"Musical Mondays" at Hell's Kitchen, October 2015

Last night was "Gentleman's Night" at Musical Mondays at Hell's Kitchen. Which means that this installment of the almost 3-year old monthly cabaret series featured five fabulous men. Hosted by real-life and onstage BFFs Sheena Janson and Max Wojtanowicz (see their original autobiographical musical Fruit Fly for more on their relationship), Musical Mondays is a great way to support local talent, mingle with the theater crowd, and enjoy some amazing performances of musical theater songs beloved and new.

In addition to the music, Hell's Kitchen (located on 9th Street in downtown Minneapolis) offers a nice beer selection and some tasty appetizers and meals to enjoy while you watch. The event is free, with a $5 suggested donation that goes to the performers. In exchange you're entered into a raffle to win tickets to current shows, which this month included:

• THE SPITFIRE GRILL at Lyric Arts
• PHANTOM at Artistry
• THE ROCKY HORROR SHOW at Chameleon Theatre Circle
• GLENSHEEN at History Theatre
• MURDER BALLAD at Minneapolis Musical Theatre

As a special treat this month, the Twin Cities Public Television series MN Original was there filming for an upcoming feature. If you've never seen MN Original, I highly recommend you check it out to see the amazing work of Minnesota artists, not just theater artists but all art forms, some you didn't even know existed (all episodes available online).

The cast was accompanied by the master Jerry Rubino on keyboard, Bill Crean on bass, and Bob Beahen on drums. The full set list from last night's show is available on the Musical Mondays Facebook page, but here are a few of my favorites:

• Tre Searles beautifully sang "Can't Help Lovin' That Man" from Show Boat, and an inspiring anthem called "Belief" with which I was unfamiliar.
• Sherwin Resurreccion was a charming "Mr. Cellophane" (from Chicago), and led the cast in the always fun "Sit Down You're Rockin' the Boat" from Guys and Dolls, which I still remember him singing at a Mu Gala years ago.
• Kevin Leines sang a lovely rendition of "Try to Remember" from The Fantasticks (and he looks a little like Jerry Orbach too!).
• Andrew was adorable singing the title song from She Loves Me, and also sang a song from Jonathan Larson's Tick Tick Boom.
• Matt Goinz was the one member of the cast unfamiliar to me, but if his favorite musical theater song is "Being Alive" from Company, and he can sing it this dreamily, he's OK in my book.
• The guys combined for a couple of duets, including Kevin and Matt's beautiful "Lily's Eyes" from The Secret Garden, and Andrew and Tre on "Just True" from Yank.
• In addition to giving us chills with "Finishing the Hat" from Sunday in the Park with George, Max also made us laugh while serenading his newly married co-host Sheena with a song he'd written to the tune of "Somewhere That's Green" (possible new chapter of Fruit Fly?).
• The cast of MMT's Murder Ballad sang a number from the show, which made me wish I could see it! Unfortunately with just three Friday night performances, my schedule would not allow it. But you should go see the last performance this Friday at Bryant Lake Bowl!

Before closing the show, the guys told us where we could see them next. Tre will be in Sister Act at the Chanhassen, opening next month; Andrew will be singing in Second Fiddle's one night only staged reading of The Most Happy Fella next Monday; Matt performs with the excellent vocal ensemble Cantus; Sherwin will be serving delicious food on his food truck; and someone needs to hire Kevin so we can see more of him!

That's it for this month. The next Musical Mondays will be an anniversary celebration on November 2, and it sounds like a fantastic line-up! (Unfortunately I won't be able to make it because I'll be in NYC, recovering from having run 26.2 miles, and seeing as many shows as I can!) Stay tuned to the Musical Mondays Facebook page for information on upcoming shows, as well as when you can see the MN Original feature.

"Horizon" by Theater Latte Da at the Lab Theater

The final installment in what has been a wonderful new works series presented by Theater Latte Da is a musical re-imagining of the Eugene O'Neill play Beyond the Horizon. It was his first play to be produced on Broadway and the first to win a Pulitzer Prize, but is little seen today (I was previously unfamiliar with it). New York City based musical theater writers Chip Klose (book) and Michael Holland (music and lyrics) are re-telling this story through music, in a brand new piece receiving its first workshop and public performances this weekend with Theater Latte Da. Like all of the NEXT works, it has great potential and is beautifully presented by our local talent, with direction by Peter Rothstein.

In this version of O'Neill's story, brothers Travis and Robbie are in love with the same girl. Book-smart Robbie is about to go to college on a scholarship when he finds out that Amy is pregnant. He decides to stay, and Travis, Amy's old love, joins the marines as a means to leave town and family behind. Robbie and Amy live with his parents and struggle to make a life, as everyone feels Travis' absence. Although plot points have been changed, this is still an O'Neill story and therefore not a happy one, but one with great emotion and complicated family dynamics, the perfect fodder for music-theater.

I loved the music in this piece, and would probably love it even more in its intended orchestration - a few guitars and a fiddle. The creators describe the style as "incorporating pop, rock, folk, and country elements with echoes of Appalachia," but it's hard to achieve that with just a piano (even when the pianist is Denise Prosek). But even so, it's a great score with intricate harmonies, giving each character their moment to shine. And you couldn't ask for a better cast than this one - Eric Morris and Jared Oxborough as the brothers (the former stepping into the role just the day before the first performance!), Cat Brindisi as Amy, and Kevin Leines and Betti Battocletti as the boys' parents. I'm always amazed at how full these NEXT performances are despite the fact that the actors have only had a week or two with the material and have the script in front of them.

If you're free this weekend and interested in witnessing the future of music-theater, head to the Lab Theater for one of the two final performances of Horizon. This has been another great year for NEXT: New Musicals in the Making. From The End of September, a very Minnesotan story with a wonderfully complex score, to the hilarious improvised musical Some Assembly Required (aka Used Pontoon), to Horizon, a re-imagining of a classic American play, I've really enjoyed witnessing these unpolished gems and hope to see all of them again in the future.

"Evita" by Theater Latte Da at the Ordway McKnight Theater

As is quite obvious from reading this blog, I attend a lot of theater. Most of it is by myself, but once a year I get a group of friends together for something we like to call "Girls' Night Out at the Theater." For some of my friends, this is their once a year trip to the theater, so I take my responsibility seriously and try to choose a good show, preferably by a local theater. This is the second year in a row I've chosen a Theater Latte Da production. Last year we saw The Full Monty, which was was a huge success. Everyone loved it (which might have had something to do with the naked men ;), and it was one of my favorites of last year. So I was confident in choosing Latte Da's Evita this year, knowing they'd do a great job again, and I wasn't wrong!

As everyone probably knows, Evita is an Andrew Lloyd Webber musical about Eva Peron, the Princess Diana of Argentina. It chronicles her rise from a poor family in a small town, to actress in Buenes Aires, to wife of the president and "spiritual leader of the nation." I've never seen the stage show but I have seen the movie and have the soundtrack, so I was very familiar with the music (unlike the previous night's show, Rock of Ages). But what I had forgotten is that there's very little spoken dialogue; it's pretty much two and a half hours of singing.

This was a pretty large production for Latte Da; they usually do more intimate shows with smaller casts. It was beautifully directed by Artistic Director Peter Rothstein. There was a lot going on - costume changes, set changes, people constantly moving in and out. All done to music, and all accomplished very smoothly. The four-person band led by Musical Director Denise Prosek was off-stage, but sounded beautiful. The choreography was amazing and made me want to take tango lessons!

Like all Latte Da shows I've seen, this show was perfectly cast. I don't know how they do it, but they seem to always find the perfect actor in the Twin Cities (or elsewhere) to play each role. The strong ensemble includes Erin Capello and Kahlil Queen, whom I saw in Latte Da's concert at Lake Harriet this summer. The title role is played by Zoe Pappas who has worked frequently with Latte Da, the Chanhassen, the Ordway, and other local theaters. She has an amazing voice (which is good because she pretty much sings for two and a half hours straight), and also beautifully embodies Eva's passion, drive, and ultimate physical collapse. Kevin Leines is a suave, elegant Juan Peron (and the only man in the cast who's taller than Zoe!). The character of Che, who functions as a narrator, is played by Jared Oxborough. I first saw Jared in Footloose at the Chanhassen earlier this year (in which he co-starred with Zoe), and was immediately struck by his voice and presence, and wanted to see more of him. I also saw him perform a song from Urinetown (a smart, funny musical that's at the top of my wish list for Theater Latte Da) at a cabaret performance called Where's My Tony? Che is a perfect role for him; he really carries the show and drives the narrative. Eva and Che are the main characters and are both onstage for most of the night, but they rarely interact. Che is mostly observing and commenting to the audience, rather than taking part in the action. But they do have one waltz together, which really illustrates their opposing viewpoints in the way they dance and sing together. Was Evita a selfless hero to her people? Or a ruthless politician? My guess is a little of both.

Evita is the first production in Latte Da's four-show season. Their annual Christmas concert with vocal ensemble Cantus, All is Calm, will be followed by a new play with music, Song of Extinction, at the Guthrie Studio early next year. Their final show is Steerage Song at the Fitzgerald Theater next summer, a collaboration with my favorite pianist Dan Choinard (OK I don't know many pianists, but he's very talented and entertaining!). If you're looking for a fun night at the theater with great music and great performances, you really can't go wrong with any of these shows.