Broadway Tour of "SIX" at the Ordway Center for the Performing Arts

It's only been three years since the six Queens of the smash hit musical SIX have been seen on the Ordway stage, but what a three years it's been! Shortly after the show's month-long run at the Ordway in December of 2019, as part of a US tour, it went to Broadway. Previews began in February of 2020, but before opening night, a global pandemic shuttered Broadway's doors for a very long and unprecedented 18 months. But these Queens are resilient; the show finally opened in October of 2021, just four years after it debuted at the Edinburgh Fringe Festival, an unlikely trajectory for a Broadway musical. Nominated for eight Tony Awards and winning two (score and costume design), SIX is still playing on Broadway (and hopefully will for a long time). This year they launched a new tour, which opened at the Ordway this week and continues through November 6. Structured as a pop concert, SIX allows the six wives of Henry VIII to tell their own stories. This musical couldn't have come at a better time, when we're hungry for women's stories, for women to tell their own stories instead of being defined by men, as history has defined these six women by their marriage to a king.  This is the third time I've seen the show, and I only love it more each time. It's so smart, so clever, so modern, so feminist, and so much fun! If you love new, original, innovative music-theater, do not miss this opportunity to see SIX (visit the Ordway website for info and tickets).

Broadway Tour of "Hadestown" at the Orpheum Theatre

It's an old song. It's a sad song. But we sing it anyway. Such is the song of Hadestown, the 2019 Tony winning best musical that's finally made its way to Minneapolis, just in time for spring. The sad old song being sung again and again is that of Hades and Persephone, whose relationship is responsible for the changing of the seasons (according to Greek mythology), as well as Eurydice and Orpheus' tragic love story. Singer/songwriter Anaïs Mitchell turned this sad old song into a song cycle, a folk opera which she first recorded with some of her folk singer friends in 2010 (which I heard her perform at the loveliest little folk festival in Minnesota, Storyhill Fest). It took almost a decade to turn that song cycle into a Broadway musical, with help from visionary director Rachel Chavkin. The result is this stunning piece of music-theater that's wholly unique and original. I was lucky enough to see it on Broadway, and am thrilled that the tour is finally here! Truly, friends, don't miss your brief chance to see it at the Orpheum Theatre before the song moves on (click here for info and tickets).