantus because they were such an integral part of the experience. But I needn't have worried, because if anything, it's even better than it was before. The music (brilliantly arranged by Erick Lichte and Timothy C. Takach) sounds just as gorgeous, and the addition of a cast full of actors, now sharing the stirring words of soldiers amongst all of them rather than just a few, humanizes the stories even more. The result is a piece of music-theater that's just about as perfect as one could be - a story told simply, effectively, and beautifully in a way that perhaps comes close to the beauty of the real experience of the Christmas Truce of 1914.

"The 25th Annual Putnam County Spelling Bee" by Theater Latte Da at the Ordway McKnight Theatre

The 25th Annual Putnam County Spelling Bee, or in the case of Theater Latte Da's new production, The 25th Annual Seven County Metro Area Spelling Bee, is a delightful, hilarious, clever look at a middle school spelling bee and the characters that inhabit it.  (And if you think this show is an exaggeration, check out the marvelous documentary Spellbound - truth is stranger than fiction.)  I had seen the show twice before, once on tour and once on Broadway, so I already knew I loved it.  And as usual, Latte Da's production of it is practically perfect in every way.

One of the things I love about Latte Da is their impeccable casting, which is beautifully on display in this show.  With the exception of Tod Petersen (creator and star of the funny, sweet, and very Minnesotan A Christmas Carole Petersen), this is a cast of Latte Da newcomers.  And many of the actors who play the kids are kids themselves - college students or recent graduates.  Artistic Director Peter Rothstein is intentionally focusing on casting young actors this season (a season which ends with one of my favorite new musicals Spring Awakening).  And I think he may have discovered several stars of the future in this cast.

My favorite of the six Spelling Bee finalists is Leaf Coneybear, with an adorably spirited and loopy performance by Alan Bach.  Poor Leaf isn't your typical smart kid, he sort of ended up there by accident, and is having the time of his life.  Logainne Schwarzandgrubenierre (Mary Fox, one of my Yellow Tree faves, who fully commits to creating a quirky character) is the lisping daughter of two dads, always trying to please them.  Derek Prestly as last year's champion Chip Tolentino gets his (slightly embarrassing) glory moment after Chip is eliminated from the competition.  Marcy Park (Sheena Janson, aka the sultry seductive man-eating plant Audrey II, in a totally opposite role here) is the stereotypical Asian student who's good at everything, but learns it's more fun not to be perfect.  William Barfee (convincingly played by Joseph R. Pyfferoen) has nasal congestion issues and a magic foot, and unexpectedly develops a sweet friendship with a competitor.  As the other half of that relationship, the slightly neglected Olive Ostrovsy, Cat Brindisi proves she has inherited her parents' many talents (her dad is Michael Brindisi, Artistic Director of the Chanhassen Dinner Theatres, and her mom is actor Michelle Barber), but has a spark and a spirit all her own.  It's a pleasure to watch these six "kids" light up the stage with their talent.

The "adults" aren't too shabby either.  The hosts of the Bee are Vice Principal Panch (Tod Petersen) and former champion Rona Lisa Peretti (Kim Kivens).  Tod and Kim are both spot-on in their characterizations of the tightly wound VP and the woman who looks back on her Spelling Bee win as the highlight of her life.  Brian Frutiger plays convict-turned-counselor Mitch Mahoney, who hands the losers a juice box and escorts them off stage.  He has a great voice; he's a member of the Metropolitan Opera in NYC "slumming" it in musical theater here in Minnesota.  Whether stage veteran or relative newcomer, this show is perfectly cast.

This show involves some audience participation; three audience members are called up to join the competition, which allows for some hilarious ad libbing by our hosts.  It's great fun to watch the people on stage being led around by the cast, to see their reactions to the show going on around them, as well as the always in-character reactions of the actors playing with them.  I'm not quite sure how it works, but I assume you can put your name in the hat before the show, so look for that in the lobby if you want to take your chances at the Bee.  The 25th Annual Seven County Metro Area Spelling Bee is playing through the end of the month - catch it while you can.  I'm going again at the end of the month, and I'm looking forward to seeing how the show has grown as well as the differences that new audience members onstage bring.




Celebrity Sighting
Yellow Tree Theatre co-founders Jason Peterson and Jessica Lind were in the audience to support their friend and frequent collaborator Mary Fox, who is also responsible for the sound design in Yellow Tree's current show Steel Magnolias.