"The Full Monty" by Theatre 55 at the O'Shaughnessy's Frey Theater

The 2001 9-time Tony nominated musical The Full Monty, with book by acclaimed playwright Terrence McNally (five Tonys, including one for Lifetime Achievement) and music and lyrics by David Yazbek (Tony-winner for The Band's Visit) has only been done once in #TCTheater, to my knowledge. Theater Latte Da's 2009 production in the old Ordway McKnight Theatre was fantastic (pre-blog so no record of my experience exists), but we haven't seen it since. Until now. Theatre 55, the company that does musicals with actors age 55+, has chosen it for their spring show. It's a great choice for this time and for this company, and it's one of my favorite shows that they've done. The story of working-class men struggling with unemployment, loneliness, mental health issues, and redefining masculinity is incredibly relevant. As the title implies, these average guys decide they're going to earn some money by stripping. One of the benefits of aging (I'm only a few years away from joining the 55+ club) is that you feel more and more comfortable in your own skin, and care less and less about what other people think. So why not go "the Full Monty?" To be clear, I won't be doing it, but it's inspiring and a lot of fun to watch this fantastic cast of men and women own the stage in this way. The bad news is there are only four shows left, so act fast if you want to have a great time and learn a few things from our elders.

"Kiss of the Spiderwoman" by Teatro del Pueblo at the Southern Theater

The 1993 Tony-winning best musical Kiss of the Spider Woman, with music and lyrics by Kander and Ebb (Chicago, Cabaret) and book by playwright Terrance McNally, was just made into a movie starring Jennifer Lopez. What's better than seeing an acclaimed musical on the screen? Seeing it live on stage! And now finally I had the opportunity to see this rarely done musical, thanks to Teatro del Pueblo. I don't know if the timing with the movie was intentional or coincidental, but this story of two men imprisoned by a fascist regime, one of them escaping into the fantasy world of his beloved movies, couldn't come at a better time. Featuring a talented cast and impressive design in the gorgeous Southern Theater, this is a rare opportunity to see Kiss of the Spider Woman live on stage as it was meant to be, and "celebrate Latine voices, queer identity, and the power of resilience!" Continuing through November 23 only.

Fringe Festival: "Dreamboys"

Day: 8

Show: 29

Title: Dreamboys

Category: Musical theater

By: Blue Umbrella Productions

Directed by: Suzy Winter

Location: Illusion Theater

Summary: Five actors in an audition room fantasize about what it would be like if they were able to sing musical theater songs traditionally sung by women.

Highlights: The idea of men singing women's songs isn't new (see also When a Man Loves a Diva), but it is a fun one. And these boys can sing! But the cool thing is that if these weren't beloved songs that we associate with women like Idina Menzel or Karen Olivo, you would never know they were "supposed" to be sung by women. There's really nothing about them that's gender-specific, they're songs of universal human emotion - funny, sad, or poignant. Highlights include Bart Shane Ruf's touching rendition of Jason Robert Brown's "I'm Not Afraid of Anything," David B. Young belting "Be a Lion" from The Wiz, Paul Whittemore's powerful "The Life I Never Led" from Sister Act, Kevin Werner Hohlstein's longing "It Won't Be Long Now" from In the Heights, and Zakary Thomas Morton's lovely "Goodnight My Someone" from The Music Man. Also fab is the cleverly arranged medley that includes just about all of my favorite musicals, and "You Could Drive a Person Crazy" from Company with charming choreography (again by Windy Bowlsby). Great musical theater songs sung by great singers, with fun choreography. What's not to love?