A 12-year-old girl named Morse begins and ends the story for us. She has broken into her neighbor's home, that of the well-to-do Mr. and Mrs. Snelgrave, after everyone in her home perished from the plague. A sailor named Bunce has also sought refuge in the house, which has all been boarded up except for one room, the only room in which no one has died. After discovering this break-in, the guard Kabe, their only contact with the outside world, has ordered them to say inside for 28 days to ensure none of them are infected. So begins a long process of these strangers getting to know each other, and the long-married couple facing their long-buried issues. We're told by Morse at the beginning of the play that not everyone survives, so we wait to see who dies and how, like a 17th Century deadly version of Survivor.
|Morse (Briana Patnode), Mr. Snelgrave (Jim Ahrens),|
Bunce (Peter Beard), and Mrs. Snelgrave (Ellen Apel),
James Napolean Stone does a beautiful job directing this fine cast and so vividly creating this world. As Morse, Briana Patnode is utterly captivating and appealing, with her ever-changing emotions displayed plainly on her open face. Peter Beard's Bunce has a raw intensity boiling just below the surface of his calm demeanor. Ellen Apel is as sympathetic as Mrs. Snelgrave as Jim Ahrens is vicious and appropriately unlikable as her cruel husband. Last but not least Brian Joyce brings the right mix of humor and creepiness to the guard who occasionally shows up at the window. Helping to set the tone is the sparse set by Meagan Kedrowski, which consists of two chairs and one boarded up wall with a window. The surroundings are well-incorporated into the set, most effectively in the concrete floor of the basement that is momentarily marked by the water that is splashed on it, until it drinks it up. The beautiful period costumes by Barb Portinga range from shabby to elegant and help to define the characters (there's even some clothes-swapping as roles are reversed). I particularly loved Morse's too-large dresses, ragged and dragging on the floor.
"Our lives are but a splash of water on a stone. I am the stone they fell upon, and they have marked me." And this play has marked me. You can't ask for much more than that from theater - a beautifully written, thought-provoking, disturbing play with wonderfully real and raw performances by the small cast in a space that adds to the tone of the show, that has a lasting impact on the audience. It's playing for two more weekends and I highly recommend that you check it out as one example of the fine work being done by small theater companies in unusual spaces.
*It really is chilly in the basement, so bring a sweater. There is street parking around The Soap Factory, but leave a little extra time to drive around and find a spot.