"The Birds" by TheatreX at the Hive Collaborative

Irish playwright Conor McPherson's play The Birds could be a series in The Walking Dead Universe, but with birds instead of zombies. Like the ever-expanding TV world, the real trouble comes from the humans, not the dangerous creatures that have launched humans into a post-apocalyptic world. The play is based on the same short story that the 1963 Hitchcock movie is, but from my understanding (never having seen the movie), the characters and plotline are different. This story is an intimate, almost claustrophobic, one, focusing on just four characters and how they react to this new world order. This is the first production I've seen by new-ish #TCTheater company TheatreX, which launched in 2018 with an adaptation of the novel The Haunting of Hill House, staged in St. Paul's own Hill House, which I somehow missed. I'm happy to have finally caught one of their productions, the slow build tension filled examination of the human psyche that is The Birds. See it at The Hive Collaborative through April 27.

Minnesota Fringe Festival 2022: "Black Wall Street: Dreamland Theatre"

Day: 6

Show: 20

Title: Black Wall Street: Dreamland Theatre

Category: DRAMA / PHYSICAL THEATER / AUDIENCE PARTICIPATION / HISTORICAL CONTENT

By: Doc Woods & Friends

Created by: Doc Woods & Friends

Location: Augsburg Studio

Summary: A reenactment of what happened inside the Dreamland Theatre during the 1921 Tulsa Race Massacre.

Highlights: Like most White Americans, I only heard about this gross injustice in recent years (specifically through the HBO series Watchmen). This show doesn't try to tell you what happened on that tragic day, rather it makes you feel what happened. From the moment the show starts, the audience is immersed in the thriving Black community, gathered for a night out at the movies with friends and family. We see people entering and greeting each other, and then settling in beside us to watch the previews (cast includes Charla Marie Bailey, Dante Pirtle, Quintin Brown, Camrin King, B.E. Kerian, Kari Elizabeth Godfrey, Mike Galvan, and Emmanuel L. Woods). Clips from historical Black films from the early 20th Century (another thing I didn't know about) are played on the big screen, while the cast reacts to them and chats with each other. Even though I knew what was coming, I almost forgot about it as I enjoyed the show. Which made the eventual interruption with news of a probable lynching and ensuing violence even more shocking. The sounds of the massacre overwhelm the space, as a video reenactment of the events happening just outside the theater where we were virtually sitting plays on the screen. The visceral experience gets into your heart and gut in a way that a documentary or narrative drama could not. This show gives the audience a tiny glimpse into what the victims of that night felt, which can only spur one on to learn more about what happened, and do what we can to prevent racial violence and make reparations to its many victims all over this country.

Read all of my Fringe mini-reviews here.

"And Then There Were None" at Theater in the Round

And Then There Were None is the best-selling novel by one of the world's most popular mystery writers, Agatha Christie. If one can overlook the horribly offensive original title and the song from which it came (which, to be honest, I'm not sure one can), it's a suspenseful and gripping tale of the most deadly game of Survivor. Christie herself adapted the story into a stage play, even changing the ending. I'd never seen or read it, and I love a good mystery play, so I found Theatre in the Round's production to be an entertaining and surprising afternoon at the theater.