"The Yeoman of the Guard" by The Gilbert and Sullivan Very Light Opera Company at the Conn Theater

After 10+ years of seeing Gilbert and Sulivan operettas by The Gilbert and Sullivan Very Light Opera Company (GSVLOC, which has been around for over 40 years), I thought I knew what a G&S show was - a silly fantastical story, over the top characters, social commentary conveyed through comedy, ending with happily ever after (usually via a wedding or two). But then I saw The Yeoman of the Guard (their current show continuing through March 29), which does not fit the usual model. Yes, there is still some comedy, and fast patter songs, and a bit of silliness. But overall, it's a much more somber story, one that does not end happily for everyone, and in fact ends on a tragic note. But I loved it all the more for that, and for showing me that I didn't know everything G&S was or could be. But like all G&S shows done by GSVLOC, it's musically gorgeous, performed by an ensemble of 30-some singers, with a backstage orchestra of about that size. If you enjoy G&S, there is much to love here, and if you think you know them, there is much to surprise and endear you even more to them.

"Patience" by The Gilbert and Sullivan Very Light Opera Company at the Conn Theater

Just when I think I've seen every Gilbert and Sullivan show, The Gilbert and Sullivan Very Light Opera Company (GSVLOC) introduces me to another silly delight. No, the number of comic operas that this pair created is not infinite, it's 14, but when GSVLOC only does one or two shows a year, it takes a while to cycle through the repertoire. In my ten years of attending GSVLOC shows (they've been around for over 40), I've seen nine different operas and only one repeat (although last fall's The McAdo was such a delightfully unique reworking of The Mikado as to almost feel like a different show). This spring's offering is the ridiculous and delicious Patience, which skewers the aesthetic movement of the late 19th Century. If you don't know what that is, no worries (think Oscar Wilde); the show is basically about the way we mere mortals worship artists and celebrities, to ridiculous extremes. Patience continues weekends through April 6, with a talented onstage cast and offstage orchestra, both too large to count.