Showing posts with label Most Happy Fella. Show all posts
Showing posts with label Most Happy Fella. Show all posts
Friday, May 15, 2026
"The Most Happy Fella" by Ten Thousand Things at Open Book
Frank Loesser's most popular and frequently produced musical Guys and Dolls is currently playing at Chanhassen Dinner Theatres in a big, splashy, "fantastically fun" production, full of jaw-dropping dance numbers and catchy familiar songs. But for the next few weeks you also have a rare chance to see his lesser-known musical The Most Happy Fella receive the opposite treatment - meaning quiet and intimate and exquisitely lovely. As much as I love a big splashy musical, I have a special place in my heart for a Ten Thousand Things production of a musical, which like all of their worked is stripped down to reveal the truth and heart of the piece, but for musicals also features stripped down music that's unamplified in an intimate space, and gorgeously pure. This is my third experience with The Most Happy Fella, and my favorite to date. This version really touched me; it's such a sweet and hopeful story about love, friendship, community, and finding happiness in life, even if it looks different from what you expected. It's also incredibly timely and relevant in its centering of stories about "women, elders, immigrants, and the working class" (as noted by TTT Artistic Director Caitlin Lowans). But the word is already out - many performances have already sold out and others are close to it, so get your tickets now to experience this lovely classic musical the way that only TTT can do it! (Continuing at Open Book this weekend, Hennepin United Methodist Church next weekend, with best availability at the Capri Theater and 825 Arts the following weekends, through June 7).
Saturday, October 12, 2019
"The Most Happy Fella" by Skylark Opera Theatre at the Historic Mounds Theatre
This fall, Skylark Opera Theatre brings us Frank Loesser's The Most Happy Fella, which is technically a musical, but one with operatic qualities to some of the music. And the fact that some of the songs are in Italian (or mixed English and Italian) also make it feel a little like an opera. It's an unabashedly romantic old-fashioned love story, but not without a few modern tweaks. Skylark's production in St. Paul's Historic Mounds Theatre is charming, intimate, engaging, and gorgeously sung by the 12-person cast.
Tuesday, October 20, 2015
"The Most Happy Fella" - A Reading by Second Fiddle Productions
Wikipedia says Frank Loesser was "an American songwriter who wrote the lyrics and music to the Broadway hits Guys and Dolls and How To Succeed In Business Without Really Trying, among others." I, like many people, have seen and love both of these shows (click on above titles for details of how I love them). But I had never seen or even really heard of The Most Happy Fella, one of those "among others" that Loesser wrote (and for which he also wrote the book). What a perfect choice, then, for Second Fiddle Productions, "a reading series that breathes life into uncommon and rarely produced musicals." Last night they presented a one-night only reading of the show at Camp Bar, featuring some of the Twin Cities brightest music-theater talent. And I'm so glad they did so that I could experience this lovely musical!
The Most Happy Fella is a love story, if a bit of an unusual one. It goes something like this: boy (Tony, played by Bill Marshall) meets girl (called Rosabella, played by Elizabeth Reese) in a San Francisco restaurant and leaves her a tie pin and a love note instead of a tip, girl doesn't remember boy but begins a correspondence with him, boy is afraid girl will reject him so he sends her a photo of a younger boy (Joe, played by Aleks Knezevich), girl agrees to marry boy and arrives at his Napa farm, girl is disappointed that boy lied to her and has a dalliance with the younger boy, boy and girl fall in love, girl finds out she's pregnant with younger boy's baby, boy is crushed but ultimately decides he loves girl and accepts the baby as his own (that last bit is actually very similar to a current storyline on The Bold and the Beautiful). A little convoluted, but it's actually a very sweet love story.
The most well-known song in the score is "Standing on the Corner," which doesn't sound as much like sexual harassment when sung in sprightly four-part harmony. A few of the other songs seemed vaguely familiar to me, but most of the songs I had never heard before. The show skews towards the opera end of the music-theater spectrum, about which Loesser said "I may give the impression the show has operatic tendencies. If people feel that way - fine. Actually all it has is a great frequency of songs. It's a musical with music." There's definitely an operatic feel to the score - sweeping and romantic with soaring melodies. The hero of the story, Tony, is an Italian immigrant, so some of the songs are partly in Italian, which only makes it more fancy. But mixed in with this opera-like music are some down home Country-Western feeling songs, both on the Napa farm and when Rosabella's friend Cleo is talking about her hometown, "Big D (Little-A Double-L-A-S)." It's a strange and lovely mix of musical styles that's quite pleasant to listen to.
Also quite pleasant to listen to is this 13-person cast crammed on the small stage at Camp Bar, accompanied by a 4-piece band. Even though they have the script and score in front of them, they all give full performances not just of the music, but also of the emotions of the characters. And many of them are doing this on their day off! On stage were Ruthie Baker (Artistic Director) and Adam Qualls, currently appearing in the fabulous new musical Glensheen just a few blocks away at the History Theatre. A few blocks beyond that at Park Square Theatre is where you can see Music Director Nic Delacambre as one half of the delightful musical murder mystery Murder for Two. Randy Schmeling recently performed in the Ordway's latest Broadway Songbook, and Aly Westberg just finished a short run of Murder Ballad with Minneapolis Musical Theatre. Everyone in the cast can be seen on various stages around the Twin Cities; in fact there was so much talent on that stage that much of it was underused (like the always adorable Suzie Juul). Bottom line is - these are all busy people who come together to learn this show for just one night!
The Most Happy Fella marks the final show in Second Fiddle's second season. Hopefully next year will bring another selection of rare and delightful musicals "read" by super-talented artists. If you want to help make that happen, remember them on Give to the Max Day, coming up on November 12.
The Most Happy Fella is a love story, if a bit of an unusual one. It goes something like this: boy (Tony, played by Bill Marshall) meets girl (called Rosabella, played by Elizabeth Reese) in a San Francisco restaurant and leaves her a tie pin and a love note instead of a tip, girl doesn't remember boy but begins a correspondence with him, boy is afraid girl will reject him so he sends her a photo of a younger boy (Joe, played by Aleks Knezevich), girl agrees to marry boy and arrives at his Napa farm, girl is disappointed that boy lied to her and has a dalliance with the younger boy, boy and girl fall in love, girl finds out she's pregnant with younger boy's baby, boy is crushed but ultimately decides he loves girl and accepts the baby as his own (that last bit is actually very similar to a current storyline on The Bold and the Beautiful). A little convoluted, but it's actually a very sweet love story.
The most well-known song in the score is "Standing on the Corner," which doesn't sound as much like sexual harassment when sung in sprightly four-part harmony. A few of the other songs seemed vaguely familiar to me, but most of the songs I had never heard before. The show skews towards the opera end of the music-theater spectrum, about which Loesser said "I may give the impression the show has operatic tendencies. If people feel that way - fine. Actually all it has is a great frequency of songs. It's a musical with music." There's definitely an operatic feel to the score - sweeping and romantic with soaring melodies. The hero of the story, Tony, is an Italian immigrant, so some of the songs are partly in Italian, which only makes it more fancy. But mixed in with this opera-like music are some down home Country-Western feeling songs, both on the Napa farm and when Rosabella's friend Cleo is talking about her hometown, "Big D (Little-A Double-L-A-S)." It's a strange and lovely mix of musical styles that's quite pleasant to listen to.
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| the cast of The Most Happy Fella (photo by Second Fiddle) |
The Most Happy Fella marks the final show in Second Fiddle's second season. Hopefully next year will bring another selection of rare and delightful musicals "read" by super-talented artists. If you want to help make that happen, remember them on Give to the Max Day, coming up on November 12.
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