Showing posts with label Grace Pettis. Show all posts
Showing posts with label Grace Pettis. Show all posts

Tuesday, September 2, 2014

Storyhill Fest 2014

"Your fans are like a cult." So said Grace Pettis, one of the artists at this year's Storyhill Fest in Deerwood, MN. It's not entirely untrue; fans of the folk duo Storyhill are crazy loyal and supportive. Many of their fans have been following Chris and Johnny for over 20 years since their days at St. Olaf College. Even though I'm a relatively new fan, only jumping on the bandwagon upon hearing their eponymous Red House record seven years ago on the dear departed MPR Morning Show* (specifically, it was the song "Give Up the Ghost" that turned me into an instant fan), I completely get it. There's something about the songs that they write and the harmonies that they create together that's positively addicting. If there is a Storyhill cult, it's the only one I ever want to belong to. We can all live together in a beautiful location in the wooded lakes area of Minnesota, communing with nature and each other, eating good food and drinking good beer, making and listening to music. We'll worship the lake, the stars, and the music. But until the cult is officially formed, there is Storyhill Fest, where you can experience all of the above and so much more. Now in the sixth year of its Minnesota incarnation, five of which I've attended,** Storyhill Fest is two full days of music from over a dozen incredible artists from the local and national folk music scene. My iTunes library is filled with music I first encountered at Storyhill Fest, and my life is richer for it.

Held at Clearwater Forest Camp just outside of Brainerd on one of the hundreds of beautiful lakes in the area, there is more to do than just the music, including camping, hiking, kayaking, swimming, and yoga. Accommodations range from campsites to cabins to rooms at nearby Ruttger's Lodge. Interactive songwriting and guitar playing workshops allow budding musicians to learn from the artists. The festival attracts families who come year after year, and the kids all seem to find each other, forming roving gangs of teenage boys and little girls. It's the perfect late summer Minnesota backdrop against which the music plays out. My favorite activity is the nightly campfire. Artists and fans gather around a roaring fire to share stories and music, just like people have been doing for thousands of years. Sitting next to the lake under a starry sky, listening to all this incredible music by these talented artists, interspersed with the call of the loons and the pop of the fire, is truly one of the most magical things I've ever experienced.

Read about this year's artists below, and click on their names to be taken to their websites where you can find more info about how to purchase their music and see them perform live.

The May North's George and Stephanie
The May North
Storyhill Fest began with a short evening of music on Friday (which I did not attend for various lame reasons). Past Fest faves, the utterly joyful ellis (who sadly I did not see at all) and Connor Garvey (who happily stuck around for the entire festival and sang at the campfires) gave a concert, followed by a dance with music provided by the country-style band The May North. Lucky for me, a last-minute scheduling change put them up on the festival stage as the first artists of the first full day of music. Husband and wife duo George and Stephanie (on guitar and fiddle) performed without the rest of the band, and it was quite enjoyable and a great beginning to the fest. George sang lead on most of the songs in his deep, gritty voice, with shades of Eddie Vedder (how does a folky like me know about Eddie Vedder, you ask? his heartbreakingly beautiful soundtrack to one of my favorite movies, Into the Wild, of course, but I guess he was in some band too). Stephanie occasionally added some lovely harmonies to their originals like "Whiskey in the Rain" and traditional songs like "Sitting on Top of the World."

Sarah Sample and Edie Carey lull the crowd
Edie Carey & Sarah Sample
These two songstresses got together to make a lullaby album, but as they say, it's not just for kids, it's for "anyone who needs to be lulled." And in this crazy, busy, over-stimulated world, who doesn't? Performing songs from this album, they were like folk sirens in pretty black dresses. Each one of them possesses a gorgeous voice - Sarah (who performed at Storyhill Fest 2012) with a breathy voice reminiscent of Jewel, Edie with a warm luscious tone - and together they create harmonies that are just enchanting.

Moors and McCumber with just
a few of the instruments they play
Moors and McCumber
These guys are super cool and one of my favorites of the festival. Playing no less than seven instruments between them (guitar, fiddle, mandolin, keyboard, harmonica, ukulele, and Irish bouzouki, a mere subset of all that they have in their repertoire), their music is an intriguing mix of styles, "a little blues, some bluegrass, a little smokey hills, and a skosh of Celtic." Which just happens to be a few of my favorite things. With their friendly and comfortable banter, beautiful harmonies, and incredible musicianship, James and Kort provided one of the highlights of the fest. After the fest they left immediately for Ireland to lead one of Johnsmith's Inishfree Music Tours - nine days hiking the Irish countryside and listening to music. I would love to join them some day; it's been ten years since my own musical tour of Ireland and I've been itching to go back.

The Barn Birds, aka
Chris Kokesh and Jonathan Byrd
The Barn Birds
It's an all-duo day at Storyhill Fest, and here's another one with two individually fantastic artists who come together to create something greater than the sum of its parts. Comprised of Jonathan Byrd and Chris Kokesh, The Barn Birds play guitar and fiddle, respectively, and sing in old-timey harmony. Chris is a lovely singer and fiddler, and there's no one like J Byrd. He's a true modern day cowboy poet, with lyrics that are profound in their simplicity, wearing his signature orange pants, cowboy boots, and cowboy hat, that only he can pull off. His campfire song/speech/science lesson about how the world is made up of molecules vibrating at different frequencies, a subset of which create music, and that when you sing you harness the greatest power in the universe, was truly profound and the most meaningful sermon I've heard in quite some time. Follow him on Facebook for more of his entertaining and well-written stories.

John and Molly of Communist Daughter
Communist Daughter
Day two of Storyhill Fest began with another duo. John and Molly left "the four hairy sweaty guys" that make up the rest of this Minneapolis band at home. These two are yin and yang, tall and short, he loves to talk while she refuses to talk on mic, he has a gritty grounded sound and she's more ethereal. Somehow it works and they create something beautiful together. John studied songwriting with Storyhill's John Hermanson, and has a few TV credits to show for it.

Aaron Howard
Aaron Howard
These next two solo artists are new young singer/songwriters produced by Storyhill's Chris Cunningham, and seem to have a sweet bromance between them. They're very different in personality, style, and sound, but both have something to say that's worth listening to. Aaron's songs are raw, honest, real, delivered with passion and charm. He sang several songs from his forthcoming coming of age album as well as previous albums, and closed his set with "Hallelujah." It's a song that everybody sings, but somehow Aaron managed to make it his own, and brought the house down as they clamored for more.

Wes Kirkpatrick
Wes Kirkpatrick
I first heard both Aaron and Wes at the campfire the night before, which is a fun way to experience a new artist. When asked to play a song at the campfire, Wes joked that he could do "sad or sadder." His songs are personal, heartfelt, and earnest, with a tinge of melancholy and wistfulness. But I love a sad song, and his are beautifully sad, sung in a smooth and soulful voice. And his self-described "rambling and awkward" stage banter is actually quite charming. Wes' buddy Aaron backed him up for a song or two, so they weren't completely left out of the duo theme of the fest.

Grace and Pierce Pettis
keeping it in the family
Pierce & Grace Pettis
Like the final season of Mad Men, the Pettis family hour was split into two, perhaps not intentionally to spread out the goodness, but that was the effect. Not only has Pierce had a long career as a folk singer/songwriter, but he's also raised a passel of folky children, including daughter Grace (who also appeared at Storyhill Fest 2011). Their father/daughter harmonies, cultivated over a lifetime, are perfection, and they have a fun and easy chemistry. They traded off singing their own songs, each other's, or covers. After a sudden rainstorm moved the show indoors (kudos to the sound crew and volunteers for making the transition as smooth as possible), they continued the set, culminating in an absolutely fantastic rockin' rendition of Bob Dylan's "Crash on the Levee."

Lucy Kaplanski entertains the crowd
that is "soggy and packed in like sardines"
Lucy Kaplanski
Even though the sun broke through the clouds to set spectacularly across the lake, we stayed indoors as the weather watchers kept their eyes on another possible storm cell. One of Storyhill's labelmates, Lucy released her first album with local label Redhouse Records 20 years ago. She writes personal, touching, relatable songs, informed by her hometown (New York City, aka the greatest city in the world), her family, and a doctorate in Psychology. She has a natural and comfortable onstage presence, and sings with a rich, warm, earthy voice. Several of her songs brought a lump to my throat, including the title song of her most recent album Reunion, about the importance of families and generations past.

Storyhill
The name of this festival is Storyhill Fest, so obviously we all came to hear the one-of-a-kind music created by Chris Cunningham and John Hermanson, which we did at the end of each night. They each do great things independently - Chris produces many great artists, including some of the above, at his recording studio in Montana, Johnny is a member of I don't know how many other bands - but when they come together, they create magic. It's really difficult to describe just how much their music means to me; perhaps only my fellow cult members*** can truly comprehend it. Their lyrics are laden with nature images so clear that listening to their songs, I can close my eyes and see the mountains and smell the clean fresh air. And the harmonies they create are out of this world. But don't take my word for it, take Garrison Keillor's, who referred to them as "setting a new high standard for male duet harmony." Watching them perform together is such a joy. They have the kind of camaraderie and comfortable rapport that only comes with knowing each other and making music together for almost thirty years. It sometimes feels like witnessing a therapy session as they reminisce (and disagree) about memories long past. It's truly remarkable that they are still performing songs they wrote when they were teenagers or college students, alongside new songs written for their upcoming album, and they're all still such great songs, no matter how many times you've heard them.

one of the benefits of staying in the VIP lodge is a private intimate
informal concert with Chris and Johnny, in which they sing pretty
much any song they're asked to, if they can remember it
The second night's concert began outdoors but was moved back indoors when the rain came back (after Chris and Johnny took the opportunity to sing "Good Rain" unplugged). The set-up from the previous concert was already taken down, so volunteers and fans quickly set up rows of chairs, and Chris and Johnny sang with no sound system. I always say that my favorite musical sound is the unamplified human voice, whether at concerts or in musical theater, so the sudden rain turned into a blessing, as we got to hear about a dozen songs with nothing between the music and our ears but vibrations. The night turned into a singalong; turns out the camp cafeteria is a great space in which to sing "Love Will Find You" with a few hundred of your closest friends.

All of the artists that perform at Storyhill Fest are so talented, and follow the example set by Storyhill - hardworking, dedicated, friendly, approachable, and willing to share themselves through their music. They really seem to love being there and playing music together. Even if I can't quite put it into words, Storyhill's music touches me and gives me comfort or inspiration or whatever I need. And that's my ultimate judge of any art, whether music or theater.

With rising costs and a desire to keep the festival affordable and intimate for fans, while still compensating the artists for their time and talents, the future of Storyhill Fest is uncertain this year, as it often is. Everyone involved wants to continue the tradition, and I trust that they will find a way to do so, even if that tradition morphs and changes over time. I don't know if I'll ever again experience an informal concert in the light and airy lounge of the Leaning Tree Lodge, or sit by that lake under the stars with my favorite musicians singing into the crisp fall air just a few feet away from me. But here's what I do know (which I learned from my favorite Fringe Festival show this year, Failure: A Love Story): "just because something ends doesn't mean it wasn't successful." And I can say without a doubt that whatever happens in the future, Storyhill Fest is successful, in every way that counts.

Steady on.


*The spirit of the MPR Morning Show still lives on in Radio Heartland, available for 24-hour online or HD2 radio listening. They play many of the above artists.
**You can read about my experiences at past Storyhill Fests by clicking on the following dates: 2010201120122013.
***If any of you other Storyhill cult members would like to see their set list for both evening concerts and the private VIP concert, click here. Since I've only been a cult member for seven years, there were a few songs I wasn't sure about or couldn't identify, so please feel free to correct me.


A few more photos from the festival:

a welcome sight after a two-hour drive
sirens Sarah and Edie against the backdrop of Eagle Lodge
evening descends upon The Barn Birds
Communist Daughter under the blue sky
the sun breaks through and shines on Aaron
buddies Aaron and Wes
don't you wish your family was as talented as the Pettis family?
the Storyhill Band is back together
what we've been waiting all day for - Storyhill's evening show
the rain created a wonderful opportunity for a
singalong with Chris and Johnny
oh the magic that can be created with guitars and campfires

Monday, September 5, 2011

Storyhill Fest 2011

I'm going to diverge from the theater world for a bit to tell you all about my favorite music event of the year: Storyhill Fest.  This was my second year attending this lovely little gem of a folk music festival in the beautiful wooded lake country of Minnesota.  I enjoyed the fest so much last year that there was no question I'd be back.  It's a wonderful respite from the world and a nice transition from summer to fall.  To borrow the tagline from Woodstock, it's two days of peace and music. Top musicians from the folk community in Minnesota, Austin, and around the country gathered to share their music with each other and the audience, both from the stage and around the campfire.  Nine singer/songwriters joined the main event, local duo Storyhill.  The fest is small and intimate with a community feel, and the musicians seem to be having just as much fun as the attendees.  All of these artists write their own songs, and each has a unique sound and style.  Some of them are old friends, some just met, but they play and sing together beautifully.  It's really a wonderful variety of music that I will be having fun listening to in the coming weeks and months.

Click on each artist's name to be taken to their website, where you will find information about how to buy their music, when and where to see them perform live, and more fun stuff.

John Elliot
Most of the artists in this year's line-up were new to me.  That's true of the first artist to perform on day one - John Elliot.  John grew up in Minnesota and now lives in L.A.  Several of his songs are about that idea - going home, missing home, remembering where you came from.  Some of his songs are funny and crazy, with lyrics like "my mom is a dog" and "I left my grandpa for dead," and some are poignant and will make your heart ache a little.  Some are both.  In one song he named several members of the '87 and '91 World Champion Twins, a surefire way to win my heart (Frankie V!).  He's very charming and entertaining, and sometimes his songs turn a little angry too.  I walked away with a $5 download card for his new CD plus lots of extras - a great deal!

Andrew Pressman and Raina Rose
The next artist to perform was Raina Rose, accompanied by her fiance Andrew Pressman on upright bass (he also accompanied many of the other artists for all or part of their sets).  Raina has a sweet voice reminiscent of folk singers from the 60s.  I particularly like her Jewish/Unitarian/gospel song "Let Me Down Easy."  Raina and Drew's next production is the baby they're having soon.  :)


Anthony da Costa
John and Raina regularly perform together along with Anthony da Costa.  They did a set together on day two under the name "Elliot Rose da Costa" (aka "Beggars and Mules"), in which they took turns singing one of their songs while the other two backed them up.  But back to Anthony.  He's surprisingly young for someone so talented and so comfortable on stage, and who's already released five solo albums.  He's a college kid (he's currently attending Columbia University in NYC), but his sound is much more mature than his age.  He writes great songs and has more of a country or country-rock sound.  He also played the electric guitar behind many of the other artists, which I didn't think was allowed at a folk music festival, ;) but somehow it worked!  I just downloaded one of his CDs and I'm listening to it thinking, this guy is 20 years old?  Unbelievable.  I'll be keeping my eye on this one.

Ellis
I first heard Ellis on the dear departed MPR Morning Show a few years ago (which, incidentally, is where I first heard Storyhill, so thanks Dale and Jim Ed!).  I was captivated by her sound so I bought a few of her CDs, but I'd never seen her perform live.  It's a whole different experience.  She performs with such joy, it's infectious.  She talked about making an effort to cultivate wonder and possibility in her life, and that's evident in her music.  She sings a lot about being present and slowing down and enjoying your life as it is right now.  And she has a laugh that can't help but make you smile, which is the effect that her music has on me too.


Peter Mayer
The penultimate performance of day one was Peter Mayer.  I've been a fan of his for many years and seen him in concert several times, and even talked about him here.  So I was excited when I found out that he'd be joining the fest this year.  He was his usual storytelling, obsessively tuning self.  Which is to say, wonderful.  There's no pretense with Peter; he's real and present.  He sang my favorite song, "Holy Now," along with several other selections both silly and profound.  I was disappointed that he didn't make it out to the campfire; his songs are so perfect for a campfire.  I was hoping to hear one of his classics like "Yukon Sally" or "Camping Round the Sun" in the campfire setting, or maybe "Bountiful" with everyone joining in for the hu-nana chorus.  Maybe next year.

Day one ended with a nice long set by Storyhill, followed by an even longer time of sitting by the campfire listening to the day's artists trade songs and stories.  But more on that later.  On to day two.  (By the way, there's lots to do at the camp when the music stops - hiking, swimming, kayaking, all the usual Minnesota fun.)

Carrie Elkin
Carrie Elkin is the one (scheduled) repeat performer from last year's fest, and I couldn't have been happier about that.  She is perhaps my favorite find from last year.  She has a powerful, clear, gorgeous voice.  She's this tiny little thing, and she opens her mouth and just blows me away.  She had Andrew, Anthony, and Raina on stage with her for most of the set, but ended it with a solo, a cappella, unplugged performance of "Amazing Grace" that was just stunning.  In addition to her considerable musical talent, she also was an entertaining emcee on day one.  And she wears super cute dresses.  She'll be performing at the Landmark Center in St. Paul on Sept. 16 with her lover (as she likes to say) Danny Schmidt.  Danny's an amazing songwriter, a poet really, and Carrie has a voice like no other.  If you're free that night and in the area, you really should check them out.

Andrew Pressman, Anthony da Costa, A.J. Roach, Raina Rose
I first heard A.J. Roach sing at the campfire at the end of day one, but didn't get the full experience until day two.  He has this crazy weird brilliant voice that I can't even begin to describe.  Our day two emcee, J Matt, said it best - mesmerizing.  Something about it just draws me in.  His songs are kind of dark and twisty; at one point he asked the audience, "is this too weird for you?"  It's just the right amount of weird for me.  I listened to his most recent release, Pleistocene, on the drive home, which features a haunting song I first heard at the campfire, "The Poet."

Tom Murphy and Connor Garvey
Next we had a "surprise treat."  Connor Garvey, who was at last year's fest, wasn't on the line-up for this year but just couldn't stay away.  He stopped by after a gig in Duluth the night before and sang a few songs from his just released album Where Ocean Meets Land.  He's another one whose music just makes me happy when I listen to it.  Anthony demanded that Connor sing "Soul on the Line" at the campfire, which turned into a sing-along.  He almost lost control of the song when everyone wanted to keep singing the chorus even when it was time for the bridge!  He's coming back to Minnesota this fall and will be performing on October 22 at the Ginkgo Coffeehouse in St. Paul.

Anthony da Costa and Grace Pettis
Grace Pettis has a lovely voice, and writes really thoughtful, beautiful songs.  She's another young one, and she sounds youthful and hopeful, but also plaintive at times, as in the song "Haley's Comet," which she wrote about her parents' divorce.  She's from Alabama, but like a lot of people in this group, has spent some time in Texas.  She wrote a beautiful song called Abilene inspired by the name of the town.  Grace has won a few up-and-comer songwriting awards, so she's one to watch as well.

Ray Bonneville shares a label with Carrie Elkin and Storyhill - Red House Records, based in St. Paul.  They recently released their second tribute album to another Minnesota folk singer, Bob Dylan.  Ray and Storyhill are both featured on A Nod to Bob 2, and it's fabulous.  I think it's safe to say that Ray is the veteran of this group, and it shows.  He has a rootsy, bluesy sound and was switching back and forth between multiple different guitars and harmonicas.  He sings his story-songs as if he's lived them.

Chris Cunningham and John Hermanson, aka Storyhill
I could listen to Storyhill all day every day and never tire of it.  I don't know why that is.  Maybe it's their gorgeous harmonies (as Garrison Keillor said, they're "setting a new high standard for male duet harmony").  Maybe it's the songs they write that capture a specific place or feeling.  Maybe it's the camaraderie that Chris and Johnny share from singing together since they were kids.  But whatever it is, they have won over a legion of loyal fans, of which I am only one.  They played for about 90 minutes or so at the end of each day, singing old favorites (even a few I'd never heard, being a relatively recent convert) as well as selections from their newest CD Shade of Trees.  On the second night Johnny gave the audience permission to sing along, which was all I needed to join in (especially after a few beers from an excellent local brewery).  Too many favorite songs to mention, but "Steady On," their anthem (as Chris put it), is always thrilling to hear.  And a little bit sad, because it always signals the end of the concert.  But in this case, the end wasn't the end.  The music continued at the campfire.

There's something about campfires.  You can just stare at the fire and get lost in it.  I find that there's also something wonderful about the unamplified human voice.  It's always my favorite moment of any concert if the artist puts the mic down to sing a song.  So when you combine a campfire and the human voice, magic happens.  The musicians gather around the large campfire, with festival attendees behind them (although the divide is blurred at this festival in general and at the campfire in particular).  They take turns singing, usually something they've written but occasionally covers.  Passing guitars and capos (a word I learned last year) around the circle, backing each other up on guitar, mandolin (Tom Murphy was another unscheduled attendee and can play along with anything), harmonica, or vocals.  The night sky overhead was littered with stars that you never see in the city, and the call of the loons on the nearby lake mingled with the music.  Magical.  There's no better word to describe it.

I'll leave you with "The Storyhill Band" singing a Storyhill song, "Sacramento."  Chris and Johnny are joined by Andrew on bass, Anthony on electric guitar, and the sirens Raina and Carrie on vocals.  To see even more videos from Storyhill Fest, including a clip from the campfire, visit the Cherry and Spoon youtube channel.  And if you don't have any plans for next Labor Day, consider attending Storyhill Fest 2012.  It's not 100% for certain yet, but my fingers are crossed that they'll be back.  And so will I.  Steady on.