"The Importance of Being Earnest" by Little Apple Theatre at the Historic Mounds Theatre

Viewing The Importance of Being Earnest through a queer lens makes so much sense (especially considering playwright Oscar Wilde's importance in queer history), that I'm surprised to one has thought of it before. Well maybe they have, but new #TCTheater company Little Apple Theatre is the first company I've seen do it that way. Their production, playing at the Historic Mounds Theatre in St. Paul's Dayton's Bluff neighborhood, is quite charming and amusing, not just as a fine production of this clever play, but also in the way it reimagines the relationships in the story, with only one minor edit to the dialogue. And even more intriguing, after this play closes on August 2, they will be doing a different reimagined version of the play at Minnesota Fringe Festival, with the same director and some of the same cast members, but shorted to under one hour, and with all the characters as vampires (because Fringe). See this "Earnestly Queer" production of The Importance of Being Earnest at the Mounds Theatre through August 2, and then see The Importance of Being Eternal at Open Eye Theatre August 8-15 as part of the Fringe.

"The Lamentable Tragedie of Titus Andronicus" by The Birth Play Project at The Black Forest Inn

The Birth Play Project's latest Shakespearean adaptation in their mission to "place reproductive stories in public memory" is his bloodiest and most brutal play, The Lamentable Tragedie of Titus Andronicus, believed to be the first tragedy he wrote. This play is so rarely done that this theater blogger, who tries to see everything that #TCTheater has to offer, has only seen it once, and that was a one-hour Fringe version. So to my knowledge this is the first full production of Titus Adronicus in at least the last 15 years of #TCTheater. Why did they choose this play, and what does it have to do with birth? It all makes sense when you see it. Like in their production of Measure for Measure, they bring the off-stage birth on stage, in this story that is at least in part about a mother's search for vengeance for her murdered child(ren). But as director Zillah Glory Langsjøen said in her pre-show speech, this production of Titus Andronicus is not a revenge play, but a grief and a grievance play. A play about the potential for healing after tragedy, trauma, and violence, something that resonates deeply with this community in this space, mere feet from where Alex Pretti was murdered six months ago. It's playing through August 1 only, and space is limited, so don't wait too long to get tickets.

"Jewelry Power Elite" at the Dudley Riggs Theatre

If you can't wait for the Minnesota Fringe Festival, which starts in less than two weeks, get a preview of what's to come by seeing a remount of one of last year's hits Jewelry Power Elite. But it's not just a remount. Lauren Anderson (the longest reigning cast-member of Brave New Workshop) has expanded her first solo show, adding a brand new second act that allows for some fun (voluntary) audience participation, and more importantly, allows Lauren to reflect on Operation Metro Surge, and the way she uses jewelry, and comedy, to support the soldiers fighting the good fight (like Bob Hope on a USO tour). There are three more performances of Jewelry Power Elite in the ground floor space of Dudley Riggs Theatre, home to the longest running comedy theater in the country, Brave New Workshop (Battle of the Improv All-Stars playing now through August 8, The Algorithm is Gonna Get You opening August 13). Operated by Hennepin Arts, they've been using this space more lately, including hosting my favorite improv show Family Dinner over the holiday season, and my second favorite improv show Off Book, which performed a few weeks ago and will hopefully be back. If you're in need of a laugh, check out all of the options for Comedy on Hennepin, beginning with the hilarious, personal, relatable Jewelry Power Elite.

"The Hobbit" by Zephyr Theater at Aamodt's Apple Farm

Theatre in the Round's virtually sold-out run of playwright Greg Banks' 5-actor 90-minute adaptation of The Hobbit (which was commissioned by and premiered at Children's Theatre Company in 2019) closed less than two months ago. Just last night, Stillwater-based Zephyr Theatre opened their production of this play, outdoors at Aamodt's Apple Farm. Why another production of The Hobbit so soon? Why not? The two 2026 productions are so different from each other, and so different from the 2019 production, as to almost feel like different adaptations of J.R.R. Tolkein's beloved first novel in what would become the Lord of the Rings universe, that has delighted audiences for almost 90 years. TRP set their production decades in the future after an apocalyptic event, with survivors gathering to tell each other stories as their only entertainment, and really leaned into the importance of storytelling, and this story in particular. Zephyr's production is in a beautiful outdoor setting, making it easier to imagine the green fields and dense woods of Middle Earth, and leans into the idea of the reluctant hero, and the importance of standing up for what's right, especially in terms of supporting our friends, neighbors, or even strangers who are suffering injustices (something that, as the director notes in the program, feels very familiar in the Twin Cities in 2026). But this is still very much a story of dwarves and trolls and goblins and elves, and one brave hobbit who left his her cozy home to help a friend (continuing through August 2).

"Hamlet" by The Gray Mallard Theater Company at Sociable Cider Werks

Shakespeare at the Pub is back! This is the 5th year of The Gray Mallard Theater Company's summer Shakespeare productions outside Sociable Cider Werks, their only show of the year. For the 3rd year in a row, I sat on a folding chair in a parking lot enjoying a locally made cider and an intimate, accessible, and engaging production of one of the Bard's best works. And this is perhaps the best weather I've had for this outdoor production, with a lovely cool summer day in the '70s, a welcome break from the unbearable heat and dangerous smoke coming down from the fires in the Northland (which cancelled their opening night last week). I had to put on a jacket as the sun went down, the stars came out, and the stage lights went on, appropriate for this story of Prince of Denmark as it descends into darkness. Head to Northeast Minneapolis some Wednesday, Thursday, Saturday, or Sunday through August 2 to see this excellent production of Hamlet in a unique setting. Bring a chair or get there early to claim one of their padded folding chairs, grab a cider or other beverage inside of Sociable and/or a burger from Smashed Patty's (house-made tofu burgers also available), and settle in for some FREE Shakespeare.

"Church Basement Ladies: A Second Helping" by Rags to Rags Productions at Plymouth Playhouse

Almost one year to the date and I'm back in the basement. The literal basement beneath a Ramada Inn where Plymouth Playhouse is located, and the theatrical basement that is the setting for the Minnesota-grown musical comedy franchise known as Church Basement Ladies. The first musical in what was to become a series premiered in 2005 at the Plymouth Playhouse, written by Jim Stowell and Jessica Zuelhlke based on the book Growing Up Lutheran by Janet Letnes Martin and Suzann Nelson, with music and lyrics by Drew Jansen. That was before my time as a theater blogger, and somehow I also missed out on the eight sequels, all penned by original cast member Greta Grosch, with Dennis Curley joining the songwriting team. Lucky for me, Rags to Rags Productions began what I hope is a full series rewatch last year, so I was able to jump in on the ground floor, or basement, as it were. After seeing the original The Church Basement Ladies last year, I wrote "this musical comedy is very broad, very corny, very Minnesotan, and whole lot of fun.... and I hope to visit the basement again!" My hopes were realized; this year they're doing the second show in the series, aptly titled A Second Helping. Because it is exactly that - a second helping of the humor, the heart, the bad puns, the physical comedy, and the Minnesota references. You can see it now through August 23, but don't worry if you haven't seen the first one, you'll have no trouble jumping into the story and falling in love with these charmingly quirky (and familiar) characters.

2026 Minnesota Fringe Festival Must-See List

We've reached the dog days of summer, with a string of 90+ degree days, and devastating wildfires in Northern Minnesota and Canada that at times make our air quality here in the Twin Cities dangerous. But #TCTheater has not taken a summer hiatus; I'm busier this summer than any summer I can remember. And that will continue into early August when I attend my 16th MN Fringe. The 33rd Annual Minnesota Fringe Festival runs from August 6th through the 16th, with some 100+ shows having five performances each at venues around Minneapolis, most of them clustered around the Cedar-Riverside neighborhood. After 33 years, the Festival runs like clockwork (thanks to the hard-working staff and volunteers), so it's easy to get out and see one, or a handful, or dozens of shows, those that fit your interests, and those that expand your comfort zone. Visit the Fringe website to peruse the schedule and make your plans, or keep reading for a dozen or so shows that I recommend (most of them from artists I know and love), as well as some helpful tips for Fringe newbies. See you at the Fringe!

"The Butler Did It" at Park Square Theatre

The Park Square Theatre summer mystery is back, and it's a good one! Summery mystery plays have been a tradition at Park Square for decades, with a few years off for various reasons. This year they're premiering a brand new mystery play by prolific local playwright and screenwriter Jeffrey Hatcher, an expert at the form. The title of the play - The Butler Did It - tells us that this play is not a whodunnit, but rather a "howcatchem," in which the fun is not in trying to solve the mystery, but rather in watching a smart detective figure out what we already know. In a note in the program, Jeffrey Hatcher explains that he had the idea for this story when writing for the 1990s reboot of the 1970s Peter Falk howcatchem TV series Colombo. He never got to write that episode, so now we get to enjoy it on the Park Square stage. This production is practically perfect in every way - direction, casting, acting, design, execution - and it's very funny, entertaining, engrossing, and still with some surprises in the details even if we do already know whodunnit. See it at Park Square Theatre in lovely downtown St. Paul now through August 16.

"Twelfth Night" by Brick by Brick Players at Bumbling Fools Mead

Last night I descended into a hot and labyrinthian basement of a building in Northeast Minneapolis (not far from The Crane Theater) to check out a new-to-me theater company. Despite the heat, I was impressed by Brick by Brick Players' mission ("to create Theatre of Joy in the Traumatized Body"), and their production of Shakespeare's Twelfth Night. Similar to Ten Thousand Things, they are bringing this production out into the community, performing at a juvenile detention center and elder care facilities, and they also have an outreach program called "Safely Thus: Hope and Healing through Shakespeare." This production of Twelfth Night is a great example of finding joy after trauma, set in some kind of fallout shelter, characters bloodied and dirty, with lots of references to our recent occupation by armed agents terrorizing our streets. But yet, there is much joy in the finding of love and laughter and community. Unfortunately, seating is limited in the found space inside Bumbling Fools Mead, and their entire two-weekend run is sold out. But this is a company that should be on your radar, follow them on social media for upcoming events, including a production of Every Brilliant Thing this fall, which is very much a play about finding joy after trauma.

"Tape" by Vertigo Theater at the Hive Collaborative

New theater company Vertigo Theater makes an impressive debut with the one-act three-hander Tape, playing a The Hive Collaborative for a short two-week run. Most of the artists involved are recent graduates of the Guthrie / U of MN BFA program, several of whom were part of the 2025 graduating class's fantastic production of Jez Butterworth's epic play The Ferryman. I'd never seen or heard of Tape (although it was adapted into a film in 2001 starring then-married Ethan Hawke and Uma Thurman, along with Robert Sean Leanard), and it's super intense. It's basically one long scene, mostly between two characters, with the late introduction of a third. It's the kind of play that feels like an acting exercise, with really complex and very real characters, and these three actors excel at the exercise. It's a taut and gripping 60 minutes that'll leave you with more questions than answers. Tape has four more performances at the Hive; it's a great chance to see some talented young artists who you will very likely be seeing more of in the future, and take in this intense and engrossing play.

"The Prom" at Lyric Arts

Lyric Arts production of the 2019 multiple Tony nominated musical The Prom (only the second in #TCTheater) is so joyous and big-hearted, so funny and inspiring, that it deserves to sell out every performance, like their recent production of Mamma Mia! did. Despite being about the seemingly radical idea of two teenage girls in small-town America going to the prom together (inspired by a real-life event), The Prom really is a good old-fashioned musical comedy. It's hilarious, chock full of musical theater references, and full of big musical numbers. Lyric Arts has assembled a fantastic cast and creative team and put together a show that will make you laugh and make you cry, sometimes at the same time! Do your heart a favor and get a ticket to this Prom, whether you have a date or not, and experience the joy.

"The Cottage" at Gremlin Theatre

It's the summer of Noël Coward in #TCTheater, and after the long hard winter we had, we deserve some summer escapist comedies. Last month, Theatre in the Round brought us the ghostly and hilarious Blithe Spirit, about a man who is haunted by his ex-wife, much to his current wife's dismay. The Guthrie is about to open Private Lives, about exes honeymooning with their new spouses. And Gremlin Theatre is throwing their hat into the ring with a new play that, according to Wikipedia, is "described as a modern take on a Noël Coward comedy." The Cottage is a straight up farce that is definitely reminiscent of Coward's plays, but since it was written by a modern female playwright (Sandy Rustin,* one of the most produced playwrights in America last season, in part because of her adaptation of the movie Clue) it gives a bit more agency to the female characters, with an atypical ending for a romantic comedy. Gremlin's regional premiere production of The Cottage, that premiered on Broadway just a few years ago, is perfectly cast, impeccably designed, and utterly delightful from start to finish. Playing now through August 2.

Broadway tour of "Wicked" at the Orpheum Theatre

Since Wicked was last in Minneapolis in 2022, the much anticipated movie adaptation has been released, not one but two films starring Cynthia Erivo, Ariana Grande, and a bunch of stars. I saw both movies on the big screen (a rarity for me, I'm too busy seeing live theater to go to the movie theater) and loved them both; I think it was a successful adaptation that captured the magic of the musical. But Wicked is inherently a stage experience, and the 2nd National Tour that began in 2009 is still going strong, and scheduled to continue through 2034! The release of the movies seems not to have dimmed the enthusiasm for the live production. But you may be thinking, I can see Wicked in the comfort of my own home, why go out and see it on stage? Keep reading and I'll give you 10 reasons to see this tour of Wicked before it flies away on August 9. And I will share some photos and insights from a few days ago when I had the privilege of watching the tour being loaded into the Orpheum Theatre, a massive undertaking, but one that after a couple decades of experience runs like clockwork. This is the 6th time that the Wicked tour has stopped in Minneapolis, and unlike most shows it's sticking around for five weeks. This was my 8th time seeing Wicked on stage (I've seen every tour, one of them twice, and also saw it on Broadway once), and it never ceases to thrillify. 

"In The Backroom" by Michael Torsch at the Southern Theater

The Minnesota Fringe Festival schedule was just announced, but if you want a preview of the sort of adventurous, inventive, outside-the-box art you will see in August, check out In the Backroom by Michael Torsh at the Southern Theater this weekend. A new show on a holiday weekend? That's right, and that's intentional. From the press release: "This performance considers the complicated nature of celebrating America's 250th anniversary, the effects of imperialism on the individual, and how we might eulogize all those killed during wartime. By constructing an environment to collectively meditate on our societal grief, In The Backroom is an antidote to the unrestricted hypernationalism propagated by the current administration." Since I will be off the grid at a lake this weekend, I attended the final run-through of the show before performances begin tonight, and it was all of those things and more. It's very meta and fourth-wall breaking, thoughtfully constructed to bring together many different ideas, cleverly uses recorded video and projections, and is incredibly thought-provoking without providing any easy answers. If you saw Michael's Fringe show last year, All Your Shimmering Gold, it's a similar vibe. If you're in town this weekend and feeling conflicted about America's 250th birthday and the way it's being celebrated, sold, and marketed, this is the show for you. There are 7pm performances Thurs-Sat, with a 4pm show on Sun, and it's only 70 minutes long so you can get back to your barbeques and fireworks.

2026 Great River Shakespeare Festival in Winona

Last weekend I went on my favorite Minnesota theater vacay - Great River Shakespeare Festival in lovely riverside Winona! But my 8th visit to Minnesota's only Shakespeare festival is even more exciting this year. It's the first time I've attended opening weekend, and it's not just any opening weekend, it's the opening of their new space in the historic Masonic Temple, known as The ARC. After a couple of decades of performing in Winona State University's theater, they now have their own space with everything and everyone under one roof - office space, design and costume shop, rehearsal space, and the theater itself. My fellow Twin Cities Theater Bloggers (Minnesota Theater Love and The Stages of Minnesota) and I were thrilled to celebrate this milestone with them, and of course enjoy some great Shakespeare that is, as always at GRSF, clear, accessible, playful, inventive, and engaging. The festival continues through July 27, with performances Wednesdays through Sundays, typically with two shows on Fridays and Saturdays, so it's possible to drive down for the day (a lovely two-hour drive along the river) and see both shows. Or stay one night, or two, or extend your stay to enjoy the many recreational offerings in Winona (a fantastic art museum, incredible hiking in the river bluffs, great restaurants, cute shops). My favorite place to stay is Carriage House B&B, just down the street from The ARC and within walking distance of downtown. Or if you're looking for a luxury boutique hotel experience, check out the brand new Hotel 44 North right on the river. GRSF is a special place, and this is an exciting time for them as they embark on a new chapter in a new home that they can tailor to meet the needs of the company and the community, which includes both local residents and everyone who attends a show or event at GRSF.

"Adventures in Hostessville Presents 1967: The Summer of Love-in" at the Hive Collaborative

"Do you like fun?  Do you adore vintage style?  Do you love history, but also modern marvels like indoor plumbing and the right to vote? THEN WE ARE OBVIOUSLY GOING TO BE BEST FRIENDS." I think I have a new best friend. Last night I attended my first Adventure in Hostessville, and it's just my kind of thing. Created and hosted by #TCTheater artist Melanie Wehrmacher, Hostessville is great edutainment, combining music, comedy, history, pop culture, trivia, cocktails, and snacks, with a slide show! Melanie has been doing a series of these adventures at The Hive Collaborative (a perfect venue for its cozy vibes and ability to have cabaret table seating) this season. I missed 1943 and 1925, but when I heard that her new show would feature 1967, the best year (and also possibly the worst year), I was in! Visit the Adventures in Hostessville website, or follow Melanie on Instagram, to get notified of all of future adventures. But I'm not sure how she's going to top 1967, a year that is so rich in music, pop culture, history, and good vibes, so head out to the Hive this weekend, wearing your best hippie gear, to experience the fun of the Summer of Love (with indoor plumbing).

"Blithe Spirit" at Theatre in the Round

Noël Coward is the perfect frothy summer theatrical entertainment, with his clever dialogue, ridiculous characters, and silly situations ripe for comedy, all in a British accent. The Guthrie is doing Private Lives later this summer (which they last did in 2007), but first up is Blithe Spirit at Theatre in the Round to conclude their 74th season. This is the one that features a love triangle between a husband, his wife, and the spirit of his deceased wife whom he accidentally materializes. It's well done in the in-the-round space with a great cast and some fun special effects. Note that it is a three-act play, as was common in the last century, but Theatre in the Round sells coffee at concessions, with free refills during the two intermissions (but not allowed in the theater, so drink it in the lobby whilst admiring the art installation and save your cup). This Blithe Spirit will continue to haunt the oldest theater in Minneapolis through July 12. And then make plans for Theatre in the Round's 75th Anniversary season, featuring plays and musicals with a Minnesota connection, from The Great Gatsby to You're a Good Man Charlie Brown.

"Two Gentleman of Verona" by Frosted Glass Creative at Rustic Roots Winery

Shakespeare in the Vines is back! One of the true pleasures of the short Minnesota summer is seeing theater outdoors. Particularly Shakespeare, which taps into a centuries-long tradition. This is Frosted Glass Creative's fourth year presenting Shakespeare in the Vines at Rustic Roots Winery in Scandia (about a 45-minute drive Northeast from the Twin Cities), but only my second year attending it. Rustic Roots is truly the most idyllic location for outdoor theater (even in the midst of some construction to expand their facilities). And Frosted Glass' production of the comedy Two Gentleman of Verona (believed to be the first play Shakespeare ever wrote) is fun and playful and accessible, as Shakespeare was meant to be. But hurry, there are only two more performances at Rustic Roots. Or you can head to Hastings or Chisago City next week to catch additional performances at wineries there (full details and schedule here).

Broadway tour of "SIX" at the Ordway Center

Last week the Ordway hosted the Broadway tour of the recent revival of the 2005 Tony-winner Spamalot, and a good time was had by all. This week they welcomed back the queens of SIX, the smash hit musical that began at the Edinburgh Festival Fringe, then went to the West End, then toured the US (including at the Ordway in 2019) before making its pandemic-delayed Broadway debut in 2021. The next spring it won Tonys for best score and costume design, and is still playing on Broadway and touring around the country. This two-week run is the 4th time that the queens have visited the Ordway, for a total of 60-some performances in St. Paul. At this point, SIX is a well-oiled machine, a finely honed music-theater gem that is exactly what it wants and needs to be, nothing less and nothing more. Not veering far from its Fringe origins, it has a runtime of 75-ish minutes, and is practically perfect in its construction, telling the story of Henry VIII's six wives from their perspective as modern-day pop stars. This musical couldn't have come at a better time, when we're (still) hungry for women's stories, for women to tell their own stories instead of being defined by men, as history has defined these six women by their marriage to a king. This was my sixth time seeing SIX (all four touring productions at the Ordway, plus Broadway and Toronto), and I love it more each time. If you've never seen it before, you owe it to yourself to experience this truly unique and original piece of music-theater HERstory. And if you have seen it before, rest assured that it's as fantastically fun as ever, with a touring cast that is brilliantly talented. They're in town for two weeks; get your tickets only at the Ordway's official site here.

"Come From Away" at the Guthrie Theater

The documusical Come From Away, about the ordinary people of Gander, Newfoundland who showed us the best of humanity when they took in 7000 people diverted to their airport when the US airspace was closed on 9/11, opened on Broadway in 2017 and ran for five years (give or take a pandemic), and then continuously toured up until last year. Then it was released for regional productions, and it immediately became the most produced play in America. It's a story America needs, it's a story America is hungry for. I was fortunate to attend the meet and greet of the cast, crew, and design team at the Guthrie Theater where director Kent Gash talked about his vision for the show (which you can also read about in the program). He said that while Come From Away is about 9/11, it's about so much more than 9/11, it's about our shared humanity, and the power of storytelling to remind us of that. This production succeeds in that, in a big way. I've seen the Broadway/touring production five times, and can almost picture every scene in my mind. It's a thrill to see a fresh new take on the story with new direction, costumes, and staging, that is familiar to the original but with enough tweaks to make it a unique retelling of this story. Come From Away is a brilliantly written piece of music-theater, one that probably stands up to the many different iterations happening all over the country. But this version, at our own Guthrie Theater, lives up to the material and succeeds on so many levels. It's very funny, and thoroughly engaging, and utterly heart-wrenching. If you need your faith in humanity restored, go see Come From Away at the Guthrie Theater this summer.