Showing posts with label Marley Ritchie. Show all posts
Showing posts with label Marley Ritchie. Show all posts

Saturday, May 16, 2026

"A Chorus Line" at Park Square Theatre

As part of Park Square Theatre's 50th Anniversary season, they're bringing us the quintessential musical about musicals, A Chorus Line, which is also celebrating its 50th Anniversary. I had the privilege and the pleasure of attending a rehearsal with my fellow Twin Cities Theater Bloggers less than one week before opening night, where Park Square's Artistic Director (and director of this piece) Stephen DiMenna told us that he chose this show not just for the serendipity of 50 years, but also to fit in the "behind the scenes" theme of the season, and because he has a personal connection to the show. As he notes in the program, the original production was the first Broadway show he saw, and Robert LuPone (original cast member, and Patti's brother, who passed away a few years ago), was a friend and mentor; he dedicates this show to him. To help recreate this iconic piece of music-theater-dance history on the Park Square stage, he enlisted Eddie GutiĆ©rrez from the Michael Bennett Estate to serve as associate director and choreographer. What you will see in downtown St. Paul in 2026 is very similar to what audiences saw on Broadway in 1976, in terms of choreography, music, direction, and even lighting and costume design. That is not to say this is a cookie cutter reproduction; a lot of very talented (and mostly local) artists are bringing their own talents to the piece and making it sing in a way that makes this a unique production, or as one might say, a singular sensation. It's an outstanding show that is funny, moving, relatable (even to non-dancers), and danced with precision and heart (playing Wednesdays through Sundays until June 14).

Tuesday, January 27, 2026

"Kiss Me, Kate" at Artistry

After yet another difficult weekend in the Twin Cities (ICE OUT NOW!), it was a welcome stress release to see a good old-fashioned musical comedy, full of classic Cole Porter songs performed by a gorgeous 14-piece onstage orchestra and fabulous dancing by a talented 12-person ensemble. With their production of the rarely done 1949 best musical Kiss Me, Kate, Artistry continues their tradition of the last few years opening their season with a classic musical, staged in a way that puts the focus on the music and dancing, with minimal sets or costume changes. This was actually my first time seeing Kiss Me, Kate, and while it may be a bit dated (and its source material problematic), this show is delightfully escapist entertainment. Even, or especially, with all the darkness in our world right now, it's good to be in community with audience and artists, to laugh and be entertained together. See Kiss Me, Kate at the Bloomington Center for the Arts through February 15.

Saturday, October 11, 2025

"Lizzie: The Rock Musical" at Open Eye Theatre

A rock musical about the infamous Lizzie Borden, who was charged with and acquitted of killing her parents with an ax in 1892, why not?! It premiered in 2009, and Open Eye Theatre is finally bringing this super fun girl power rock musical to #TCTheater (Minneapolis Musical Theatre was planning to do it in 2020, but we know how that story goes). It's really more of a song cycle than a musical, it's almost entirely sung-through in 90 minutes or so (with an intermission, because these actors are singing their faces off and deserve a break). It feels more like a rock concert, like a visceral experience that you feel in your bones. If you sit in the front row (like I did because that's where you sit when you see a show with The Stages of MN) you'll experience fog, smoke, bright lights flashing and shining directly into your eyes, and blaring music (ear plugs available at the box office). The design, direction, and performances are just spot on for what this show should be - wild and feminist and bright and loud. But underneath all that the show deals with some serious issues of women's rights, incest, abuse, sisterhood, complex family dynamics, and love. Opening weekend is already entirely sold out, so don't wait to long too get your tickets to this show that is sure to become a phenomenon (continuing through November 8 - extended!).

Sunday, April 27, 2025

"Anything Goes" at Lakeshore Players Theatre

Get ready to set sail with the classic Cole Porter musical Anything Goes at Lakeshore Players Theatre. In only the second local production I've seen in the 15 years of Cherry and Spoon, director/choreographer Kyle Weiler (whose work was last seen at Lakeshore in the charming She Loves Me last season) leads the team in this fun escapist show full of clever and witty songs, madcap humor, and fabulous dancing. It'll leave you with a smile on your face and a melody stuck in your head. Anything Goes plays Fridays through Sundays until May 18 at the Hanifl Performing Arts Center in White Bear Lake (click here for info and tickets).

Tuesday, January 30, 2024

"Crazy for You" at Artistry

Artistry is opening their 2024 with a winner - the 1992 Broadway musical Crazy For You, featuring music by George and Ira Gershwin taken from several early 20th Century musicals, including Girl Crazy. With book by Ken Ludwig (known for his comedic adaptations of classic stories) and music by the Gershwins, you really can't go wrong. Despite being only about 30 years old, it has the feel of an old-fashioned (in a good way) American musical comedy. Director Ben Bakken has staged it as a sort of concert version, with an almost unheard of 20-piece orchestra conducted by recently retired longtime #TCTheater Music Director Anita Ruth, at center stage and the focus of the show. The cast is smaller than the band, with just 12 performers (the Broadway production had more than twice that) playing all of the roles and performing in the small space in front of the orchestra with little in the way of sets and costumes. But while some elements of production are stripped down, the music, singing, dancing, and performing are full out and fabulous! The Sunday matinee on opening weekend was almost sold out, and word is only going to spread about how great this show is, so you would be wise to get your tickets now for the final two weekends.

Saturday, September 9, 2023

"A Chorus Line" at Lyric Arts

A Chorus Line is the quintessential musical about musicals, telling the true stories of Broadway chorus dancers. It's one of only ten musicals to win the Pulitzer Prize, in addition to winning many Tonys and running for 15 years on Broadway (the 7th longest in history). But despite these credentials, it's not done very often regionally. Maybe because of the large cast (26), maybe because of the serious dancing required, maybe because of the unique structure of the show. But the #TCTheater community absolutely has the talent to support this show, as evidenced by the spectacular production that just opened at Lyric Arts, a little theater in the 'burbs that doesn't shy away from challenges (they consistently produce regional premieres, including two this season - 9 to 5 and Kinky Boots). This is a rare chance to see this iconic award-winning show live, and there's simply nothing like it. The music, the choreography, the characters are all brilliantly brought to life on Lyric's Main Street stage in Anoka, and if you're a fan of music-theater, get your tickets now to see this show before it closes on October 1 (or sells out).

Sunday, April 9, 2023

"Ragtime" by Morris Park Players at Edison High School

It's rare that I get a chance to see community theater, with the plethora of theater in this town (e.g., 20+ shows are opening in the next three weeks). But I happened to have a free night, so I was thrilled to check out Ragtime by Morris Park Players, a Northeast Minneapolis community theater that's been around for 70 years. I became aware of this company last year when they did Falsettos, of which I'm still waiting for a professional #TCTheater production since the recent successful revival. I was super impressed by this risky choice, and their execution of the tricky work. Their current show is perhaps even more ambitious in scope and theme. Although Ragtime is a more familiar show than Falsettos (two local productions in the last 11 years), its huge cast, intricate score, and themes of racism, immigration, class, gender, and labor rights make it a challenging show. While performances are a bit uneven and there may be a few technical issues, as to be expected with community theater, I'm once again impressed by Morris Park Player's execution of this work, the level of talent in this community, and the heart and passion they put into the show. Ragtime continues through next weekend only.

Wednesday, March 8, 2023

"Musical Mondays" at LUSH, March 2023

Great news, my musical theater loving friends: Musical Mondays is back at LUSH Lounge and Theater in Northeast Minneapolis! After a nearly three-year pandemic-induced hiatus, this fabulous monthly showcase of #TCTheater talent returned in December of 2022. I finally was able to attend this past Monday, the 83rd Musical Mondays since BFFs Max Wojtanowicz and Sheena Janson started it some ten years ago, and the 18th I've attended. It felt so great to be back in LUSH's spacious event space (remodeled a year or two prior to the pandemic) in a room full of music, love, and friendship. There's a real atmosphere of fun and camaraderie at these events, amongst the cast and the crowd (a great place to spot local "celebrities"). But of course, the focus is the music, and it's spectacular. Every casting director in town should attend these shows to find some new talent, especially the next one, on April 10, that will feature "fresh faces" (new to MM and/or to #TCTheater). And if you're just a music-theater lover like me, it's a great place to go hear some showtunes, both familiar and new, fantastically performed by our local talent.

Saturday, April 9, 2022

"Smokey Joe's Cafe" at Lyric Arts

If you follow #TCTheater, you've probably heard about the reaction to Lyric Arts' initial casting announcement for Smokey Joe's Cafe, which historically has a mostly Black cast, and the disappointment in the community about their lack of diversity. They took that feedback and did another round of casting, bringing in more performers of color (read the full story it here). I've long been a fan of Lyric Arts, and have also called out their lack of diversity (see here and here). I know it's something they've been working on for years, and I know it's a challenge, being a theater in the suburbs that can't afford to pay much. This production stands as an example of doing the outreach to cast a wider diversity of artists, facing limitations in that, taking feedback, and making changes to improve. The addition of more BIPOC cast members can only have made this show better, to the point where it has become a big, boisterous, multi-cultural community celebration of this beloved music, really paying tribute to the legacy of Leiber and Stoller, two Jewish men who often wrote for Black artists and helped introduce them to White audiences. It was a difficult road to get to opening night, but Smokey Joe's Cafe is a success as a fun and entertaining show, as well as an example of a theater doing the work to make their show more inclusive and representative. See it at Lyric Arts in Anoka weekends through May 8.

Tuesday, February 22, 2022

"Falsettos" by Morris Park Players at Edison High School

There's a ton of great community theater in the Twin Cities, but I don't get to see much of it because I'm kept more than busy attending shows by the plethora of professional #TCTheater companies. But when the only local theater to do Falsettos (in my recent memory) is a community theater, I'm there. The 1992 multiple Tony winner had a successful Broadway revival a few years ago, and I fell in love with this messy and real love story when I saw the filmed version in a movie theater, and the subsequent tour. I just happened to see that Morris Park Players, a Northeast Minneapolis-based company that has been around for 70 years, was doing Falsettos, and I was lucky enough to catch their final performance. This is not an easy musical, think Sondheim-level complicated lyrics and rhythms, and I was super impressed with MPP first for choosing it, and secondly for the way they handled the material with energy, skill, and heart. It looks like they do one or two shows a year, so I'll be watching for their next choice. You can too (follow them on Facebook here), or better yet, find out what community theater is performing in your neighborhood and give them your support!