|Elliot in his mother's garden|
(Adlyn Carreras and Ricard Vázquez, photo by Petronella J. Ytsma)
|Elliot is injured (Ricard Vázquez with Pedro R. Bayón,|
Rich Remedios, and Adlyn Carreras, photo by Petronella J. Ytsma)
Kit Mayer's simple and eloquent set design begins with a bare stage painted with American colors and five large rotating panels. On one side is a natural wood representing the desert of Iraq, the jungle of Vietnam, and the cold landscape of Korea. On the other side is the colorful and tropical garden of home. Panels are organically turned as appropriate, or left partially open to create a third effect. The bare stage gradually becomes littered with letters, leaves, and other remnants of war.
Elliot, A Soldier's Fugue is one of those 90-minute no intermission plays that fully immerses you in their world for a short period of time, creating a full and epic experience (while still allowing for an early bedtime). Playing now through October 4, it's definitely worth checking out to see a moving portrait of a solider and ruminations on war and returning vets, a topic that sadly never goes out of style. (Find discount tickets on Goldstar.com.)