Th 80-minute play takes place in real time in a 1960s London flat. If that's not enough of a comedic setup, just before the guests are to arrive at said flat, they blow a fuse, pitching them into darkness. But we see the reverse; the play begins in darkness, and when the fuse blows the lights come up. As characters bring in a match, lighter, or torch (British for flashlight), the lighting dims and the characters are able to see. It's endlessly entertaining to watch characters stumble around as if in the dark, bumping into furniture and each other, or even better - just barely missing bumping into each other.
The story is that starving artist Brindsley and his new fiance Carol invite her father and a famous German art collector over to his flat. Embarrassed by the shabby furnishings, they borrow a few things from Brindsley's well-to-do neighbor Mr. Gorringe who is out of town. But when Gorringe shows up at the apartment after the blackout, along with Carol's stern father and another neighbor, the prim Miss Furnival, Brindsley attempts to remove and return all of the stolen furniture, replacing it with his shabby items, without anyone noticing. Add to that the surprise return of an ex-girlfriend and mistaken identities, and the whole evening turns into delightful, hilarious chaos.
|Josh Carson and Don Maloney|
A fun feature of Theatre in the Round is that, being a theater in the round, the audience gets to walk across the stage to their seats. This is a great opportunity to see the set up close and personal, and this one is really fun to observe up close. It looks like a swinging bachelor pad from a '60s sitcom, with a bar, record player, funky lights, and lots of tchotchkes and pieces of art. Kudos to set designer Lee Christiansen, and to props designer Tyler Lanam for the detailed vintage items all around the set, including a stack of old playbills I saw on my way I out that I desperately wanted to rifle through but "don't touch the set!" The lighting is vital in a play like this, and A. Camille Holthaus gets it just right. We move from darkness with colored lights around the apartment, to full light representing blackness, to various levels of dimming when other "lights" are brought in. Completing the look are Carolann Winther's fun period costumes, including white go-go boots, natch.
Black Comedy is a classic farce from the '60s, complete with spit takes, pratfalls, double entendres, exaggerated situations, and love affairs gone wrong (it doesn't even need multiple doors to make the funny!). It's a fun idea and tight script that's well executed by the team at Theatre in the Round, the oldest theater in Minneapolis (continuing through February 2).