Showing posts with label Walter Tambor. Show all posts
Showing posts with label Walter Tambor. Show all posts

Saturday, September 6, 2025

"Anyone Can Whistle" by Minneapolis Musical Theatre at the Conn Theater

It's time to check another Stephen Sondheim musical off my list - the rarely done Anyone Can Whistle. For just six performances over two weekends, Minneapolis Musical Theatre (whose motto "rare musicals, well done" really applies here) is presenting a concert version of this musical that famously flopped when it premiered on Broadway in 1964. This is a smart way to do a lesser known and less successful work by one of the best composer/lyricists in musical theater history. For musicals that are hard to stage or challenging in other ways, a concert version still allows us to appreciate the music and get a gist of the story and characters, highlighting the good parts and jettisoning the bad. Anyone Can Whistle is a weird musical for sure, satirical and absurd in ways that work and ways that don't. But it's a lot of fun to watch in this concert version with a super talented (and mostly new-to-me) cast under the direction of Max Wojtanowicz, with a small but mighty on-stage band. If you're a Sondheim fan, don't miss your chance to see this rare and oddly charming show!

Sunday, April 9, 2023

"Ragtime" by Morris Park Players at Edison High School

It's rare that I get a chance to see community theater, with the plethora of theater in this town (e.g., 20+ shows are opening in the next three weeks). But I happened to have a free night, so I was thrilled to check out Ragtime by Morris Park Players, a Northeast Minneapolis community theater that's been around for 70 years. I became aware of this company last year when they did Falsettos, of which I'm still waiting for a professional #TCTheater production since the recent successful revival. I was super impressed by this risky choice, and their execution of the tricky work. Their current show is perhaps even more ambitious in scope and theme. Although Ragtime is a more familiar show than Falsettos (two local productions in the last 11 years), its huge cast, intricate score, and themes of racism, immigration, class, gender, and labor rights make it a challenging show. While performances are a bit uneven and there may be a few technical issues, as to be expected with community theater, I'm once again impressed by Morris Park Player's execution of this work, the level of talent in this community, and the heart and passion they put into the show. Ragtime continues through next weekend only.