The Children is a re-imagining* of Medea from the point of view of her soon-to-be-murdered children. But this time, a member of the chorus (Tracey Maloney) jumps in to intervene, stealing Medea's book of spells and transporting the kids (charmingly and poignantly played by Kurt Kwan and Kate Guentzel, manipulating children-sized puppets) to a cabin in modern day Maine in the middle of a hurricane, with their kindly nursemaid (Michelle O'Neill*) in pursuit. This mash-up of worlds creates a fun and interesting juxtaposition when the Classical Greek characters meet the folksy town sheriff (Jim Lichtsheidl, charmingly funny as always). But it's not as straight forward as that, and at times it's not clear who's who, or if what we're watching is a dream or reality. But hang on, because most of it makes sense by the end of the story. And if not all of it does, well that's OK too. It's a wonderful journey of imagination that's also grounded in the harsh reality of these children's experience.
|Kurt Kwan and Kate Guentzel as The Children|
(photo by George Byron Griffiths)
Pillsbury House is a theater that never disappoints. The Children is an imaginative look at a story we think we know, brought to life by some of our best actors, beautifully and technically staged in a captivating, magical, funny, poignant 80 minutes. Head to Pillsbury House (which is a community center in addition to a theater) in South Minneapolis before it closes on October 16 to take this ride.
*For another re-imagining of Medea, watch for New Epic Theater's production coming next spring, in which Michelle O'Neill will play the title role. In talking with Artistic Director Joseph Stodola after their Ivey win for their Fringe show Now or Later, it sounds like they have some really interesting ideas of how to portray Medea as more than just that crazy woman who killed her children, and tell the story from a feminist perspective.
This article also appears on Broadway World Minneapolis.