"Talkin' Bout My Generation" by Chronofon at Crooners MainStage Tent

My second concert at Crooners MainStage Tent, created for this pandemic summer 2020, was a show by a group I've seen several times before at Open Eye Theatre. The quartet known as Chronofon (Bradley Greenwald, Dan Chouinard, Diana Grasselli, and Prudence Johnson) creates and performs what I like to call "edutainment" - shows that are informative around a certain composer, genre, or era of music, while also entertaining with great performances of that music. This is my fourth Chronon show, and they've all been really well constructed to tell the story in a fun and interesting way. Talkin' Bout My Generation: The Summer of '66 is no exception.

"When the Shark Bites: Hauptmann & Brecht, Lenya & Weill" by Chronofon Productions at Open Eye Theatre

The team behind the musical historical revues of Leonard Bernstein and Jacques Brel, among others, now turns their talent for crafting a well-told historical story with music to the famous German music-theater team of Kurt Weill and Bertolt Brecht, along with their lesser known female collaborators (and sometimes romantic partners) - actor Lotte Lenya and writer Elisabeth Hauptmann. These women were not only muses, but especially in the case of Hauptmann, made important uncredited contributions to their work (see also the excellent FX series Fosse/Verdon). But thanks to Chronofon Productions (aka Bradley Greenwald, Dan Chouinard, Diana Grasselli, and Prudence Johnson), these women are now known and recognized, at least by those of us lucky enough to be in their sold-out audience over the short two-week run. The show closes today, but follow Chronofon's Facebook page for the latest on upcoming performances of these highly entertaining and informative historical musical revues.

"Dear Lenny: Bernstein's Life in Songs and Letters" by Chronofon Productions at Open Eye Figure Theatre

Leonard Bernstein. I know him mostly as the composer of one of my all-time favorite musical theater scores, West Side Story (now playing at the Guthrie for one more week), as well as other works ranging from classical to popular. But I never really knew much about the man behind the music or what his life was like. Thanks to Open Eye Figure Theatre and the team from Chronofon Productions (Bradley Greenwald, Dan Chouinard, Diana Grasselli, and Prudence Johnson), I now feel like I have an even greater appreciation for the music as well as the person who created it. Dear Lenny: Bernstein's Life in Songs and Letters is a well constructed and entertaining deep dive into the life and work of one of the best American composers of the 20th Century.

"Jacques Brel: When We Have Only Love" at Open Eye Figure Theatre

I had never heard of Belgian singer/songwriter Jacques Brel before attending Open Eye Figure Theatre's new original musical revue Jacques Brel: When We Have Only Love. But I have heard of (and been a longtime fan of) three of the four creators of the show, so this one was definitely on my must-see list. I did not recognize any of Brel's songs in the show, despite the fact that many wide-ranging singers have recorded them over the years, from John Denver to Sting. But I found the songs to be beautiful, funny, heart-breaking, and/or delightfully silly, all well-performed by this excellent cast, with an interesting and very human story tying them together.

Jacques Brel: When We Have Only Love was written, arranged, directed, and designed by talented singers Bradley Greenwald, Diana Graselli, and Prudence Johnson along with master pianist Dan Chouinard (with additional musical accompaniment by Michelle Kinney on cello and Tim Sparks on guitar). The four take turns telling the story of Jacques Brel's life, from his birth in Brussels in 1929, through the war years, through his early career singing in cabarets in Paris, through international fame and success. And of course, along the way there is music. The cast performs over two dozen of Brel's songs, either the original lyrics in Brel's native Flemish-tinged French (with English translations displayed on a screen above the stage), or in English translated by various people with various degrees of success (including a couple of new translations by Bradley Greewald - yes, all that talent and he's multilingual too!). Images and photos are also displayed on the screen, helping to set the scene and tone of wherever we are in the story. The creators have done a great job weaving together songs and story to create a portrait of a man who was not always likeable, but was passionate, expressive, funny, clever, human, and a beautiful storyteller.

Diana Grasselli, Prudence Johnson, Bradley Greenwald,
and Dan Choinard

Even though I don't speak a word of French, my favorite songs were those sung in French, because there's just something so beautiful and poetic about Brel's original lyrics and the French language. Even the best possible translation loses some of the nuances of the original language, and many of the English translations were far from best, completely changing the meaning of the song. Brel's biggest pop hit was "Seasons in the Sun," released by Terry Jacks in 1974 (which most of the audience seemed to know as it turned into a singalong). We heard both versions of the song, and trust me, the original is much different - funnier, more poignant, and less cheesy. Another favorite moment was when Bradley sang Brel's French translation of "The Impossible Dream" from Man of La Mancha, which Brel brought to Paris in 1968 and starred in.

Jacques Brel's music is romantic, playful, witty, lovely, and very Parisian. It's the sound of sitting in an outdoor cafe in Paris, sipping coffee or drinking wine, listening to music waft through the sweet warm air. Or at least that's what I imagine it to be, I've only spent about a day and a half in Paris, 20 years ago (not counting the two hours last winter that my friend and I spent trying to navigate our way through the twisted and crowded streets to the highway in a rental car without GPS or a decent map, but that's a story for another day). Listening to this music makes me want to go to Paris, or at least Jacques Brel's Paris, if such a place exists anymore.

Jacques Brel: When We Have Only Love is a wonderfully entertaining trip through the life and work of a prolific songwriter who was previously unknown to me. I'm glad I got to know him a little. The show continues through next weekend only and tickets are going fast, so act now if you, too, would like to go on this lovely little journey.