"We hold these truths to be self evident, that all men are created equal." ("And when I meet Thomas Jefferson, I'm 'a compel him to include women in the sequel, werk!") Before Lin-Manuel Miranda made it impossible for me to read this quote without singing, I remember learning it in history class. And I remember my teacher saying that what the authors of the Declaration of Independance really meant was, firstly, men and not women, and secondly, the implied qualifiers of white, land-owning, and age 21 or older. In the last 200+ years, we have worked to expand that definition to include women, people of color, young people, poor people, and LGBT people, so that truly in America "all people are created equal." But the road towards that expansion has not been easy and it hasn't been linear; it's more of a two steps forward one step back kind of thing. And one huge step back was the internment of Japanese people during World War II, when over 100,000 people, 62% of them American citizens, were forced to leave their homes and live in camps hundreds or thousands of miles away. It's unthinkable that the president ordered this and our government allowed it, yet at the same time, it's scarily similar to what's going on today in terms of fear of immigrants and "others." The one-man play Hold These Truths, now playing in the Guthrie's Dowling Studio, tells the specific story of one man who defied these orders in a way that makes the injustice feel real and personal, and reminds us that we must never let it happen again.
