"Dracula: A Comedy of Terrors" by Nocturnal Giraffe Theatre at the Center for Performing Arts

It's come to the point where the Halloween holiday theater season almost rivals the Christmas holiday theater season. It's not just Twin Cities Horror Festival (currently running through November 3), spooky theater abounds everywhere! A fantastic entry into this theater sub-genre is Nocturnal Giraffe's regional premiere of the new horror-comedy play about one of our most famous creepy characters: Dracula. Written by NYC-based playwrights Gordon Greenberg and Steve Rosen and premiering Off-Broadway earlier this year, Dracula: A Comedy of Terrors is more funny than scary, unless we're talking scary good. The five-person cast is a definite contender for the Twin Cities Theater Blogger Award for favorite comedic cast; they're all ridiculous. At about 90 minutes no intermission, it's the perfect treat for the season. See it at Center for Performing Arts now through November 2 (including a Halloween night performance).

"The Curious Incident of the Dog in the Night-time" at Yellow Tree Theatre

To open their 12th season in an unassuming strip mall in Osseo that belies the charm of the interior, Yellow Tree Theatre is producing the 2015 Tony winning best play The Curious Incident of the Dog in the Night-time, just the second production in #TCTheater. Like the 2017 production at Mixed Blood Theatre, they're utilizing a smaller cast and much fewer hi-tech effects than the Broadway production and tour. A style that perhaps serves this beautiful story, about a differently abled teenager who discovers his own strength, even better. Ellen Fenster (who almost always makes me cry) directs the talented and diverse nine-person cast in this uniquely funny and poignant play.

"Still Dance the Stars" at Yellow Tree Theatre

Last night in the cozy intimate space of Yellow Tree Theatre, in a strip mall in Osseo, I saw a world premiere new play that's unlike anything I've seen before. As someone who sees a lot of theater (and I mean a lot), that's a rare occurrence. While playwright Jayme McGhan's Still Dance the Stars reminds me a little of the Pulitzer Prize winning musical Next to Normal, in that it deals with parents grieving the loss of a child in different (and sometimes hallucinatory) ways, the storytelling is completely unique, combining very real and natural dialogue, fantastical dream sequences in which stuffed animals come to life, dance, and music to tell a heart-wrenching and heart-warming story of grief, love, and family. It's a great choice of play for Yellow Tree, my favorite theater in the 'burbs, and the cast and creative team do a beautiful job of bringing the play to life with all of its humor, grace, silliness, and beauty.

"Everyman" at Open Window Theatre

The last time I was at Open Window Theatre, tucked into a warehouse behind the Basilica in Minneapolis, was in their inaugural season. They are now in their fifth season and appear to be going strong. I was glad to finally return to their cool and cozy black box space for Everyman, a 15th century morality play. While the five hundred year old play is a little heavy handed in its moral message, this 90-minute production directed by Jeremy Stanbary utilizes music, movement, and a beautifully diverse cast to make that message feel relevant and almost modern.

"The Cubicle" by Bucket Brigade at Art House North

I've spent the better part of the last 16 years working in a cubicle, until I lucked into a job that allows me to work from home most of the time. I don't miss the daily grind of fighting traffic, making small talk with coworkers, and worst of all - spending the majority of your waking hours sitting in a small sterile box. The new-ish theater company Bucket Brigade is reprising their 2005 Fringe show The Cubicle (the company may be new to the scene but the players are not) at their new home Art House North - an old church in St. Paul's West End neighborhood that has been converted to a theater and art space. While the show pokes fun at the office life, it also goes a little deeper than just jokes about coffee and deadlines. It's part office comedy, part existential crisis, and part physical and dance-like representation of the daily grind.

The Cubicle was created and is performed by Jeremiah Gamble (Bucket Brigade Artistic Director) and Corey Mills, with direction by Matthew Greseth. Jeremiah and Corey play two employees of Gigasoft Software, a giant software company started by a man named Bill Jobs. The stage is bare except for two three-sided cubicles on wheels, which they cleverly arrange to represent not just cubicles, but also cars, an elevator, treadmills, a stroller, and even a pulpit. It's like an office ballet, and it's obvious that the two actors have spend a lot of time with this piece in the easy and graceful way they move around the space with cubicles and chairs.

Corey Mills and Jeremiah Gamble

All of the rituals of office life are parodied as we follow these two characters through one week of their work lives. Monday progresses to Fridays and the routines (and employees) become increasingly harried and rushed. We also begin to peek inside the lives of these two "work friends," whose conversations never go much deeper than "how's the family?" and "fine." They both have more going on in their out-of-the-office lives that they're reluctant to share over coffee in the break room. One is dealing with a strained marriage, the other with a sick father and a brother in prison. We follow each of them into their individual lives, and meet some of the people in their lives (both actors play multiple characters, differentiated by a small change in wardrobe, an accent, or a different physicality). Events culminate on the weekend, and at least one of our characters learns that perhaps life is more than just traffic and coffee breaks.

One of the fun things about the show is the inventiveness they use to represent the different parts of daily life, which is enhanced by Jeremiah's sound design (complete with elevator music and daily announcements) and Courtney Schmitz's lighting design (I was impressed with the flexibility and variety achieved in this non-traditional theater space). This office world is so engrossing that the intermission only servers to interrupt the flow, and doesn't seem necessary with the short running time.

Unfortunately, I got to this one late - it closes this Saturday! If you're looking for something to do tonight or tomorrow, head to this unique St. Paul theater space to see an inventive, funny, and poignant little play about life inside and outside the office. (See the Bucket Brigade website for more info.)