"Behind the Sun" at History Theatre

The third chapter in History Theatre's continued story about historical racism in Minnesota, specifically in real estate, is now on stage. Back in their 2021-2022 season, they presented two plays that were originally intended to run in rep pre-covid, but had to be adapted post. Not in Our Neighborhood was set in the '20s and told the story of a successful Black couple who moved out of their Rondo neighborhood into the all-White neighborhood of Groveland Park, and the racism they faced. Not for Sale took place about 40 years later, and centered on a White couple, a real estate agent who lost everything because he sold houses to people of color in St. Paul neighborhoods where there was an unwritten (and sometimes written) rule not to. Behind the Sun continues this story, jumping across the river into Minneapolis, and back to the mid '50s. Another true story of a Black family who moved into an all-White neighborhood (using a bit of clever subterfuge), and the racism they encountered before being accepted into the increasingly diverse neighborhood. It's an important story to tell, important history to remember. Especially now with an impending election that will decide if we move forward into a more just world, or return to these ugly times. See Behind the Sun at History Theatre now through October 13.

"A Walless Church" at Pillsbury House + Theatre

Certain religious traditions say that humans were created in god's image, but I've also heard it said that humans created god in their image. Which is often not a good thing. But this is a good thing: in Pillsbury House + Theatre's production of the world premiere new play A Walless Church (walless = wall-less = without walls), three Black women, "godlings," show us how to create god in just about 70 minutes (and they're not happy about the time constraint). You need a big emotion, a common intention, and a conduit (although this one isn't absolutely necessary). But they need our help. Join in this loving, playful, heart-warming ritual of a play happening four to five times a week through October 13 at Pillsbury House in South Minneapolis.

"Star Keeper" by Emily Michaels King at Red Eye Theater

How do I describe Star Keeper, the latest of Emily Michaels King's very personal shows that combine theater, storytelling, spoken word, movement, dance, sound and lighting effects, and perfectly chosen nostalgic props? Simply one of the most raw, vulnerable, heart-breaking, and moving performances I've ever seen. Emily is the most fearless performer I know, sharing her deepest wounds with the audience, baring her heart, soul, and body. In this piece she explicitly works through the childhood trauma she's alluded to in previous works, and it's astonishing. At times difficult to watch (there was a moment when I, and probably everyone in the audience, wanted to rush the stage and stop what she was doing to comfort her, as she was causing real physical pain to her body in attempt to rid herself of the emotional pain of the trauma), at times esoteric (taxidermy?), but in the end one of the most moving experiences I've had at the theater. If you're looking for theater that's a little different, a little outside the box (we might call it "performance art"), and incredibly gutsy and risk-taking, head to Red Eye Theater to see one of the five remaining performances of Star Keeper.

"Dial M for Murder" at Yellow Tree Theatre

Yellow Tree Theatre is opening their 17th season in a cozy strip mall in Osseo with a classic: the 1952 play Dial M for Murder, adapted into a film directed by Alfred Hitchcock, and now smartly adapted by local prolific playwright Jeffrey Hatcher. The Guthrie produced this adaptation earlier this year, so I wasn't that excited when I heard Yellow Tree was doing it so soon after. But seeing the show last night, it totally won me over. It's a classic for a reason - an intricately plotted thriller with a strong female heroine who escapes death - and this new adaptation honors that but makes the story more modern with a few slight changes (the murderous husband is a failed novelist rather than former tennis celebrity, and the American writer named Max that his wife has an affair with is a woman). Yellow Tree's production on their sweet little intimate stage (as opposed to the Guthrie's expansive and lush thrust stage), with a fantastic four-person cast (one less than at the G), is definitely worth seeing, whether or not you've seen this story before. Dial M for Murder plays Wednesdays through Sundays until October 13.

"The Lehman Trilogy" at the Guthrie Theater

All I knew about The Lehman Trilogy before seeing the show (the first in my 21st season as a Guthrie Theater subscriber), was that it was three and a half hours long, but worth it. If you read this blog with any regularity, you know that my favorite thing is a 90-minute-no-intermission show (being a morning person with a theater habit is challenging). But when the story covers over 150 years of US history, multiple generations of a consequential family, and a thorough and unflinching look at capitalism, allowances must be made. The Guthrie has kindly moved showtimes a half hour earlier, and stocked their bars with coffee and other treats to keep you fueled for what is a marathon visit to the theater. It takes a little effort, but you will be rewarded by a beautifully and uniquely written Tony-winning play, fascinating design, and three powerhouse performances. And maybe you'll also start to question the very foundation of our society. So get a good night's sleep, or take an afternoon nap, get some coffee, get comfy, and settle in for a singular night (or afternoon) of theater at the Guthrie, continuing through October 12.

"The Reunion" by Trademark Theater at Gremlin Theatre

The reunion of a high school friend group, complicated relationships both current and past, a role-playing murder mystery game, and not one but two actual murder mysteries add up to a whole lot of wicked fun in Trademark Theater's world premiere new play The Reunion. Trademark focuses on developing new work, so they only do a full production maybe once a year. And when they do - you'll want to go. And then stick with them to support the development work that they do, including readings of new works and fundraiser concert events. The Reunion is smartly written, well performed by the talented seven-person cast, and features design elements that ramp up the spooky factor. See it at Gremlin Theatre in St. Paul's Midway neighborhood now through October 12.

"Scotland, PA" by Theatre Latte Da at the Ritz Theater

Theater Latte Da is opening their 27th season (the first programmed by new Artistic Director Justin Lucero) with a wild one. It's technically a movie adaptation, but it's based on the obscure 2001 movie Scotland, PA, not a blockbuster sure-fire hit, so somebody must have been inspired by this darkly comedic 1970s-fast-food-set take on Macbeth, one of Shakespeare's bloodiest tragedies (although all of his tragedies are pretty bloody). The musical premiered Off-Broadway in 2019 and was further developed as part of Theater Latte Da's NEXT program in 2022. It starts off as this really fun rock musical about working folks trying to get ahead, and ends, well, bloody. It's brought to life by a creative team with many Broadway credits, and a brilliant cast full of home-grown talent. So grab a burger, head to the Ritz, and buckle up for a wild ride of a musical, continuing through October 20.

"Survivors of the Fire" by Bucket Brigade at Art House North

I love a new original historical musical, and Bucket Brigade's Survivors of the Fire is a good one. The stories of the survivors of the Great Hinckley Fire of 1894 are told in a compelling way using songs (mostly hymns and traditional songs), physical theater, and storytelling. It's only 75 minutes long but it feels epic, like we've gone on this journey from booming lumber town, to the unimaginable terror of a firestorm with a four-mile high wall of fire and temperatures of 2000 degrees, to the grief of loss and hope of rebuilding that came after. The seven-person cast embodies the real people who survived the fire, and their acts of humanity and heroism. Their performances, along with a four-person band playing well-chosen songs, and the spot-on sound and lighting design, combine to create a visceral experience of the fire and the people who lived through it. A musical brings the story to life in a way a museum or book never could (although I will now be visiting the museum and reading a book to learn more). Experience it yourself at the charming Art House North in St. Paul's West 7th neighborhood, weekends through October 12 (pro tip: make a reservation if you want to go to one of the trendy nearby restaurants).

"Moonwatchers" at Open Eye Theatre

If you miss Minnesota Fringe Festival, go see Moonwatchers at Open Eye Theatre. It premiered at the 2022 Festival but I completely missed it. It's a very Fringey show, meaning creative, inventive, and less than an hour long. Continuing the year of the U of M/Guthrie BFA kids (I call them kids because I also received a degree from the U - in the last century), two graduates of that program prove its continued worth in our community and beyond. Nigel Berkeley and Corey Farrell have created something so unique, so downright silly, and so udderly delightful (pun intended). There are only four performances left; I recommend going if you need a little break from life to just smile and laugh and be transported into another world for a little while.

"Lincoln's Children" by Fortune's Fool Theatre at the Crane Theater Studio

'Tis the season for political plays. First, the inspiring story of Texas governor Ann Richards, reminding us that the government works for us and we need to hold them accountable. Next, Fortune's Fool Theatre's world premiere production of Lincoln's Children, historical fiction about arguably our greatest president (but not without flaws), reminding us that we need to be constantly vigilant in the ongoing fight for justice and equality that Lincoln (and countless others) gave his life for. It's a well-written play (that would be a great 90-minute-no-intermission show, if not for the intermission) that ties history to the present, well executed by Fortune's Fool in the intimate space of the Crane studio theater. They've only got a handful of performances left, so get your tickets soon (because "intimate space" means sellouts!).

"King Lear" at Theatre in the Round

To begin their 73rd season, the oldest theater in Minneapolis is going back to a classic - the Shakespearean tragedy about a king gone mad and his scheming heirs, King Lear. In an interesting twist, Theatre in the Round has tapped veteran #TCTheater actor Meri Golden to play Lear as a pants role (meaning Lear is still a King not a Queen, and referred to as male). She's fantastic, and it's wonderful to see a female actor get a crack at this iconic role. She's supported by a large and talented cast, and sparse but effective design, for an engaging take on this classic that I haven't seen in so long I didn't remember the details of the story or characters. When the board member introducing the show (as they always do at TRP) said "we do murder well," he was referring to their annual Agatha Christie play (this year: The Unexpected Guest opening in November), but he could just as well have been talking about this show. There is a lot of murder, some of it bloody, and it is, indeed, done well. King Lear continues at Theatre in the Round through October 6.

"Ann" by Prime Productions at The Howard Conn Theater

I'm not sure I'd ever heard of Texas governor Ann Richards, only the second woman to hold that position. I didn't pay much attention to politics when I was in high school, so I missed her keynote address at the 1988 Democratic National Convention, which propelled her to being elected governor, a position she held for one term in the early '90s. Leave it to Prime Productions, a #TCTheater company that features women in their prime, to bring us this inspiring and extremely timely story of a woman leader who knew how to get things done. Ann premiered on Broadway in 2013, written by and starring Holland Taylor, and Prime has wisely tapped #TCTheater veteran Angela Timberman to play the role. Ann is funny and feisty and whip-smart, and Angela conveys all of that and more. Prime Productions is partnering with local "get out the vote" organizations, with information about how to vote included in the program, making this show about more than just theater. See Ann at the Howard Conn Theater in South Minneapolis now through September 22, get inspired, get involved, and vote!