The last time I saw The Good Person of Szechwan, it was 3+ hours long, which is longer than anything ever needs to be. But this is Ten Thousand Things as directed/adapted by Michelle Hensley, who, after nearly 30 years, is an expert at cutting out the extraneous bits and paring down a piece of theater to it's truest heart. So the story is succinctly, fully, playfully told in a little over two hours, and it's a story with a lot of heart. The Good Person of Szechwan is like a gritty fairy tale (which is what TTT does best). Three gods descend to earth in search of one good person. They find her in the city of Szechwan, a poor but kind-hearted prostitute named Shen Te, who gives the gods a place to stay even though she doesn't have much. When she complains that it's difficult to be good and still pay the bills, they reward her with 1000 silver dollars in the hopes that easing her money troubles will free her up to do more good. But things don't quite work that way down here on earth. Shen Te buys a tobacco shop, but soon finds herself taken advantage of by friends, neighbors, and lovers. She is forced to invent a male alter ego Shui Ta to protect herself. The play asks interesting questions about what is good, what sacrifices do we make to do good (no good deed goes unpunished), and how can we do good while still demanding respect?*
|the three gods and the water seller (Harry Waters, Jr.,|
Sun Mee Chomet, Elise Langer, and Max Wojtanowicz,
photo courtesy of TTT)
Our Good Person is played the inimitable Joy Dolo. She's as funny, personable, and good-natured as Shen Te as she is fierce and demanding as Shui Ta, but she really shines in several asides (neatly cued by Peter Vitale's sound design) when she pours her heart out directly to the audience. As the pilot that she falls for, Tyson Forbes is so good at being bad. So vulnerable and charming one moment that you can't help but fall in love with him, then turning around to reveal a total slimeball who does not treat our heroine well. The rest of this incredible ensemble (Elise Langer, Christina Baldwin, Harry Waters Jr, Karen Wiese-Thompson, Max Wojtanowicz, and Sun Mee Chomet) play multiple characters, all distinct and well-defined and just a joy to watch.
I saw my first Ten Thousand Things show in 2010, shortly before I started this blog. I'll never forget the wonder of that first experience - a totally stripped down version of the usually big and splashy musical My Fair Lady. I haven't missed a TTT show since, and I regret all the shows that I missed out on prior to that. I'm so grateful to Michelle Hensley, the artists she's worked with and mentored, and the community she's fostered through her work. As she moves on to what I'm sure is something else really great, she will be missed but not forgotten, and her legacy will continue anywhere artists and audiences come together with open hearts to make the world a better place, at least for a little while.
|TTT Founder and Artistic Director Michelle Hensley giving her pre-show speech|
about the audiences who've seen the show and their reactions, always one of
my favorite parts of a TTT show that I will dearly miss (photo courtesy of TTT)
*Plot summary borrowed from what I wrote about Frank's production a few years ago.
This article also appears on Broadway World Minneapolis.